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Post by Deleted on Jan 11, 2015 6:00:17 GMT
You were expecting professional reviews? Too bad it's just me Vex (plz don 8te me 4ever) Entry No. 1: Bridge Between Hearts Score: 7.5
Review: Pretty nice romance you made there, the beginning was a little... unnatural so you could work a bit on that, but the development was nice, also good interaction between characters.
oOo Entry No. 2: Undefined Fantastic Emotion Score: 6.5
Review:Not bad, not bad at all, some grammar mistakes, but that doesn't affect score in my books, may want to be more careful in the future. I say the story wasn't bad, and it's true, but it felt somewhat average. I liked the bit of comedy added there near the end though, gives your story personality. Nice romance an unusual pairing but also an interesting pairing.
oOo Entry No. 3: I hate you! Score:7
Review: You encountered a bit of confusion at the start, you seemed unsure as to wether to make Kourin the narrator or to narrate in third person. I also noticed that there is some weird use of commas, but don't worry that won't affect your score at all. It was a nice love story with a pairing even more unusual than the last entry, but you made it work pretty well.
oOo Entry No. 4: A winter kiss Score:6.5
Review: Nice writing it was not perfect but I see potential within this story, the romance was sweet, but it was way too fast. I mean, they had just met each other and after a couple of hours they are already kissing? It was good but it could have been better with some better pacing.
oOo Entry No. 5: Memory and Reality Score:9
Review: Excellent story, a little long but I feel it's better this way. The beginning was a bit confusing, but by the end it is easy to see what took place. I like how the ending is not exactly spelled out, but it's still pretty clear too see what took place. The main characters are given much depth which is also a good thing.
oOo Entry No. 6: Love for an eternity Score: 4
Review: A kiss and just two lines for each character aren't really sufficient to represent a feeling such as love imo. However what little was written was not bad, it was more... incomplete so to say. If you would have added more of anything really, I think this story would be, more romantic if that was your objective.
oOo Entry No. 7: Roses die, the secret is inside the pain Score:8
Review: Nice story (totally not biased opinion) A kiss that awoke said memories instead of created happy memories, a kiss of sisterly love. As I see it the ending may mean one of two things, although I'm not sure which. You could have elaborated a little more on Primevere's character to make the story better, since she only spoke one work in the story.
oOo Entry No. 8: Lament of a Lunate Elf, for a kiss that never came Score:7.5
Review: "Fairies dying" I'm sure you've heard this one before so I won't even bother with that one, and instead I'll proceed to say you did pretty nice setting up of a sad and emotional atmosphere. Also I liked how you did the flashback and put some tension relief to not make the atmosphere feel to suppressed, and managed to switch it back to sad when you needed it too.
oOo Entry No. 9: Game Changer Score: 8
Review: It was a pretty good story somewhat dark, the grim-dark stuff I like, but the characterization for Kaguya is way off. Nice plot twist though, I was really tricked out the first time I read it not noticing there was more. It seems pretty clear you had an awesome idea, but perhaps you should have adapted it more to the characters, So heads up.
oOo Entry No. 10: Sister's Legacy Score: 9
Review: A story that truly gave me the feels, and actually made me care about the Prismrivers. This story is not an ending but rather a beginning for the Prismrivers, that defines who they were and who they became after many years, and came to be known as they are now. Excellent penwork I must say.
oOo Entry No. 11: Fusion: Melting White Heart Score:7.5
Review: It was a good romance with good pacing, also I liked the moral there at the end. Your idea of changing perspectives was well executed if a little confusing at first. You could work a little bit more on the conclusion, it was good, but at the same time it felt somewhat incomplete.
oOo Entry No. 12: If You Keep Stealing... Score: 5.5
Review: Nicely written I admit. I personally like all the hinting you did and your narration from Rinnosuke's pov, All in all it's quite the sweet tale. However I feel as though it misses more... description more plot.. more something. Otherwise personally I enjoyed it.
oOo Entry No. 13: Blood Lake Massacre Score: Review: oOo
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Ariezza
Promised Arclight
Posts: 615
There is now only a white phantom that looks like you
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Post by Ariezza on Jan 13, 2015 11:02:35 GMT
I take it that it's our final entry for this round! Last but not least, please take a look at this entry~
Also, Voting Phase ends tomorrow. Anyone who hasn't voted, please do so, because it will give you a point bonus ^.~
Blood Lake Massacre I'm going to tell you a story, a story that had once changed the Gensokyo we know today...
It was a nice and hot day in Gensokyo, everywhere.. But not at the Lake of Blood. It was once again silent and dead over there. Once it was a lively place, now it's a lonely dead place..
As strange as it may sound, this had to do with a dark event that'll be known as the "Blood Lake Massacre" in every corner of Gensokyo. In this story I'll tell you exactly what happened 16 years ago.
Also, I must mention that everyone in this story is a vampire; there are no exceptions!
1 January 1789 - City of Blood, afternoon.
The merchants at the city plains had been happy for years, the constant war between the kingdom located at the Lake of Blood; the kingdom located nearby the Lake of Mist had been ongoing for years now and even though the continuing threats from both sides haven't yet stopped.. There were a lot of products made for the war, which sold for a lot of profit because the spirit of the people was set so that they'd go to war and win eventually. And even though everyone was cheering for a victory they thought would come soon. Far away, hidden from the folk in one of the castle towers. A discussion was held for an attack against the Scarlet Kingdom, to sweep them of the map, they will use their strongest troops; some of their newest inventions. Since the war has been ongoing for ages, even though not a single attack has been performed in fear of reprisals. The discussion lead to a plan, a plan that sounded more than good, it sounded flawless; truly outstanding! Or so the generals of the Lake of Blood army thought.
The plan was actually quite simple, deploy troops thanks to flying aircrafts they'd call "Ultra Fast Flying Transport vehicles" around the city of Scarlet Mist; from there march to the Scarlet Mist Castle, which was where the princess resided.. She would be killed and the Lake of Blood army would take over the Scarlet Kingdom. The princess of the Scarlet Kingdom has the dream of painting Gensokyo in "Scarlet Red" She, who didn't accept anyone outside her kingdom wanted everyone to be enslaved. She has destroyed countless of villages with her army.. It's even said that she once did pulverize an entire city alone! For her hostility towards the unknown; the different. She has been hated many decades in all of Gensokyo, the kingdom at the Lake of Blood was once one of her victimized kingdoms, when the princess left them because they were "worthless". The folk that lived in this kingdom did work hard to rebuild their kingdom. They made it grow a lot and got a lot of help from some of the survivors from other decimated kingdoms.
23 March 1789 - Castle of Blood, morning.
The princess of the Lake of Blood kingdom has shown her consent in yet another secret meeting of the generals. The princess, which once lost her mother thanks to the Scarlet Kingdom's army, wanted the princess of the Scarlet Kingdom to be captured instead of being killed. So, the word of princess Kurumi of the Lake of Blood kingdom was law. Therefore the attack that had been set for about 2 months later, would be performed.
24 March 1789 - City of Blood, morning.
The consent of the princess had been given one day ago, but one of the tasks was to inform the folk a day after. The task was probably hard for the informant of the army, going through the city, asking merchants to spread the word, but most merchants didn't want to and said "Piss off, time is money!" One can imagine how the informant had felt, although the informant had no choice, she had to keep spreading the word. The help she got at least brought her somewhere as at the end of the day everyone knew, Most people were puzzled. There was no proper explanation, But regardless of that, it wasn't about the opinions of the people here. It was about making sure they'd know that from now on the "war" would really happen!
People had their doubts, they discussed together if their army would be able to get the job done. Some people left the city out of fear but most remained.
When it was night, the army had a demonstration of power. They thought the best way to win people's hearts over was by showing them their power, fear had to be shown to the Scarlet Princess. She had to know that if war is what she wants, she'd get it. 31 May 1789 - City of Scarlet Mist, night.
The general assigned to lead over the troops has the name Reisen Udongein Inaba, once fled from the Eientei Empire after a successful attack by the Scarlet Mist's army, she would've been killed but managed to run away when she would've been executed with some of her old friends. However, she possessed the ability to drive people mad by looking at them, surely the Scarlet troops ran after her. But when they'd find her a stare was enough to get away, the troops wouldn't even know she had been there. She was also very successful at danmaku, she almost always won in battles because she'd manipulate the vision of the opponent. This was reason enough for the Lake of Blood's kingdom to assign her for this job, they wanted to get in without any trouble so.. What's better than leaving the enemies completely clueless by what's happening? So they had thought.
The army of the Lake of Blood Kingdom has arrived to the borders of the city thanks to the air transportation, but the ever so young Scarlet princess has foreseen this and already made sure that defense troops were stationed around the city. A few of the best troops had to counterattack the Blood Kingdom's army, they did so by using a few of the danmaku techniques they got taught at their military camp. "Spread Danmaku Lasers!" So were the generals among this division shouting. However, the Blood kingdom's army started flying towards the defense division and dodged the spread-laser danmaku on their way. They were prepared for this war and learned to dodge danmaku, if they couldn't they'd be kicked out of the army. It was just a matter of time before the Blood Kingdom's army cornered the defense troops, the generals of both sides told their troops to slaughter each other. Which happened was a massacre... The Blood Army had caused, not even one death fell amongst the Blood Army's side whereas the defense troops of the Scarlet Army were completely obliterated. It were a few quick bullet-danmaku patterns that aimed for the trunk of the Scarlet Army's troops that did the job. The Blood Kingdom's troops then proceeded farther in the city, it took them around 6 hours of fighting before they occupied the city. They were victorious and all troops on their path got slaughtered by a wide variety of danmaku patterns.
1 June 1789 - Borders of Scarlet Mist Castle, morning.
The battlefield that one day of fierce fighting had caused left the people of Scarlet Mist City speechless, most of them feared to get killed even though the Lake of Blood Kingdom's generals had told them to not be afraid for a mass slaughter, since that was not in the plan. Lake of Blood's generals didn't like the thought of leaving the Scarlet Castle with a moment for a reprisal attack, so they decided to move on right away. Most of the troops already got to the camp on the border of the Scarlet Mist castle, it was here where the general of the Scarlet Mist Castle would face them. Hong Meiling, she has been trained for many years. She knew exactly how to get someone down on the ground, her danmaku attacks are known to be lethal even from a big range. It was for these reasons that the Scarlet Princess decided to make her the general in the battlefield, Hong Meiling was laughing faintly, thinking she'd win regardless of what would happen.
Reisen wasn't looking forward to this, the plan had been to invade without being seen, to take down the army without any resistance. But since the Scarlet princess foresaw this, she had no other option but to do it the hard way. However, if anyone knew how to deal with this then it was Reisen. She just had to manipulate the vision of the troops and then take on Meiling by herself, so she started a spellcard. "Spellcard! Mad Dream "Dream of Insanity (Dream World)" but when she was in the middle of performing it.. "SPEAR THE GUNGNIR." She got hit in her stomach, It was the Scarlet Princess, Remilia Scarlet. She struck Reisen with her weapon, it was said that Gungnir would never miss its target. And there Reisen was, dying from heavy bloodloss, her intestines were completely exposed; the ground under her.. Turned red, scarlet red. The troops which had seen that their general just died, their moral was absolutely crushed, even more when Remilia flew towards them.. But, before she got close, her sidekick Sakuya Izayoi interrupted her "Pardon me for interrupting you milady, but can you perhaps hand me over this simplistic task?" The young scarlet moon replied with "Fine, I'll leave it to you then. Make sure to paint this battle ground in scarlet red." Sakuya shook her head vertically to show she understood.
As if it wasn't enough, their general almost died instantly after getting hit by their prey. The Scarlet princess surely was something, but now they had to deal with Sakuya Izayoi. The head general of the Scarlet Mist Kingdom, not only that but Meiling didn't even do a thing yet! All she was doing was laughing even more fiercely after she saw how the general of the Lake of Blood Kingdom died out of the blue. "I had expected something to happen, instead I saw the only actual threat getting killed right away. We'll beat the crap outta these troop-rookies, right? Sakuya?" But instead of getting the response she wanted Meiling simply got "Dismissed, I don't need you here." as an answer. Meiling was not amused but she knew she couldn't give Sakuya a "but", therefore she hurried up to get inside the castle.
Before the troops from the Lake of Blood army could do anything Sakuya already had declared a spellcard "Illusion World "The World" But, a part of the troops flew towards Sakuya in the hope they could be on time to hurt her. They were more than wrong, At the last moment when one person of the group almost managed to punch Sakuya with the Danmaku-punch technique, Sakuya stopped the time "A little bit too late, although I timed this perfectly as usual." Sakuya said when she stopped time. "It's about time that I make everyone close to me feel the scratches and wounds time would normally heal, this time however, time is completely on my side." Sakuya said when she grabbed a few of her knives, the knives were red, as red as the many victims they've made in the past. "Let's see, shall I slice your neck?" she said towards the person who almost punched her, "Nah, I'll slice your hands off and then your neck, slowly." Sakuya said and then proceeded to do so. As time was still stopped, the hands and the neck of her victim didn't fall of right away, yet death was what would ensue the action. Sakuya then proceeded to throw knives precisely aimed for the hearts of the other close troop members. "Time stop over." She said elegantly when the stopped time returned to flowing time again, the hands fell of the person who tried to punch Sakuya, but those fell first, the person then started to look in fear and in pure pain. Wanting to just say one word she opened her mouth, what proceeded was her neck falling off, her dissembled body parts fell to the ground along with the trunk which covered the ground in scarlet red blood. The others were hit by the knives Sakuya precisely had aimed at them, there was no escape. A second before they had full confidence they could face her, a second later it was like they felt a nail piercing through the heart of a rat. Instead of just feeling it, the scarlet red knives penetrated the hearts of the troops, they all fell to the ground. "Now now, that was quite easy. What to do with the rest?" Sakuya said when she stopped time again, "I'll make this very quick" Sakuya said when she flew towards them, with a green knife in her hand this time, she proceeded to slash in to her surroundings, everyone close to her (which were all the remaining troops) got sliced in perfectly stopped time, Sakuya's eyes turned red when she did this, before they were blue. Sakuya did look like she'd be rather exhausted after she'd be done considering she was slashing like a lunatic, but when she was done she elegantly gazed those who she had slashed "In a brim of a second, I decided the exact time of your death." Sakuya said and then proceeded to allow time to flow again... The disassembled bodies of her victims once again falling to the ground, painting the ground in even more scarlet red blood. Sakuya said "Welcome in my world." at the exact moment the spellcard ended. After that all the troops died. All of them, Remilia came outside and rewarded Sakuya with the allowance of doing a reprisal at the Lake of Blood kingdom right away "You brought me what I wanted, A battlefield painted in scarlet, red blood." Remilia said, looking at all the dead troops.
6 June 1789 - Castle of Blood, afternoon.
An informant of the allied Netherworld kingdom was sent to inform the Lake of Blood kingdom that a lot of dead spirits came in recently, due to the massacre at the Scarlet Mist Castle. When the princess, Princess Kurumi heard of this, she was rather shocked by the violence; how fast so many troops were killed. She then made sure all the generals got to hear about this as nobody ever has heard a thing of the troops after the battle anymore.
7 June 1789 - Castle of Blood, night.
All the generals had been gathered, all of them were strategically seen genuine. Even though they always were rather arrogant they exactly knew how to solve a bad situation like this, or so they always have said. But this time, this time they didn't know. None of them said a word, not even when Princess Kurumi left. All of the generals were staring, most of them fearing the worst. They wouldn't be capable of making a fist anyways, they had been beaten easily and swiftly by just one opponent. And it wasn't even the oh so feared scarlet princess, it was her sidekick Sakuya Izayoi which made them worry. After an hour and a half, one of the generals spoke up by saying "We really don't know what we can do anymore, as much as I'd like to not admit defeat it might be the best to inform our folk for the worst." the other generals shook their heads in acceptance, they knew it would become much worse if they wouldn't be fair. "Discussion closed, inform the folk about this tomorrow. We'll have to leave the kingdom because the next reprisal will also be the last."
7 June 1789 - City of Blood, morning.
The same informant as before rushed through the city, to tell all the people to leave the city because the scarlet mist army would arrive with their reprisal anytime soon. But nobody wasn't bothered when they heard it. "We have the best army in the world, the scarlet mist army sucks!" a few idiots said, others still thought they wouldn't break through the defense lines, those were told there were no defense lines anymore. All the troops that attacked the Scarlet Mist Kingdom died, only the generals that remained here and a few informants were still alive. Some of them made a scream of pure angst; honestly, who could say they're wrong for that? Hope was lost. Evacuation was a must, yet... It was too late as the people were too stubborn to listen.
In the main time the Princess of the Lake of Blood Kingdom, Kurumi got helped with her evacuation by some people of the folk. If it was anyone they did actually look up to, then it was the princess. She got help to get out of the kingdom, she would be evacuated to the Kingdom of Dreams which allowed her to stay.
8 June 1789 - Route to Kingdom of Dreams, afternoon.
Sakuya Izayoi was on her way to the City of Blood, when she noticed that amongst her army there also was Meiling. Meiling just wanted to join in and did follow Sakuya. "Okay, for this once you'll may come along." she said with a soft undertone of irritation.
Princess Kurumi has been in her royal carriage for a day now, she was halfway to the Kingdom of Dreams when her carriage got intercepted. It was Sakuya Izayoi and her army who had been flying the route towards the Lake of Blood Kingdom for a long time, only to figure the clueless princess was evacuated by a carriage that eyed suspiciously.. Royal, Sakuya then proceeded to give the riddance of the carriage to a small part of her troops. "In war, there's no safety by evacuation. You'll come along with us to watch how all your people will die." Sakuya said, she spoke again and said "Meiling, bring Kurumi to the Lake of Blood to the north of the city, if she tries to leave then you got my permission to kill her." In a whim of time, when princess Kurumi figured what was going on she began to be uneasy, she never was capable of protecting herself. She never was good at bare-hands fighting and she couldn't even fire a bullet a meter farther, she knew she was done for.
Sakuya Izayoi then proceeded her flight to the City of Blood, she got to there in the afternoon. After all carriages were a lot slower than actually flying. When Sakuya arrived in the afternoon a part of the city was bowing down, in the hope to be forgiven. But she had strict orders to attack, she wouldn't spare anyone a word for the motives she has been given. It was clear, plan a reprisal at the kingdom that had attacked and spare nobody. However, instead of attacking in the afternoon, she gathered everybody during that time. She gave them all strict orders to stand in the city, surely the people were scared but.. If they didn't cooperate they will be killed right away, better hoping something good can happen than marking yourself a bad end they thought.
Once it became night... First, Sakuya collected all the generals that tried to flee the city and placed them all against the walls of a former supermarket. "Permission is given to shoot them with spread-danmaku, make sure as much blood drops as possible." The generals upon hearing this started to look more than just scared, they couldn't even breathe normally anymore. They knew it was all over for them, it took just a second before they'd be killed, the most noticeable thing that was left were some corpses laying next to the walls of a former supermarket.. Full of scarlet red blood. Then,the people across the city were gathered by the troops; they were forced to stand in the city instead of staying inside, the reason would soon be seen as the houses for bombarded by danmaku of the troops. Every house burned down to cinders, everyone's normal life was gone. This was what war had brought, total devastation and an unhappy end. But, it doesn't stop here. Sakuya ordered the troops to take all the humans to the lake of blood which was next to the northern city border, she then met up with Meiling and the imprisoned Kurumi "Meiling, grab her arms and take her outside. We'll execute her people in front of her eyes." The people upon hearing this were very scared, Meiling was watching from a little distance with Kurumi in her hands, a safe distance. "Geh, so you're Kurumi huh? If I wouldn't have had to hold you here I'd probably learn you how to defend yourself for a bit, as you're just plain weak." Meiling said to Kurumi on which Kurumi responded with "How can you live with yourself? After all Remilia has done to everyone, why do you do this.." Meiling didn't see any reason to feel hurt by that and said "That's none of your business, now stay here and see how the people of your kingdom will get obliterated." Kurumi felt like crying when she heard that, but she held it to herself.
Sakuya then announced "Now watch, as I, Sakuya Izayoi will pulverize everyone here for milady. In war, there are no winners. And you Kurumi, you've lost to a by far more superior being than you." after Sakuya spoke she quickly grabbed a spellcard "Deflation World" for a second, everyone did look scared. Their stares of facing the death were very well understood by each other, Kurumi began to cry when she saw everyone like that. But, in a whim of a second Sakuya threw a few knives pointed towards everyone except her troops which included Meiling and the now captured Kurumi. "Time Stop" Sakuya then began to place knives in a perfect aimed line to the precisely aimed knives she had thrown before, the chains of knives were places in front of the people, and after them too. There was no escape, once the spellcard stops a mass-massacre happens. "Time Flow" Sakuya said, exactly at the moment she said it time began to flow again and the stopped knives pierced through everyone at once, an enormous amount of the people that had been hit fell to the ground, bleeding to death. Kurumi couldn't watch this anymore and began to cry even harder, Sakuya then responded with "You've lost, it's all your fault for not giving in to the glorious young Scarlet Moon, milady Remilia Scarlet." and then proceeded to speak again, saying "This, is an unfinished job. I won't kill you, that's up to the mistress to decide Kurumi. But, This isn't good enough." Even though everyone fell to the ground, pretty much everyone died.. Sakuya still didn't feel like it was good enough, she then proceeded to do something by far more cruel. "Ah, I got it now." after she said it she grabbed yet another spellcard "Time Sign "Time Stopper Sakuya" and.. She made the pain the people felt, the generals felt.. Everyone who died and had lost blood in general, she made it something that would be felt for forever. Even if the person that died had been long death by now, Sakuya made their death feel-able forever. Kurumi was absolutely disgusted but she cried more than she could take, she then fainted only to awake in the prison of the Scarlet Mist Castle a day later.
Remilia came to visit Kurumi "My, my, if it isn't the worthless princess." Remilia said, Kurumi responded with "Why, why did you do all of this.." Remilia once again, responded with "This is as sour as a vampire kiss can taste, I remember having given some of your people a vampire kiss, the dead corpses that forever feel pain. I meant those." Kurumi's facial expression looked shocked "W-wait.. W-what?..." "Yes, indeed. A vampire kiss on their neck, to suck out the blood I won this war." Remilia replied, "T-that's just evil... Why don't you just get rid of me already.. I don't want to live on like this.." "Are you dumb? I want to you feel this eternal pain, this was my master plan. To get rid of all your people and to execute them in front of you do you even know how much effort it took me?" Remilia responded. Kurumi was silent, until she did burst out in tears. Remilia had an evil grin on her face, grinning a bit more when she sees Kurumi crying. "Hahaha, this satisfies me. I'm happy to see you all sad, no worries you won't be killed. Just like your people, I want to make you feel the pain for forever."
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Post by Deleted on Jan 13, 2015 15:39:26 GMT
Eientei Round 1 Writing Competition Review So this is the second time i'm doing this, huh? Well, story is that the word file didn't save and I lost me review. I hope I don't sound too annoyed in these. Lets cut to the chase, these reviews aims to give subjective feedback to the writers. These will be done in a casual format and will not be structured. More accurately these would follow my train of thought as I notice things as I read the passage. I chose to do this introduction and reviews in this fashion is simply for the sake of efficiency. A formal high quality review usually takes me about 1.5 hours of focused work or a whole day or moderate speed working, to get it to a standard I am satisfied with. As such these will not even nearly reach the standard I did for Dani's entry in the Dani 1v1 Alicia thread. Moreover you should be aware from the very beginning of the competition that your entries can and will be rated by any random member on this forum. This means that our opinion may not be professional. 10+ reviews are also a lot of work, so spelling and punctuation mistakes on my side could be abundant. This however, does not been I cannot poke you about your spelling and grammar, after all this is NOT an ego stoking contest, I see this as an opportunity to help each other become respectable writers. Without further ado, lets begin. Entry No. 1: Bridge Between HeartsScore: 6/10 Summary: Get some content! A nice well-written, sappy scene like this is fulfilling for some people. But if it is the general audience, some people will not be happy if a sappy scene is all it is. Review: This entry is a romantic scene between a user from Eientei "Angel" (self insert or not) and Mizuhashi Parsee, a "Hashihime". According to the Touhou wiki entry on Parsee, in life, Parsee's husband left her and married another woman. She then spent time (it is not specified how long), as a Youkai of jealousy, hating couples. If she had been a Youkai for a long time, her feelings about love and couples would not be very positive and would not be able to be changed easily. If she is a young Youkai, then the hurt from when her husband left her as well as the pain from becoming a dangerous Youkai as a result of this, would still be very clear in her consciousness. Needless to say we need a pretty good excuse for why Parsee would even want to get along with or trust a male human like Angel. From Angel's side, we also need a pretty good reason for why a vulnerable human would even venture into a place filled with dangerous man eating youkai in the first place (it was stated that it was because he didn't care, well why doesn't he care about his life?). These reasons were not given. Alright, lets pretend Parsee somehow doesn't kill this loitering human and somehow grows fond of him. Wouldn't she be worried for Angel's safety in the underworld? Even if no one crosses the bridge, I don't see an ordinary human with no powers to speak of, somehow getting past a spider with the power to manipulate diseases.This was also not mentioned.
With these points in mind, it is obvious that it is not the author's intention to establish anything with this entry. Rather, it serves to invoke a certain emotion in the readers. It is a sappy romance scene and that is all it tries to be. Nothing wrong with that. In fact, i'll be grading this piece based on how well it does what it is trying to do. I will take points off due to the sheer lack of content due to my subjective preference, however.
On the writing side, this piece was done well. I did not run this through spellcheck since i'm not doing a full review, but it is at least passable since everything is clear and coherent. The piece itself was also straightforward and concise. The writing flows well as far as I can see. Vocabulary used is also fitting and of a high quantity. There is a lack of imagery, however. Even if the audience should know what Parsee looks like, no one knows what Angel looks like. It is not jarring, but its something that can potentially be worked on.
Overall, this entry is like ramen for me. It tastes nice, its doesn't take long to eat, but it also has little to no nutritional value, tastes bland and some people cringe at it. (545 words)
Entry No. 2: Undefined Fantastic EmotionScore: 4/10 Summary: Try to explain a bit more if you're using a character as unknown as Kokoro, I've asking around and Kokoro lore doesn't seem to be common knowledge I got like 5 different views. Or at the very least type an explanation separate from the passage and link to it. Spellcheck and proof-reading would be nice. More emotive language and literary would also be nice. Review: Well. First thing I noticed was that this was not even nearly as well written as entry number one. Usually I don't care much for how great someone's grammar is. Bottom line- it has to make sense. Some of these mistakes do not make sense. Proof-read and spellcheck, friend. Using asterisks to show actions in writing feels unprofessional. I suggest you to drop it. Say something like "Nue gasped" instead of "gasp". I can't figure a good reason for the asterisk, either and its awkwardness detracts away from any possible meaning you had behind it. There is a lack of imagery in this passage or any other literary features that I can recognize. This also leads to a lack of buildup in the romance. The expression "show, don't tell" comes to mind. I'm not exactly well versed when it comes to that, but its a nice saying to keep in mind.
If Kokoro lost the mask of love, as implied by this line: "Kokoro began to wander the land again, but this time around she had one less lost emotion". If she was trying to feel love, she would start absorbing it from her surroundings i.e. Nue's eventual love for Kokoro would disappear because Kokoro would absorb it. Correct me if i'm wrong, i'm not too well versed with Kokoro lore. But from what I gather from the mask of hope incident, that was what happened. I do like the idea of Nue teaching Kokoro an emotion separate from her masks though, if thats what you meant then kudos to you. But as of now, I have no clue what is going on and confusing your readers is not a plus. At the least I can say this was not quite as blatantly bland as the first entry. But its content doesn't seem to make sense either.
You did however, capture Kokoro's confusing emotions and Nue's slightly flighty nature well in this passage. Though Nue was quite classic tsundere, which is overused, so you might want to tone that down a little. I also realize that this was a crack ship, which means it's main purpose is to be interesting and a fun read. I can say it certainly achieves this, although it was confusing at parts. This really reminds of an anime episode than anything, I guess it does also achieve comedy to some extent with Keine. I think this writer has the potential of getting an entry the level of Memory and Reality.
Have you ever been treated food at someone's else's place before? I remember being treated Kangaroo meat at a friend's place once. Reading this was a similar experience. It wasn't exactly bad. I just sat in confusion for a few awkward minutes trying to figure out what was it that I just ate. Oh, the meat was also under-cooked. (414 words)
Entry No. 3 : I hate you!Score: 6/10 Review: Oi oi, is this some kind of curse? I've had to review this one FOUR times now. I don't even remember all the mistakes i made to lead to this. Someone go back in time and drag this review back from it's grave. Please! I'll give you 300 yen for it! Can I just leave it at this? Please? No? Okay...
First off, who is "I"? I'm pretty sure its Rinnosuke. Proofread, will you? Its not that hard to find errors like these. I'd also like to see an explanation as to why Rinnosuke hates Seija. Sure, she is pretty easy to hate, but it is a stretch to call that an explanation, some strange people don't hate her.
Secondly, contradictions! If Seija fell for Kourin because Kourin kept saying he hates her since Seija reverses the statement to say "I love you". So, doesn't that mean when Kourin starts to like Seija, Seija would reverse that statement into "I hate you" and the relationship blows up? I'll also comment that falling for someone just because they say "I love you" to you a gazillion times a day doesn't seem too realistic. In fact, if someone did that to me i'd think they were either insane, socially retarded (a troll) or a creep.
I feel like the dream part was a nice touch, maybe show the full dream? It seems to just get cut short all of a sudden. Why Marisa and Reimu would come to steal things is also a mystery. Marisa might, but Reimu has never been shown with a stealing habit (which might be why she is broke and Marisa is not). Besides Kourindou does not sell food, Marisa would not come to steal Kourin's lunch, it would be to steal some antique or oddity.
Don't mention characters if they're irrelevant, if they're mentioned, make it worth it. Introduucing characters draws the audience away from the main point. Rinnosuke characterization could be worked on. Seija characterization was very good, I feel like you c
Otherwise as a crack ship, this story isn't bad. Its fun, as it aims to be. Even if there are some inconsistencies.
Entry No. 3 : A winter kissScore: 4/10 Review: You know, I already reviewed this entry twice. I can't believe I have to do it again. First off, proofreading! Good lord, there are enough grammar and spelling mistakes here to make Kisume live in cardboard. I'm not going to list them all so go chuck this entry in a word document and have a look at those cute green squiggly lines. This entry also takes the cake for having the most hilarious typo. I am looking at a beautiful landscape dotted with "Tress of all sizes had the beauty of the white snow." A landscape dotted with locks of hair does not look beautiful to me. In fact, it looks gross. You know, these are the things that make the audience distracted from what you're trying to talk about. Disregarding the lack of proofreading, the imagery used in the first few lines is of a relatively high quality, good. However the description of Sekibanki herself seems a little long winded and the repetition of "small girl" instead of her name did bother me a little as I could see no reason for the audience to be distanced from the scene. From what I gather this is an attempt at a more unique pairing of romance as opposed to ordinary touhou shipping. Nevertheless it's goal is to make a romantic story and so attachment to characters is important. Sekibanki's signature clothes were described, but her name was not revealed until it was told to the bartender. This lends me to think that we are supposed to concentrate on the bartender's perspective- which we do not, majority of thoughts, memories and feelings described were Sekibanki's. It isn't jarring, but it does seem just a little bit awkward to me. Moreover not giving the bartender can also be an attempt to accentuate the unusual pairing, I don't think this is nessesary, the exact same thing could be done by naming the bartender something generic like "Bob", at the very least the bartender would feel more familiar and the romance to be less awkward.
Moving on. Why did the bartender's accent disappear? Was it supposed to signify a change in the bartender? I can't really see it. Try to keep things consistent so you do not distract the reader to meaningless things. This can also be said about mentioning new characters. I suddenly find myself concentrating on Keine all of a sudden when the only relevance she has to the story was that she ran the village school. The village, the school and Keine are completely superfluous here and only distracts the reader from what is important, which in this case is Sekibanki.
I also feel there is something very strange about this romance in general. I asked my sister and she agreed that being hugged by some random stranger you only met the day before and do not even know the name of- is incredibly strange. Especially if this stranger just pushed you to the floor. Personally, i'd be very very creeped out and would leave ASAP, nevermind kissing. The romance felt very sudden and counter-intuitive.
Regardless this entry does do a good job at characterizing Sekibenki's mental state after the incidents of DDC, it also employs literary devices such as imagery. Canon regarding the premise of the story was also maintained as her species of Youkai do blend in with human society. However, the romance suffers because due to how unrealistic it was.
Lets compare this to food again. Lets see, have you ever seen those towel cakes? Pretend you were really really drunk one night, you drag yourself home and you really really feel like eating some cake. In your blurry, intoxicated vision that cake looks so fluffy, a sweet aroma seems to waft into the surroundings. You pick up the cake, its spongy texture underneath your fingers. You bite, expecting to taste the angelic sweetness...Instead, you get a mouthful of cotton. (653 words)
Entry No. 4 : Memory and Reality
Score: 6/10 Review: Wow. This is one long entry. Do really have to read this? Alright, first thing I noticed was that this entry is separated into "scenes", which on one hand does achieve dis-fluency in reading, which accentuates that passage, allowing the reader to have more time to think more deeply about that particular paragraph or last line, it can also be a good indication of setting change or time skip. However in this case, I feel like there are simply too many of these 'scenes' that just makes it a little irritating to figure out what is going on here, especially since this is not written in the format of a play- the scene thing just seems out of place. I did give it a dream-like quality though. However this detriment seems to override whatever intention you had for separating this entry into scenes. I would try to keep them at a minimum.
Sometimes sentences are a little confusing (fix up your grammar while you're at it): "Honestly, she felt like slugging that grin off of that witch’s broom.", I don't think you meant the broom had a grin on it. I also think your actions scenes could use a bit more description, something that fleshes it out a bit more, otherwise they were actually quite impressive, much better than any of the ones I wrote before this competition.
The Yukari vs Sendai Hakurei fight did seem a little out of nowhere though, I think its supposed to be a flashback/dream/semi-reality THING- maybe indicate it as such or put it in the same scene as the Reimu fight? Its confusing. No idea where Marisa went either. Why did Yukari decide to just show Reimu this today? This remains a mystery, Yukari is unpredictable, but this mystery doesn't add anything of value to this story.
I particularly liked scene 4, it made a very nice contrast and the lack of foreshadowing here actually makes this plot twist better. It also serves to describe a part of the world of Gensokyo that the game quite frankly ignores. Good job!
This was a little hard to follow for me, but it seems that it was hinted that Reimu is Yukari's child...Which is a highly questionable theory, especially since Reimu is a /human/. Maybe you can hint at a reason why this is even possible. Perhaps Yukari became a Youkai but is in reality a human because she was once Maribel Hearn, but that doesn't explain the black hair. I guess she could also just use boundary magic but that is much too deus ex machina for my liking (in fact, this whole story is pretty deux ex machina). "When in doubt, boundary magic!" besides, who is the father? I did like how the ending implied things, but did not state it outright.
I also liked the concept of writing a story about Sendai Hakurei no Miko as well as a fistfight in the spellcard centered world that is Gensokyo. Characters felt in character and did not depart far enough from canon that I realized it. It is also a self contained story. Much much much better than I expected. (516 words)
Entry No. 5 : Love For an EternityScore: 1/10 Review: ...I guess this entry balances the previous one out? In any case, I know you can do better than this. Come back when you write something worth reviewing. I'll at least point out that grammar is severely lacking in this entry.
Entry No. 6 : Roses die, the secret is inside the pain
Score: 8/10 Review: Well, I read this one before I reviewed it since someone pointed out to me that there is a story that did a 180 flip of the intuitive subject matter of our theme- Romance and instead wrote a tragedy. So this review might be slightly different from the others. This entry revolves around the members of the Scarlet Devil Mansion at a time a long time before the events apparent in the main line of Touhou games. Imagery is strong in the first paragraph with no detectable grammar or spelling errors. I'm also not quite sure why the name Remilia Scarlet is in quotation marks. Accentuating Remilia's name doesn't seem to add anything into the passage. Some parts also don't flow as well as they could have, one moment we're experiencing a foresty setting, and the next we smell roast. Its not jarring, but it could be worked on. I did like the writer *implying* that this was a long long time ago, with the line "Flandre looked after the basement and the empty library", this shows that 1. Flandre was not locked up yet. 2. Patchouli has not yet joined the mansion. This is also indicated by Remilia doing the cooking, later on Sakuya would do the cooking for the mansion. There was also use of foreshadowing with Prim's name: 1. She is named after a flower- a Primrose 2. She looks after the flowers around the mansion 3. "A rose petal as red as blood fell onto the table" as well as 4. the title itself "Roses die". These were all included in the first paragraph, along with the rest of the warm, fluffy, sugary imagery of Remi and her sisters looking after each other. This leads me to the interpretation that the first paragraph was written with softer imagery in order to 1. Foreshadow that the the peace will not last. 2. Contrast with the gore in the rest of the story. This was also structurally demonstrated in the passage with the break divided with ellipsis when it could really be written without it, as well as the center aligned "The human village" in italics. Upon a later reading, I also noticed that this line "Primevère and Flandre would often beat their little chests proudly, ecstatic grin on their face, and exclaim that no vampire hunter would ever have a chance at catching them. To this cute, child-like display, Remilia would smile sisterly and warn them to stay away from the village anyway." alongside the foreshadowing that something bad will happen to Prim, that there will be a vampire hunter involved. I also noticed the symbolism in Remilia's dress, at the beginning of the story it was made of "white fabric", which contrasts with the blood soaked one later on in the story as well as the in-game pink dress Remilia wears.
I do know that Vampires are supposed to have the stength of an Oni, but don't you think that it would be much more efficient if Remilia simply flew OVER the gate? Proof reading! Such logical errors should be easy to spot. The steel wire sticking throughthe membrane of her wings, as well as the italics did give a tense atmosphere as it emphasizes how fast Remilia is going to try to see what happened to Prim. However this effect is more diminished since the audience is now wondering why Remi didn't fly OVER the gate, instead of paying attention to Remilia's desperation. I don't really see the point of putting 23.4 degrees if you already describe her head tilting as "mechanical" but I guess it does emphasise how machine-like the motion was. But still, if all you wanted to do was reference "Double Scarlet" it isn't quite worth it, since now the audience is wondering what is the significance of the degrees, instead of what is actually happening in the story. I did like how the imagery of the blood comes from all 5 senses, reminds me of Dani's entry in the 1v1. The sibilance in "sick, slick, sound" also accentuates this.
Prim dying from a wound like that is a little questionable to me. Vampires are supposed to be able turn into bats and if even one bat survives, they will regenerate. I guess you can say that the silver metal prevents that ability or maybe Prim was too young and didn't know how to do that yet, so I can't criticize this entry too harshly for it. The repition of "little girl" could be showing that Remilia really didn't want to believe the body was that of her little sister, but this interpretation doesn't seem evident enough. Perhaps hint at it by saying so if that was your intention? The imagery of Prim's death is quite vivid however, I feel it was well done.
The transition of the sad scene of Remilia cradling the body of Prim was a little sudden, maybe have Remi's thoughts lead to revenge instead of having the Vampire hunter say anything? I did like how while Remilia's dress was white in this story, she was still known as the Scarlet Devil. The in game profile states that Remi is known as the scarlet devil because the blood of her victims stains her dress. Yet, she is wearing white here. This means that she only kept wearing the stained dress after this incident. This also serves as a symbol of Remi's personality change from a caring elder sister, to a cruel vampire that razed a village to the ground.
The final paragraph of this entry is particularily valueable as it brings to light a few of the mysteries that this entry attempts to explain. For example Sakuya's silver hair and red eyes as well as her being found in the rubble of a fallen house leads to the interpretation that Sakuya is related to the vampire hunter (who had silver hair and dried blood coloured eyes). I like to think that it was because Remilia realised that she did something just as bad as the vampire hunter killing Prim, and decided to take in Sakuya to atone. This does seem to be a little OOC for canon Remilia, but this story is written on the basis that the "secret is inside the pain" Remi's real personality is hidden inside the pain experienced in this story. This is emphasized in the line where Sakuya mentions that Remilia has nightmares about this incident. The touch of having Sakuya being named after Prim was a nice touch. Sakuya's name means "Flowering night", Primrose (the English word of Primvere) is a type of flower that flowers at night. I also noticed that the diction of "incident" which is bolded is also an allusion to the "gensokyo vampire incident", especially since it is evident that the spellcard rules were not used in the fights of this story.
A part that I discussed with a friend about Flandre getting sealed up in this story in order to protect Flandre. He interpreted this as Flan being weak, so Remi sealed her. My interpretation is that Flandre was sealed because Remilia is scared that Flandre would lose control and attack a village like her twin, in case a powerful vampire hunter may hurt Flandre. So it isn't because Flandre is weak it is because Remi is paranoid for Flandre.
Something else I would like to criticize is Prim herself, it is a little difficult to become attached to her, since basically all we know is that she looks like Flandre. This is accounted for with Remilia, since it seems we're supposed to empathize with Remi, especially since we see everything from her perspective (barring the last paragraph). Primvere is also a very strange name, which would probably lead the audience to concentrate more on that that more important parts of the story. But I guess it was inevitable if you wanted the sister's name to be related to Sakuya.
Entry No. 7 : Lament of a Lunate Elf, for a Kiss that Never Came
Score: 7/10 Review: 1. I find it very amusing you compared the smile of an ice fairy to 10 suns. Not good because the audience is now thinking why you chose 10 instead of 10,000 etc etc. Also, they're laughing to themselves, not the point of the entry. 2. What is with the brackets? Try fit these in sentences. Some feel pretty unnecessary. Though it does contribute to Daiyousei's characterization so I can't complain too much. However the reader realizing that these brackets are basically pointless distracts the reader slightly from story. 3. There are a lot of ellipsis. I would try to tone it down a little sometimes you can replace them with dashes. Just to change things up a little. 4. I think you captured Daiyousei's sorrow very well. Funny, I can usually write 500 words on most everything. But for this...Its just "good", I can't think of anything to change up in your tone. Perhaps state that Cirno has also evaporated before this flashback. (Or if that "---" was supposed to indicate a timeskip, I think it would make more sense if Cirno was gone the whole time, since Daiyousei sounds sad the entire entry. If she Cirno was around, you might want to make the first section have a happy atmosphere and the second section longer, for the sake of contrast and closure). 5. You do know that fairies respawn? 6. I love the last line. 7. Personally I loved the way it didn't have an ending, its like we're waiting with Daiyousei. Awesome. 8. I would really have loved more content, its more of a scene than a story. But any writing style is allowed, so I can't really penalize you for that.9. One of the other mysteries in this story is why Cirno didn't kiss Dai. I still don't know why and it doesn't really add anything to the story. Some people are dying to know what happens next. You could say it is an open story and that the reader makes his/her own conclusions. But the base doesn't even point to anything to warrant any kind of discussion. It ranges from Cirno not really loving Dai to Cirno having oral herpes. 9. Evidently this entry simply aims to elicit an emotional response the reader and i'd say it does it's job very well. 11. I would compare this entry to candy. Its small, its sweet, but there never seems to be enough of it and they're really bad for your health.
Entry No. 7 : Game-Changer
Score: 7/10 Review:
Oh Game-Changer, how much I hate you. I want to blow you to pieces, but I really can't. For every reason I think you suck, your score gets higher. I hate that too.
Lets start with the irrelevant stuff- This is well written. A few grammar mistakes here and there, but it doesn't get in the way. There is still the time skip issue, try to connect things together if possible. In fact, that line dividing Kaguya's beating up of Mokou is highly meaningless, it doesn't serve to make the readers think harder about the previous paragraph, since there is no notable mysteries or foreshadowing. The title does serve as foreshadowing, but I would argue this was not a good choice. Assuming the goal of this passage is to get people to hate it, making the plot twist completely unpredictable could potentially elicit a greater audience response. Neverthless, great title.
But wait! “You’re damn RIGHT it’s been a long time!” Kaguya raged, her face turning a crimson red. “And it’s all been worth it to have a shot at you!” With this, Kaguya huffed of into the forest, her hands set aflame." MOKOU said this, right? Not Kaguya, Mokou, right?
I'm getting lazy and i've already written a whole string of complains on how blatantly OOC Mokou and Kaguya were. First and foremost, Mokou is not about to abandon Gensokyo when it is the last thing that can hold her interest. It is stated that even Youkai in the outiside world can no longer entertain Mokou, until she came to Gensokyo. She isn't about to leave. Kaguya is also not going to be tricked so easily.
Entry No. 8 : Sister's Legacy Score: 8/10 Review: I feel like I've just run a marathon. Lets not do reviewing again unless a certain somebody asks me do. Like Roses die, I feel like this one lacks attachment to the dying character. Layla Prisimriver isn't very well known to most. But nevertheless, we feel connected to the sister prisimrivers over the death of Layla. Especially since we're seeing things from Lunasa's perspective. I feel its well-done, no grammar mistakes to speak of and sentences flow well. I don't really like why Lunasa kept thinking about how much they've grown and less that their beloved sister just died. I also liked that this is an explaination as to why the prisimrivers have that attitude they have and why they're always there playing music when there isn't much to see at the blossoms barrier. Entry No. 9 : Fusion: Melting White Heart Score: 7/10 Review: First off, i'm very sure Okuu was a dunce before she got the powers. This is really really cute. Its so cute. Uwah. Too many ellipsis though. Yes the last two reviews are lazy, but i've already written 5000+ words for this thing, so screw you if you think i'm lazy. Review of my Reviews:Listen up! Let’s say you drink too much strawberry milk, and have to use the bathroom in the middle of the night. But it’s cold outside your bed. You don’t want to get up, but the urge to urinate is just too strong! You make up your mind to go! You run to the bathroom, stand in front of the toilet, and let loose! You think that all your life has led to this moment! But then you realize! It isn’t the bathroom, you’re still in bed! That feeling of lukewarm wetness spreads like wildfire! But you don’t stop! You can’t stop! That’s what I’m talking about! THAT’S THE TRUTH OF THE STRAWBERRY MILK! DO YOU GET IT!?
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alzack13
Bun of Darkness
Posts: 936
Rabbits shall rule
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Post by alzack13 on Jan 14, 2015 4:38:22 GMT
I'm doing these stories based on a personal rubric, and train of thought while reading. Lemme know if it doesn't make sense, or I can't add small numbers. Note: These scores were determined fairly late in the night, and a bit rushed. I promise to refine reasoning in the next week or so, and hopefully I don't feel the need to change scores.Entry No. 1: Bridge Between Hearts Score: 7/10 Is it a story (1): It has an antecedent, an established setting, rising action into the kiss climax, and a conclusion. That’s 1 point. It’s a story, good job.
Grammar n’ shit (1): It has accurate grammar, few (if any) spelling mistakes, and is intelligible English. That’s another point.
Relevance to theme (1): It has a kiss. It’s important. Nailed it. 1 point.
The actual plot (3): I actually think the setup is fairly adorable, and I like the idea of Parsee getting a friend/partner. Unfortunately, nothing of interest REALLY happens. Very straightforward romance, not much going on. Also, this guy has freakin’ balls to get to hell. And get past the BUCKET OF DEATH (TFB). 1 point, because it was cute, but kinda boring.
Execution(3): Pretty well written, except the dude’s dialogue. He talks like a narrator at times, kind of spurting the reasons he’s in love. Not a lot of emotion there. Parsee was written well, as was the exposition elsewhere. Although she didn’t seem all too jealous of anything, even in this circumstance. 2 points.
Personal Preference(1): I actually liked it. It was heartwarming to read, and made me feel happy for the character. Good stuff. 1 point.
=================== Entry No. 2: Undefined Fantastic EmotionScore: 5/10 Is it a story (1): 1 points
Grammar n’ shit (1): 1 point
Relevance to theme (1): 0 points
The actual plot (3): 1 point
Execution (3): 2 points
Personal Preference (1): 0 points
=================== Entry No. 3: I hate you! Score: 4/10 Is it a story (1): 1 point
Grammar n’ shit (1): 0 points
Relevance to theme (1): 1 point
The actual plot (3): 1 point
Execution (3): 1 point
Personal Preference (1): 0 points
=================== Entry No. 4: A winter kissScore: 3/10 Is it a story (1): It is an story, albeit rushed. 1 point
Grammar n’ shit (1): Could use some work. 0 points.
Relevance to theme (1): Reread the prompt. I don’t think the existence OF a kiss quite fulfills it. 0 points.
The actual plot (3): WHO IS THIS GUY? WHY DO WE CARE? Interesting idea, though. 1 point.
Execution (3): Too much about the bartender part, too little buildup into kiss. 1 point.
Personal Preference (1): Can’t say It appealed too much to me. 0 points.
=================== Entry No. 5: Memory and RealityScore: 8/10 Is it a story (1): yep, and a solid one at that. 1 point
Grammar n’ shit (1): was fine. 1 point.
Relevance to theme (1): Again, reread the prompt. I don’t see the kiss as all too important in the story.
The actual plot (3): 2 points
Execution (3): 3 points
Personal Preference (1): Had to think. 1 point.
=================== Entry No. 6: Love for an eternity Score: 1/10 Is it a story (1): not really. 0 points
Grammar n’ shit (1): nope. 0 points
Relevance to theme (1): Technically, yes. Kiss was centric. 1 point.
The actual plot (3): There was none. 0 points
Execution (3): Nothing to really go on. 0 points.
Personal Preference (1): 0 points.
=================== Entry No. 7: Roses die, the secret is inside the pain Score: 7/10 Is it a story (1): indeed it is. 1 point.
Grammar n’ shit (1): I hate to do this, but this comes away from the “n’ shit” category. 0 points.
Relevance to theme (1): Almost didn’t. Was justified at the end. 1 point.
The actual plot (3): It’s a good setting, and nice “evil background”. 2 points.
Execution (3): A few issues here and there. 2 points.
Personal Preference (1): Came in expecting a sad sister story, wasn’t sad until the last sentences. Which isn’t bad. 1 point.
=================== Entry No. 8: Lament of a Lunate Elf, for a kiss that never came Score: 7/10 Is it a story (1): Yeahp. 1 point
Grammar n’ shit (1): ‘was fine. Readable. 1 point.
Relevance to theme (1): Yep. 1 point.
The actual plot (3): Sad, good idea. A little cliché. 2 points.
Execution (3): Ehhh. If my scale was a double value, this would be a 1.5. It was written well near the end, but felt rushed earlier. And I know it’s implied that the other is Daiyousei, but it’s never mentioned, and a story should be able to hold its own in my book. 1 point.
Personal Preference (1): I liked it. 1 point
=================== Entry No. 9: Game Changer Score: 7/10 Is it a story (1): Yeahp. 1 point
Grammar n’ shit (1): Seemed fine. 1 point.
Relevance to theme (1): Yep. 1 point.
The actual plot (3): Good Idea, felt a bit rushed. Coulda had more depth. 2 points.
Execution (3): Could use some more detail and fleshing out, and dialogue was a little unnatural. 1 point.
Personal Preference (1): I do love me some evil. 1 point.
=================== Entry No. 10: Sister's Legacy Score: 7/10 Is it a story (1): yep. 1 point
Grammar n’ shit (1): was fine. 1 point.
Relevance to theme (1): Yep. Interesting interpretation, as well. 1 point
The actual plot (3): I liked it. Good idea, this. Only hindered by being awfully cliché near the end. 2 points.
Execution (3): ehhh. There’s a saying “Show, don’t tell”. Boring narrative is boring. 1 point.
Personal Preference (1): I like its idea. 1 point.
=================== Entry No. 11: Fusion: Melting White Heart Score: 8/10 Is it a story (1): It indeed is. 1 point
Grammar n’ shit (1): Checks out. 1 point
Relevance to theme (1): I…. think it is? I’ll give the point for now… 1 point.
The actual plot (3): Such Romance. Very double-tsundere. Wow. (It was good.) 2 points.
Execution (3): Dialogue was actually excellent, In my book. Very natural. Small issue’s with changing PoV, and s-stuttering. 2 points.
Personal Preference (1): Was cute. I liked it. 1 point.
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Post by Deleted on Jan 14, 2015 4:53:28 GMT
Late to the party but oh well. Bridge Between Hearts Score: 7.5/10
Seems pretty good. You fleshed out the characters (the self insert?) pretty well, and made them believable. Added a good amount of description to it, so it's a nice bonus, I think. I'm a bit worried, though, that Parsee seems out of character, but that can be forgiven since it's Alt Universe, i'm guessing. Also the fact that there's a person from the other side of the screen as the main character is a bit worrying also that he's a male, but really that's just me. All in all, good show.
Undefined Fantastic Emotion Score: 4.5/10
Is Kokoro supposed to express emotions like a normal person would? I thought that she was supposed to, like, devoid of emotions without the mask of hope, much less swing between emotions at the bat of an eye-lash. Also, it got a bit confusing trying to figure out who was talking at times. Anyway, uh, you had something going there, but the canon whore in my mind was screaming inside me. It'd need some touch-ups, but you can make something good.
I hate you! Score: 6.0/10
Featuring one of the coolest final bosses ever, and one of the worst additions to the series! Really though, it read well, and even though it had the only live non-generic male to grace (curse?) Gensokyo, it didn't feel all that tacked on like most other stories featuring Rinnosuke and a romantic interest, so props. What else... that's it, really. It felt a bit short, like there could be something more, but what little there was is nice and shiny.
A winter kiss Score: 4.0/10
The only thing I hate more than Rinnosuke trying to court the girls of gensokyo is generic guys trying to court the girls of gensokyo. Like, not even a name? C'mon man. It mostly focused on Senkibanki, which was nice, although I kinda think that crying scene with her was out of character. I might be wrong. As for bartender guy... he's a bartender, and a male. That's all we know, really. I felt there could have been a LOT more, like a name, for starters, but your choice, I guess. Unless that was intentional, to immerse the reader- which probably wasn't the case since it isn't in the second person- but if it was to immerse the reader, well played.
Memory and Reality Score: 8.0/10
Sendai. Might just be an OC, but I'm calling her Sendai. Anyway... Kind of an obvious choice, considering who she's fanonically related to, but at the same time it's refreshing to see a fan character who would fit in canon be in one of these things. The whole "Yukari is Reimu's mom" is a bit cliche, from my experience, but it was done well here that I can look past it. Anyway, i liked how it showed Reimu's interactions with Yukari, as well as Sendai's relationship with Yukari. I'm a bit confused by Scene 7, though. I'm going to assume they live together in the end, after Reimu learns the truth, but that probably wasn't your choice. Not necessarily shipping, so it's pretty original in that regard. Also, that title drop yo.
Love For An Eternity Score: 1.0/10
Wait what. It shifts from the third person point of view, and then goes to first person. That's a bit confusing. It's small compared to my biggest complaint: the entry is way too short for its own good. You probably had something going, but with the amount you wrote, and the amount of time you had, it just felt lazy. Hope you can do something longer next time. I'm only giving 1.0 because that's the lowest possible score to give, as stated by the rules.
Roses die, the secret inside the pain Score: 7.0/10
Sakuya had a father who was a vampire hunter and, to our knowledge, was a complete asshole? The implications man. He was no Simon Belmont that's for sure. Anyway. It was sad. Pretty sad. A bit too sad? It's somber, compared to the other entries, that's for sure. I kind of think that calling the dying girl "adorable" calls for a bit of a mood whiplash- it feels incorrect to call her that in the current context- but whatever. Other than the fact that you gave the Scarlets another sister (not in my canon!) without much explanation, just to kill her off by the end seems a bit eh, but it still does the job well. Making it not be a shipping shipping thing, more of a family relationship thing was nice.
Lament of a Lunate Elf, for a Kiss that Never Came. Score: 7.5/10
So... there was a war. The Fairy War? some kind of off screen war you might elaborate on if the next theme allows for it? anyway. It was mostly a flashback thing, mostly, and it worked well. Daiyousei seems pretty bent out of shape over that kiss she never got, and it works with the theme nicely. Could have been a bit longer, but I still liked it.
Game-Changer Score: 6.5/10
Holy shit that ending. It really did change everything dude. Bravo. Up until the shocking swerve ending, it seemed like the regular, borderline cliche things. It was alright. And then the "bonus" ending changed it completely. Holy shit, revenge knows no bounds, I see. I mean I could see someone doing it, but MOKOU of all people doing it, just doesn't seem right man. She doesn't hate Kaguya enough to basically ruin her life. I normally don't ship Mokou/Kaguya, but just reading that hurt me. Ow. I want to roundhouse kick you in the face for that, author, but I'm not Chuck Norris so. It could have used a bit of editing.
Sister's Legacy Score: 6.0/10
I'm going to say it right now, Lay-nee kind of gets in the way of the story, in my honest opinion. I'm like "ugh stop calling her thatttt." I mean, the story was good, focusing on family again. It was about the Prismrivers, which is nice seeing as how they don't get much attention. But that "Lay-nee" thing. It's nice to see them move on from it, a bit. Dying human Layla is a sad thing to see. Don't do stuff like that, writer. :c
Fusion: Melting White Heart Do you even praise the sun 1.0 out of ten get good scrub you suck stop writing. But really
Score: 5.5/10
It was okay i guess. Felt a bit unfinished at the end, rushed, but it was okay. I felt that more description could have been used. Was a story about a semi-cliche pairing, but it worked well, in a way. Just don't suck next time, I guess.
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Proto
It looks kind of like a big fluffy muffin!
Posts: 343
Favorite Game: Phantasmagoria of Flower ViewFavorite Character: Flandre ScarletCustom Title: It looks kind of like a big fluffy muffin!Mini-Profile Background: {"image":"https://i.imgur.com/ViZwf70.png","color":""}Mini Profile Text Color: ffffffMini-Profile Name Color: ffffffMini-Profile Text Border: BlackOverride Avatar (Auto-Extended Mini-Profile): Enable
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Post by Proto on Jan 14, 2015 11:38:37 GMT
All reviews are subjective. The word "theme" in my reviews refers to the theme of the story itself, not "Every time you kissed me", which is referred to as "round's topic" instead. Bridge Between HeartsRating: 6.5/10 I don't mind sappy romance, but I'm really disappointed that there is nothing but sappy romance. The details of how two people feel about each other isn't exactly a story by itself imo. It would be better to have a separate overall story in which the sappy romance has a major relevance to the actual events and are thus described as the core aspect of the story. As for the actual sappy romance itself, I have to admit that it was really good. The detailed descriptions of their actions and feelings actually made me feel really jealous of Parsee, which is quite ironic. The emotions were really well captured in this writing. It was also really nice that the author explained why the two of them became so attracted to each other, instead of treating it as just incomprehensible sudden love. Aside from the pure-romance issue, this entry had other flaws too. The use of the Japanese word "hashihime" should be defined when it is first used instead of assuming that the readers know what it means or expecting them to correctly guess it. The use of ellipses are fine, but ellipses between different words should have a space following the ellipsis, while new sentences should begin with a capital letter even if they follow an ellipsis. There were also plenty of grammatical errors, which can slightly slow down the reading experiences, but the writing was still clear and understandable despite the errors. The core aspect of this entry seemed to be focused on the power of romantic love, bringing a human together with a jealousy-driven youkai, with rich details on how they felt for each other. This entry fit the round's topic extremely well, where the kiss itself had a very strong descriptive effect on the two of them, and it was implied that every instance of the kiss had this kind of impact, at least on Parsee. Overall, it was a decent entry and although I dislike pure sappy romance, I have to admit that the sappy romance was written really well, despite some grammatical quibbles. Angel sighed as he wrapped an arm around his lover as they sat quietly on the edge of the bridge. The blonde-haired girl rested her head against his shoulder, looking down over the bridge into the abyss below, a blush on her face. She was none other than Parsee Mizuhashi, the guardian and princess of the bridge that connected Gensokyo to the Underworld.
Before Angel showed up to greet her, the hashihime (bridge maiden) [Non-English words should be defined when they are first used] was sitting alone on the bridge as she watched a festival go on in the Former Capital. She gazed upon the city with utmost loathing and envy, a surge of jealousy rushing through her. The bridge overseer would have been overwhelmed and would have had [tense needs to be preserved; "have been" and "have" alone do not match] to endure yet another lonely night until her lover gently hugged her from behind. The blonde girl’s face turned as red as a beet ["beet" describes "red"] at that moment once she realized who he was, and she closed her eyes as she rested against him.
The two met quite a while ago on the bridge, as Parsee rarely would venture elsewhere. Angel found himself at the bridge one day during his aimless wanders. His mood that day was frankly an awful one, and he decided it would be a good idea to venture into the Underworld, despite the fact that it was very dangerous for a human being like him to even think of entering. It was not like he cared, however[Incomplete sentence otherwise]. He was feeling weary of the hustle and bustle of the Human Village and wanted some peace and quiet, so he wanted to spend some time at the bridge, which connected the world above the surface to the one below. He heard rumors around the village that the bridge was one that no one ever crossed, and he figured that it’d be a perfect place for someone like him to spend some time at and contemplate quietly. ["spend some time at" refers to a location, but there is no location mentioned in this clause from "he figured..." onwards; Alternatively, the form "he figured that it’d be perfect for someone like him to spend some time and contemplate quietly" (removing the 'at') is technically grammatically correct, but it does not relate to any location and therefore would not fit the first clause of the sentence "He heard... ...ever crossed", which was about the bridge]
As he rested his arms against the railing and stared off into the distance in thought, Parsee walked up behind him and crossed her arms, glaring at him silently. When she barked at him, the young man jumped and turned to see her, surprised at seeing ["surprised" is not a verb here, so "at" is needed to make it an adjective; Alternatively "surprised to see" also works] another at the bridge. Raising an eyebrow, she asked [you don't "lampshade a fact" when asking a question; and a question is not a fact either] about why he was even here in such a dangerous area. In response, he told her about how he was feeling weary of being around people who were in excitable and cheerful moods all the time while he was dealing with inner turmoil, so he wanted to spend time at the bridge in silence. The young woman’s eyes widened a tad in surprise, and then her heart softened [I don't think you were trying to imply that her "eyes" softened] hearing his tale. She saw no harm in keeping the young man company, as she felt that she could somewhat relate to him. She moved to stand next to Angel as they both watched over the bridge and got into a conversation, which sparked the beginning of ["being the beginning spark" is technically correct, I think, but it sounds funny] their relationship.
The two began to meet each other at the bridge every day, both glad that they could actually find someone they could relate to. Over time, a sort of relationship began to bloom between Angel and Parsee. They agreed with each other one day that they had a lot in common and were a lot happier around each other, so they agreed to become a couple. As they confessed their crushes to the other, Parsee’s face had a heavy blush on it as she buried her face in Angel’s chest, holding him close as he rubbed her back gently, also blushing heavily. Feeling brave, he looked down at her as she looked back at him, and leaned forward gently to kiss her on the forehead.
Once he did so, Parsee’s green eyes widened with shock at the action before they closed gently. Once they opened [I don't think you're trying to draw attention to the fact that her eyes opened only once at that time], tears of joy slowly streaked down her cheeks as she hugged him even closer, his warmth, care, and affection toward her causing her to feel happier than she’s ever been. And Angel felt the same way as he himself started to cry tears of joy, running his hand through Parsee’s soft blonde hair with one hand as he continued soothingly rubbing her back with the other.
Currently, the two sat at the exact same spot where that moment between them occurred. Parsee’s eyes were closed as she recounted the memories between her and Angel and she sighed quietly. “Gabriel,” she spoke, opening one of her eyes slowly.
“Parsee?” Angel responded, smiling slightly from the fact that she called him by his real name with that soft voice of hers. It sounded like music to his ears. “Anything the matter?”
“I…I just thought about when we were in a similar position like this when we first started this relationship…” she whispered, looking up at him. “I-I cried like a baby that day…it must’ve been pathetic to watch me lose control like that…”
Angel then frowned, stroking her hair. “Quite the contrary,” he whispered back. “It’s nothing to be ashamed about, Parsee, crying like that… After all, I cried, too… We [capitalize the start of a new sentence, even if it follows an ellipsis] were both overcome with joy at that moment, and we’ve been happier together ever since then. Aren’t you happy about it…?”
Parsee nodded. “O-Of course I am. It’s just that…I’m surprised that you see worth in someone like me…someone doomed to harbor these feelings of jealousy and envy for [In this context, "as long as I exist" describes the duration of being "doomed to..."] as long as I exist…someone doomed to loneliness…h-how could you love someone like me…?” she stammered, starting to shake slightly as her eyes grew hot with tears.
“How could I not?” Angel told her as firmly as he could, looking at her with seriousness in his eyes.
“H-Huh? G-Gabriel…w-what do you mean-" [Close the quotation mark, even if the dialogue is interrupted]
“Please, let me speak, Parsee…I’m in love with you because we just relate so well… Never before have I ever connected to someone as well as I can connect with you…we both share similar thoughts and concerns, we both suffer from those negative feelings of jealousy and envy… The pain…it hurts lot, I know…”
Angel rested his forehead against Parsee’s and closed his eyes, holding back tears. Unable to hold back her own, Parsee said nothing as she took in every one of Angel’s words, sniffing quietly.
“The pain that I feel…in a way, it makes me stronger…” he continued, reaching for her hands. Noticing this, Parsee gently held his hands with her own and caressed them softly, silently coaxing ["silently" describes "coaxing", not "continue"] him to continue his speech to her. “I want to be as strong as I can…for me…for my friends…and especially for you…I can’t let my fears hold me back…I can’t let you down…I just can’t…”
Completely and utterly touched by his words, Parsee smiled through her tears at him. “Geez…I had a feeling you felt that way, but…not as passionately as I assumed…” she sobbed. “I-If you’re going to push yourself to be stronger…t-then [wrong spelling; "than" is for comparison] I want to be at your side at all times…s-since y’know…I love you, too…G-Gabriel…”
Sighing in content, Angel held the bridge princess close to him as he buried his face in her hair, taking in its softness and sweet scent. “Good…hope that clears things up…” he chuckled quietly.
“I-It sure did,” Parsee agreed, enjoying the warmth the two were sharing. They sat in silence for a while, simply enjoying the other’s company. It was then that Parsee spoke up.
“Gabriel…” she spoke quietly, a heavy blush beginning to appear on her face. “R-Remember the first time you kissed me? On the forehead?”
“Hmm? …Y-Yeah, I do,” Angel responded, blushing himself. “Why do you ask?”
“D-Do…it…” Parsee trailed off, looking off to the side in embarrassment. “A-Again…do it again…”
Angel smiled gently. “Don’t mind if I do, Parsee.”
As Parsee looked up at him, she gasped slightly as he leant in and pressed his lips against her forehead. A shiver of delight coursed through her body as she felt his warm and loving kiss and she couldn’t help but smile. It…felt so great to be kissed like that. She wanted more…
“Um…that felt really, really nice…” she muttered. “H-How about…”
Parsee pointed to her cheek.
“Here?”
At that, Angel pressed his lips to her soft cheek and kissed it fondly, then followed suit to her other cheek. Parsee’s face grew even redder, and Angel couldn’t help but chuckle. “Why kiss one when I can kiss both?” he teased her.
“O-Ooh you…” Parsee sighed as she looked at him, holding her hands to her chest. She looked around nervously some, before looking back at him, her eyes staring intently at his lips. Angel looked at her questioningly, before his own blush increased as she leaned in, bringing her face close to his.
“P-Parsee? W-What are you- mmm…”
He was cut off when she pressed her lips to his, wrapping her arms around his necks as she eagerly kissed him. Once he processed what was happening ["happened" is already past tense so "was" is unnecessary, if it's for past tense; I assume the kiss is still continuing, so "was happening" would fit better that "what happened"], he kissed back, holding her close. The kiss went on for about twenty seconds before the two pulled away from each other, staring into the other’s eyes in satisfaction.
“T-That was…something…” Angel whispered.
“Y-Yeah…it was, huh…” Parsee whispered back, resting her head against his chest. “Glad I did it, Gabriel…~”
“Me too, Parsee...” Angel told her softly, sighing in content as he held his lover protectively. “Me too…~” Undefined Fantastic EmotionRating: 5.5/10 Another sappy romance, but at least there were other proper story events going on as well (commotions, Keine, etc). Unfortunately, though, the sappy romance felt quite awkwardly written. Kokoro's confession felt really sudden and out of the blue, with no descriptions of how she started feeling this way for Nue. Nue's own reactions were also quite unusual, and the descriptions on how her feelings developing were insufficient to justify them. Kokoro's mental state also seemed to be quite a mess. One moment she's stuttering as she tries to describe her feelings, and then after Nue leaves she simply shrugs it off and treats this event as if it never happened for the rest of the day. This may very well have been intentional, since Kokoro's emotional transitions aren't like normal humans, but there was no explanation of any sort that justified this. Canon interpretations are open-ended and insufficient, so the author should clarify their own perspective of how Kokoro's emotions are handled. It is possible that the author intended to subtly demonstrate the complexity of Kokoro's emotional state while using the sappy romance as a facade. Although it would be very interesting if that were the case, the resulting entry turned out to be too confusing and ended up as a mess. The core aspect of this story, in my opinion, is the transition of emotions within Kokoro, how she finds herself regaining her lost emotion of love. This is a very interesting theme, but as stated in the previous paragraph, it was somewhat poorly executed. I really like the intended theme, however, and I admire the author for trying to take that approach. The kiss at the end was not the most important aspect of the story, but it was described as being significant enough to Kokoro to justify this entry as following the round's topic. There were a few minor grammatical and punctuation errors, but they were all extremely minor and didn't affect the reading experience at all, at least for me. Overall, I feel that this entry was sadly a failed attempt at trying to portray a very interesting theme centered on a unique character. It was just another day in the Human Village. The sun was shining brightly, people were about their usual business under Keine's watchful eye and the village was at peace. But Keine was much more worried than everyone else in the village.
"That godforsaken Nue is going to mess with something in my village right about now", she muttered to herself.
True to her expectations, things started getting disorderly not long after. Random villagers' things ["villager" is singular, but if the possessions of multiple villagers were affected, then it should be "villagers" with the apostrophe after the S; Also, on that note, "possessions" or "belongings" are better words than "things"] were stealthily turned into unidentifiable, monstrous things that scared them cold.
"Not again..." Keine grumped as she headed out to try and quell the population yet another time.
In a narrow, dark alleyway of the village, [Comma] Nue was giggling with glee over the commotion she caused today. Commotions that became a regularity, but what would follow this particular commotion is anything but regular. [The first part of the sentence refers to "commotions" in plural, so "what would follow" would refer to all the events that happen after each of those commotions. No such events are mentioned in this story about past commotions, so I assume the "anything but irregular" refers to the events after this particular commotion only]
Hata no Kokoro had just left home, and was preparing to wander out into the rest of Gensokyo, where she would journey in search of her lost emotions as she had been doing for not very long. Then she caught an earful of Nue's giggling and decided to investigate.
Indeed, there she was. This was Nue in her true form - a girl with strange wings, black outfit and thighhighs, and she was giggling to herself. Kokoro, curious, creeped closer to the laughing girl, who did not take notice of the approaching menreiki (mask youkai) [Non-English words should be defined when first used] until she could almost feel her breathing.
When Nue turned around to leave the village, she suddenly found herself staring down Kokoro's usual blank, emotionless visage. Nue jumped, blank white-eyed with shock, and while regaining her breath she managed to ask:
"*gasp* You scared me. You came out of nowhere! *gasp*" [*gasp* is not appropriate for written dialogue. Better to write "She gasped while asking..." instead of putting *gasp* in the dialogue]
Kokoro remained unfazed.
"Who, or what, are you, anyway?" "I am Hata no Kokoro", the menreiki quietly responded. "You live in this place, don't you?" "Yes." "You didn't seem fazed by my latest prank in the village." "..." "I didn't feel anything much today." [Based on the alteration of dialogues, this is supposed to be Nue speaking. Why would Nue say she doesn't feel much? If this is Kokoro speaking, then it should either be placed at Kokoro's turn ("...") or it should be written that Kokoro said this] "Hmmmm..." What an emotionless creep, Nue thought. "I have more business to take care of, so if you excuse me I'll be on my way", Nue voiced.
But just as she was starting to fly away, Kokoro managed to stutter out: "D-don't l-leave." Nue did a quick turnaround, but seemed impatient. "What?" "I-I'm feeling this...this strange thing. I feel... some kind of attraction towards you." The undefined fantastic girl blushed, as Kokoro continued, [Specify who is speaking the next dialogue] "... A-and I... am f-finding myself unable to r-resist it." Nue's whole face went red after hearing that phrase. Curious, yet retaining her flat gaze, Kokoro approached Nue. [Curiousity and flat gazes are fine, but why would she be stuttering then? Kokoro's actual expression and behavior seem to be inconsistent] "I-Is this how being in lo--" But before Kokoro could finish, Nue used the ninja log trick to flee, in a state of complete embarrassment. Kokoro shrugged and remarked to herself: What a strange person that was. Then she continued her daily wanders as if nothing had happened...
Later on, at the end of that day, Kokoro returned home, laid in bed to prepare to sleep... and found herself feeling things again. "Is this feeling the one that [referring to sadness specifically] humans call... sadness?" Kokoro said as her face made a slight frown. Suddenly, Kokoro spotted the girl from earlier in the day, on her window [Where exactly was Nue? This seems to be inconsistent with a later section. If Nue was outside the house and Kokoro saw her from the window, then this should be "from her window"]. She got up, then Nue noticed her frown. She's not really that expressionless...and I think she likes me...but no one ever liked me... But as if instinctively, Nue then said, in denial of her true feelings: "I-I'm just here t-to... prank you, is all!" She blushed and started sounding angry. "N-Not that I l-like you or anything!" Still, as if sensing her true emotions, Kokoro's frown became undone. "Oh, is that so~" Eventually, she drew a light smile, which made Nue blush more intensely. "Come", she whispered, inviting Nue in. Slowly she headed to her door to open it for the undefined girl. Nue was totally embarrassed again, but she wouldn't dare leave Kokoro cold again. [So where was Nue exactly? If she was sitting on the window, then how is the door relevant? If Nue was outside the house, on the ground, then she was not "on the window" earlier. Besides, she would be able to fly in through the window anyway, so why is the door necessary?] The two then sat down together. "Your laughter earlier this morning was..." Kokoro whispered, in a less monotone way than usual. How can I say it... "...cute?" Nue quietly and reluctantly responded. "Y-Yes. Y-your giggling is c-cute." Nue was trembling with embarrassment. "Y-your outfit is cute, t-too" By now, [Comma] Nue was so embarrassed that she was steaming with it [There is no noun for "it" to refer to; "steaming with embarrassment" is grammatically correct, but "embarrassed" was already mentioned earlier in the same sentence, so "with embarrassment" is not necessary]. In a move that surprised even herself, Kokoro stood up and helped Nue [Name Capitalization] get up. "This feeling... I-is this what humans call..." Nue was looking away and then back at Kokoro at a frenzied pace.
"...love?"
As if she felt there would be no way to escape, Nue then found herself gazing deeply into Kokoro's rose-colored eyes. Kokoro then puckered her lips, closed her eyes and leaned in towards Nue, as if wanting to kiss her. Kokoro loves me and I cannot run from that. Might as well go for broke. The fantastic girl then proceeded to finish the job. She wrapped her wings around Kokoro, and smooched her intensely. Unfortunately, they were interrupted mid-smooch. By Keine. An angry, transformed Keine who caught an eyeful of Nue in cahoots with Kokoro. Keine snarled: "You! You're the one who's making a mess out of my village." She then reached in and pulled Nue out of the window. "Get your hands off my villagers..." Keine reared back, winding up for a headbutt. "...leave my village..." She lets it loose. "AND NEVER RETURN!" The sneaky prankster is a clever girl. She pulled off the ninja log swap trick again - but with a rock this time. That's all Keine headbutted, which left her dazed and swirly-eyed [First word needs to be an adjective] from pain. "I'll get you, [Comma] Nue~" [Not a grammatical/punctuation ERROR, but is the tilde really appropriate here?] she mumbled before falling down. Kokoro was watching all that, idly, but she actually smiled lightly when she realized Nue saved herself. If this is love, then it feels so good~, Kokoro thought as she returned to bed, to get ready for the next day.
The next day, Kokoro got to meet Nue on the exact same spot in the alleyway [she met Nue twice, so it should be specified which location; I assume this is not in Kokoro's house] - but before she pranked anyone. "What's your name? I didn't ask because I was confused by emotions~", Kokoro said. "Name's Nue", Nue replied. "Nue-chan, if what I felt yesterday is love, then it feels very good." Kokoro leaned in for a kiss. As if wanting to finish yesterday's job, Nue wrapped herself around Kokoro, wings and all, and smooched her passionately.
No one was around to interrupt the lovebirds, except for a solitary ray of light that illuminated the fledgling couple just as they kissed. Even Kokoro's masks became expressive as she wore a big red heart as one during the kiss. Afterwards the two hugged and bade themselves goodbye. The encounter was over, but the love seed had only just been planted.
Kokoro began to wander the land again, but this time around she had one less lost emotion:
Love. I hate you!Rating: 5/10 More sappy romance, but not much story events outside the romantic stuff, except for Reimu/Marisa stealing food in the background. Seija is a pretty unique character to work with though. It would have been really interesting if this entry incorporated Seija's opposite personality thing, but nope, all there was was a single line about her deciding to endure the pain of accepting Rinnosuke's feelings. This entry seriously could have been a lot better if Seija's internal conflict between her love for Rinnosuke and her desire to be hated was expounded on further, but sadly, this was not the case. I was felt that even the shipping content was quite lacking. There was no explanation as to why Seija picked Rikkosuke of all people to pester, or how they even first met (because I really can't find any connection between them from canon sources). There must be a reason why Seija was going after Rinnosuke for such a long time, ever since he was a child. In fact, it sorta feels like two random characters were chosen and inserted into a generic shipping story template. And well, there really wasn't much else besides that, which is really disappointing. Still though, the events that were described were quite well written and were entertaining to read. The emphasis on the kiss also made perfect sense and fulfilled the round's topic quite nicely. The grammar was fine, but there were a lot of punctuation issues. In particular, many of the commas should have been periods (sentence breaks), and there should have been more commas. It actually got pretty difficult to read, having to re-read segments after mentally fixing the punctuation. Despite the punctuation issues, the main ideas in the entry were presented well. Overall, I find this to be a somewhat disappointing entry that tried to ship two unrelated, probably randomly chosen, Touhou characters. The shipping content was quite nice, but it could have been a lot better. In a land across the sea, there exists a sealed space forever closed off from this world and [Super-long sentence; At least end the first sentence here] inside that space, [Comma] there exist ["exists" for singular, "exist" for plural] many beings who are not human nor animal; [Semi-colon] beings called “youkai”, which are the embodiments of myths, phenomena, and everything supernatural. [Sentence break again, please] our story focuses on the paradoxical love between one of these youkai and a certain half-human half-youkai shopkeeper...
“I love you.” said Seija for the millionth time or at least that’s what I felt. [Only instance of "I" in the story. You should either tell the story from a first-person perspective, or delete all instances of the first-person narrator entirely]
“Well I hate you, [Comma] so why don't you [I don't think Rinnosuke is asking why Seija is giving it a break] give it a break already” Said Rinnosuke the shopkeeper of a store called Kourindou located in ‘The Forest of Magic’.
“And that’s exactly why I love you, darling.”
“Don’t say that, [Creepy] it’s creepy.”
“You just keep making me fall in love with you by [A comma would work too] saying things like that”
“Tch. Damn amanojaku.” he said. Yet, [Sentence break, comma] by then, [Comma] his hate had started to falter. [Sentence break] Being told about being loved so many times had made his mind a maelstrom of emotions. What [Sentence break] he felt towards her wasn’t love, but by now he certainly didn’t hate her. Yet he felt that if he broke the status [spelling] quo then she would definitely hate him or feel betrayed by him or something like that.
“Darling shopkeeper. Fufufufu” she laughed giddily. On the other hand what he felt was truly love,and she could feel that Rinnosuke’s feelings towards her were starting to change. Yet [Sen break] she had already decided to endure the pain of not opposing his feelings for the sake of her love.This paradox was so sweet yet so cruel simultaneously, that she could barely endure it. But [Sen break] she braved on. “Do you truly hate me?”
“Why ask that now?” He asked, [Comma] but he could feel something in her voice. Was [Sen break] it nervousness? Was it fear? He did not know what it could be, but he felt that he should be honest with her, [Comma] so he told her ”In truth, [Comma] I don’t know how I feel about you. At [Sen break] first I really hated you but now...” his voice trailed off. He looked at her and she was trembling, as he reached out his hand to comfort her and ask her what was wrong, she suddenly sprang forward and stole a kiss from him. “Huh!?”
Seija backed away almost instantly, [Comma] left the shop and took flight. “Why did I do that, now I’ll never be able to look at him in the face without remembering that stupid ki-...KISS.” By this point her face was as [spelling, I'm guessing] red as the sky around her due to sunset, and as embarraased ["as" + spelling] as she was, [Comma] she couldn’t help but glance back and smile to herself.
Meanwhile Rinnosuke who was left all alone and confused in his shop, wasn’t able to think for a moment. Long [Sen break] after Seija was gone he thought about what had just happened to him. “Why am I so flustered after just a kiss, it’s not like she truly loved me, [Comma] right? She was just playing around with me, [Comma] right? Could it be that I was deluding myself and what I felt was truly love?” Rinnosuke was asking himself these questions and many more, he spent hour after hour questioning just how did he feel about this paradoxical youkai girl... He [Capitalization] eventually fell asleep, and in his sleep, [Comma] he dreamt.
He dreamt about many things, he dreamt about his past, a few years back, how he was shunned, until Mr, Kirisame took him under his wing. He dreamt even farther back to when he was a teenager, and then back to when he was a child, way before he even knew he wasn’t truly a youkai and in reality, [Comma] only half-youkai.
“...te me?” In his dream Rinnosuke heard a voice
“Huh?” said Rinnosuke, [Comma] realizing this was a memory yet being confused all the same, for he recognized everything around him and more importantly, he recognized that voice. It [S break] seemed he had heard it recently, but at the same time he had not.
“I asked ‘Do you hate me?’, so do you have an answer?” Rinnosuke lifted his face and he saw a youkai girl. Her hair was mostly black but it had red and white streaks here and there, and two little horns were poking out of her hair. Her eyes were as [red being described] red as cherries and she had this impish grin, that seemed somehow alluring to him.. This [Capitalization] girl was most definitely the amanojaku Kijin Seija.
“I.. I don’t know” said Rinnosuke in a voice far too high-pitched to be his own.
Seija dropped her smile into a frown, [Comma] looked at Rinnosuke square in the eyes, and kissed him. However [S break] this kiss wasn’t like the one in the shop a while ago. This [S break] one lasted longer, it was more intense, and somehow more desperate too. However, [S break + Comma] it was full of emotion just like the one at [spelling] the shop had been. “How about now?”
“I like you too, [Comma] Seija!” Said a young Rinnosuke, his face blushing just as hers had when she kissed him in the shop.
“I never said I liked you, in fact, [Comma] I hate you Rin-kun” Yet it was plain that she was happy just by looking at her face, how she couldn’t hide neither [spelling] her smile nor her blush.
... And then he woke up, her face still fresh in his mind.
Rinnosuke prepared himself for when Seija may come, [Comma] choosing the words he would say again and again unsure of what to do, but she never showed up.
Marisa and Reimu came by and decided to steal some of his food (as they usually do), and increased their tab by quite a bit, but he didn’t care. He [S break] didn’t even notice until they had already left. His mind was too focused elsewhere, and he was filled with trepidation and worry, yet he still had hope; [Semi-Colon] hope that Seija did indeed love him and it wasn’t just her amanojaku nature.
Just as he was closing the shop, [Comma] he was hugged from behind. The [S break] grip of the hug was strong, [Comma] as if fearing separation... or perhaps rejection. Rinnosuke waited until he was let go of ["released" works better than "let go of" though], turned around and faced Seija who had hugged him so tightly.
“Seija, [Comma] I... umm...” words failed him, all the speeches he [spelling] had thought about suddenly forgotten.
“Do you hate me?” she asked just as she had done so long ago, proving that she also remembered their first kiss, and that she still held the same feelings for him as she did back then.
This time Rinnosuke answered not with uncertainty, but rather with a kiss of his own, the first kiss he’d given of his own accord. Seija recieved his lips and responded in kind. Their kiss was so passionate and it lasted so long that when they finally separated they were both exhausted. Then [S break] Rinnosuke said “Is that answer enough for you, [Comma] Seija?”
Seija looked at Rinnosuke with eyes full of love and answered “More than enough Rin-kun”, and they kissed again even more passionately, their lips pressed together once again, and this time so did their tongues. They [S break] grasped each others hands and as their fingers intertwined, so did their tongues. By [S break] the time they were done, [Comma] no trace of the sun remained in the sky.
They stared at each other in a giddy trance as though they had both been freed from all worry. And Seija whispered into Rinnosuke’s ear, as though it was a secret that only they could know “Now you know how I felt every time I kissed you”. She [S break] looked at his face once more with her usual impish, provocative smile, and kissed him once again. A winter kissRating: 7/10 Ah, finally, an entry with romance which wasn't completely or almost completely devoted to romance. This is the kind of way that I would prefer to see romance being incorporated into a story. The bar scene was somewhat well written and a fine way of introducing the bartender, though it would have been nice if there were more descriptions about the bartender's behavior or on Sekibanki's perception of him, since he becomes an important character later on and therefore needs more than just "the way he acted was automatic". Sekibanki reminiscing about her violent actions in the past was really well written imo (aside from grammar) and fulfilled its purpose on conveying Sekibanki's emotional state to the reader very well. Although I praised the way the romantic content was implemented into this entry, I have to admit that the whole scene between Sekibanki and the bartender had a few issues, some of which may or not be intentional. The scene ended with the two of them consciously kissing each other, but there were no details on Sekibanki actually feeling any love or any positive emotion towards the bartender. Her anger towards him was mentioned, which was then dissipated by his touch and his words, but it wasn't implied that she felt anything for the bartender after that. Also, the bartender's behavior was too... forward. You don't just put your hand on the shoulder of someone that you barely know and only met earlier today as a new colleague. Even if you find her crying, you shouldn't just hug her unless you already established some kind of emotional bond. And well, tbh, the scene actually DID feel like they were complete strangers to each other, since there was absolutely no reference to their earlier interactions at the bar. My interpretation of this entry (which may be completely off) is that the author wanted to illustrate how unstable Sekibanki's emotions were (from her painful memories) and then wanted to demonstrate how this made her far more emotionally vulnerable to the bartender's advances (bartender being pretty much a complete stranger). In simple terms, it was kinda like she thought "I've done such horrible things, I can never be forgiven, no one will like me anymore" and then the bartender proved her wrong by displaying an interest in her, causing her unstable emotions to accept his advances and she fell in love with him. Even though he placed his hand on her shoulder before she was alerted of his presence and then outright hugged, while she did get angry like a normal person would, she also found his actions to be very comforting to her, due to her incredibly unstable emotional state. In a sense, her emotions were manipulated by the bartender, though the bartender may not have actually intended to manipulate her. He may have just been really emotionally unstable as well and felt that he could relate to her. Regardless of whether these kinds of feelings can be considered to be true genuine love, this is still something that can and often has happened in real life. Taking advantage of an unstable emotional state to begin a romantic relationship is a pretty serious matter whose occurrence should not be ignored, and the author wrote this entry to draw attention towards that. In that sense, the core aspect of this entry is about how strong emotional instability can make a person very emotionally vulnerable, to the point of falling in love and kissing a complete stranger because of how they approached you. I was gonna go on a long-winded rant about the human being's desire to seek acknowledgement, but this review is long enough already, and I should probably focus more on actually reviewing this entry and helping the author improve instead of heavily analyzing it. One thing that really bothers me is the relevance of the bar scene. If it was ntended to introduce the bartender, it wasn't done very well since the bartender was barely described, and the rest of the entry would have worked fine without the bar scene (treating the bartender as a complete stranger). Regarding the round's topic, there was only a single kiss, which is inconsistent with "Every time", but it had a lot of meaning since it was the only significant indication of Sekibanki actually accepting the bartender's feelings, which is essential for this story. Overall, I really like the message that the author was trying to convey and I think this aspect was very well written, aside from the grammar issues. The grammar issues are pretty annoying, and the bar scene feels unnecessary, but besides those issues, I feel that the author did a really good job and wrote a really meaningful entry, even if it looks really poorly written at first glance. As much as I'd like to end my review here, the author needs some serious grammar lessons. First of all, the article "an" should only be used if it follows a noun that begins with a vowel sound. Most words that begin with A, E, I, O or U fall into this category. For example: "an ant", "a car", "an oven". However, this rule is based on the pronunciation of the word and not on its spelling, so the first letter may be deceiving. For example: "a university", "an hour", "a one-way street". Next thing is that if you want your sentence to be split into multiple different pieces (clauses), they need to be connected to each other. This is by using words like "and", "but", "that", "which", and so on, whichever one is the most appropriate. Connectors aren't always necessary, but this entry needed a lot of them. Having many clauses in a single sentence isn't always a good idea though, so it's often better to just split them into separate sentences. There are other minor grammar issues but they should be explained in the grammar check. The full silver moon shone across the Gensokyoian winter filled skyline. The valleys that were once emerald green were filled to the brim with crystal snow. Trees of all sizes had the beauty of the white snow. Stretching above the landscapes were giant peaks, acting as a natural border, keeping trespassers from entering and people from escaping. In a [article] fertile valley, there laid an ever expanding village, filled to the brim with different races, from humans to youkai that blend [subject is plural] in. A [article] small girl, walking in the alleyway, [Comma] wore a [article] black dress that, [Comma] as it went further up, it [ continuing from "that"] had red streaks until it merged with her shoulders where it was fully red. As she walked, it revealed of [verb connects directly to object] the existence of her red cape. The alleyway that was the back entrance to the tavern and the back end of houses. [the alleyway is described but it's not a complete sentence. Do you mean that the alleyway was she walked?] She looked up and the clouds were a looming dark grey, suggesting that nature was about to deliver more snow. She leant over to the door, pushing it open into the tavern. She found herself in the back of the tavern, where the employees were supposed to work.
“Ya aren't supposed to be 'ere!” The manager of the tavern looked at the young girl, who had wandered into the building. She slowly raised her hand to her scarf, untying it and it slipped down, revealing her mouth. “I am here to apply for a [article] job!” She spoke in an stutter, she was extremely nervous. Ever since the Youkai Rebellion after the Miracle Mallet's magic affected her, she had became more nervous around humans. “You want a [article] job here?” The manager looked surprised and he turned away to the amount of drunkards, who were [If the manager wasn't doing the yelling, it needs to be indicated that it was the drunkards that were yelling] yelling unknown slurs aimed at the lone bartender. “If you want the job, you'd better help.” The moment the last sentence left his mouth, the girl jogged to the bar counter.
At the bar counter, the lone unfortunate soul at the bar counter looked at the girl for a second before he grabbed a glass that hung above him. He had to quickly lean down to grab a [article] bottle of sake and poured its contents [poured what?] into the glass, the way he acted was automatic. A [article] man rushed to the girl, slamming his hands onto the table and he didn't even speak; [Semi-colon; Sentence breaks would work too] he just pointed to the bottle of sake and she grabbed it without any delay, pouring the liquid into the glass. A [Sentence break] few drops laid on the bench and the moment she was finished, he snatched it and left to a table straight away. In that brief second of delay, all she could do was sigh.
A few hours of hell and all the crowds were gone. “You never told me your name.” The manager sighed, looking just as tired as the two employees. And she spoke, softly and tiredly ["tiredness" is a noun, the placement of the word indicates that it describes the verb "spoke", so the proper form would be "tiredly"] “Sekibanki, [Comma] sir.” And without any warning, he spoke“You're hired.” She smiled greatly as she turned towards the door and she begun a slow walk home. It [Sentence break] was snowing lightly as she walked from the employee section of the building into the alley she had entered. However, there was a slight difference: [Colon] the winter morning sun's rays ["were" indicates plural] were starting to break through, although it still lightly snowed.
She entered the main street of the village where it had many houses, like [Flower shop and village school are just examples of the many houses, right?] a [article] house covered with flowers, signifying the flower shop and the village school, ran by Keine. She followed the path until she reached a small clearing, covered by snow-filled [Hyphen needed to connect two words into a single adjective] willows trees. She [Sentence break] pushed through and she appeared in a canal, unkempt as the brick laid paths on both sides of the canal had small holes inside, due to [the next part needs to be connected somehow] damage from Sekibanki that she caused when under the influence of the Miracle Mallet. Strong and painful memories came back to Sekibanki as she remembered her rampage across the canal, hurting friends with her reattaching head and her long neck. She leant down, looking at the clear water and her feet hung. All was silent until footsteps were heard in the distance, then they stopped in the awkward silence until a [article] hand appeared on Sekibanki's shoulder, and, [Needs to connect] to her surprise, it was the bartender.
“Shouldn't you be home?” He spoke softly, with [connector] genuine care in his voice. Sekibanki's face sunk to the floor, the reflection of her face confirmed that her cheeks were glowing a [article] light red. She was almost embarrassed [spelling] to speak to him. At last the words escaped her.
“I just wanted to go down memory lane.” She stuttered even more than before, then she shot up. Her blushing face is all he could see as she turned towards him. “I'm sorry!” She ran off, leaving the confused bartender alone in the canal.
“Wait!” He shot up, running after the girl, [Comma] but after a few seconds, he slammed into her, sending her sprawling to the floor. She landed into the snow. She tiled her head to the side, noticing that the bartender was behind her, his hand extended for her to be assisted up.
“T-thank you.” Sekibanki had to stop herself from crying in public but a few seconds later, warm tears streamed down her face. In [Sentence break] reality, Sekibanki had no idea why she was crying. The emotional pain of the canal and being pushed by accident was enough, but [Connector, "but" because I figured the bartender's arm added more emotional impact when it was already "enough"] the bartender's arm wrapped its [spelling, "it's" = "it is"] way around her neck, dragging her in, her [specify that it was Sekibanki or else it would refer to the bartender's arm] warm tears ran down his shirt, and [connector] all was heard was a whisper: “Shh, please don't cry.” Sekibanki cheeks [no apostrophe unless it refers to belonging or possessing something] returned to scarlet as she just now realized the two were in public, hugging each other.
“You know something?” He spoke softly and he pulled backwards for a second, looking at the fact the small red haired girl stopped crying. She looked at herself, rubbing her sleeve to stop the tears from flowing down her face. She went to throw a hard punch at him, as [connector] unknown anger ran through her, but [connector] a simple sidestep made her think for a second. “Why are you so angry?” He frowned, looking at Sekibanki's anger as, [Comma] without warning, she grabbed him by the arm, dragging him back into the wintry canal.
“Who are you? Why did you hug me?!” Sekibanki screamed at him, her face returning to scarlet. The anger was short-lived as the bartender's cold fingertip touched her lips. “Have you ever had a crush on a withdrawn person?” The bartender looked towards the floor as he spoke. Sekibanki shook her head. Sekibanki tiptoed towards the bartender, and [Connector; Line break would work too] as she walked up, [Comma] she was blushing, her cheeks were bright red, and her masquerade as a human was broken again. A [Sentence break] Deja vu repeated in her head, as she brought her human illusion to the end, being attacked by the Shrine Maiden and hurting and losing friends. The deed had been done. Her neck stretched slightly as their two lips touched. A true winter kiss. Memory and RealityRating: 7.5/10 This story was about the best kind of kiss: a mother's kiss to her child~. Anyway, this entry was very well-written, with the different characters and their interactions with each other being portrayed really well. Despite being pretty long, this entry was exciting enough to keep me interested all the way till the end. In particular, I really liked all of the Yukari-Hakurei flashbacks. Still though, I feel that the huge length was really unnecessary. The way I see it, the core aspect of this story was to demonstrate Yukari's relationship with Reimu and justify it further through an unexpected plot twist. But a lot of segments weren't directly related to that. In particular, I'm not sure about the whole point of scene 2. Reimu getting thrashed by what seems to be Yukari's memory of Hakurei was a cool action sequence to read, but it seems to be kinda pointless. Reimu doesn't seem to feel any sense of recognition or familiarity towards her opponent, only humility and fear. Scene 4 also confused me a lot. I assumed at first that the crying was due to the extreme amount of pain that Reimu felt, but the "Why did you have to stop it?" didn't make sense then. Her "Huh? What?" response to Yukari's musing implies that she didn't notice that the one who defeated her was a memory of Hakurei. I'm not sure what the author was intending with these scenes, but there seem to be some fundamental details missing. I've read through this entry on three separate occassions and still couldn't fill up the gaps in this entry. With respect to the round's topic, well, there were multiple kisses, but Reimu didn't seem to perceive any kind of significance in any of them. It would fit really well for Yukari if the round's topic was the other way around ("Every time I kissed you") so that works, I guess. Overall, I feel that this entry was very entertaining, with characters and interactions being written extremely well, but the story lacked a coherent theme that was consistent throughout. I feel like the author started off with a good basic idea and then wrote whatever came to his/her mind without really bothering to make sure everything fits properly. Oh, yeah, this was also the first entry that didn't have any noticeable grammar/punctuation errors. I did find a wording issue, in scene 7, when Yukari implied that she took Hakurei's place as a surrogate. I'm not really sure how that works. Isn't Hakurei supposed to be the surrogate mother for Yukari's child? First entry without grammar corrections, yay~ Love for an eternityRating: 3.5/10 Okay, this entry had two problems. The minor one of these two consists of the grammar and punctuation errors, mostly the latter. The major one is that this entry was just way too short. Note, an entry being short is not a problem in itself. But being too short severely restricts the entry's ability to have a strong impact on the reader. In this case, it's just a short sudden segment of sappy romance. What little content this entry had was actually not bad. The author used some nice romantic descriptions ("an eternity to love was worth it all") and sappy metaphors in dialogue ("cherry blossoms remind me of you" -> "they're beautiful", lame but sweet) and such. I believe that if the author actually bothered to expand this into a proper story with a lot more details, he/she would be able to produce a pretty decent entry of pure sappy romance. However, as it is in its current state, this entry is incomplete and barely has enough details to be worthy of being acknowledged as a proper entry. Please put more effort next time. A kiss. That's [S break + "That is"] what it took to bring about new life to the lifeless immortals, [Comma] who once were simply fighting because it was familiar.
It started as a joke that the [it's referring to a specific person, right?] black haired girl did to torture her, [With no previous reference to Mokou, "her" does not refer to anyone; use something like "the silver-haired girl" or "the other immortal" or just "Mokou"; Also, Comma] but as soon as she did it, [Comma] she wanted MORE of the silver haired girl, [] as did she her
The kiss was passionate and filled with love. While [Sentence break] it could hurt those around them for eternity, [Comma] they did not care because an eternity to love was worth it all
"Hey Kaguya, the cherry blossoms remind me of you." "Oh? Now [Capitalization] why is that?" "They're [spelling; "They're" = "They are"] beautiful and look like they'd break if you touch them." "Well looks can be decieving~"
Kaguya grabs me and kisses me. We [Sentence break] only stop to breathe [breathe = verb; breath = noun] because while we could go without, [Comma] it was always nice.
"I love you, [Comma] Mokou." "Love you too" Roses die, the secret is inside the painRating: 7.5/10 This was a really beautiful and well-written entry. In particular, I was extremely impressed by the pacing of this story, with varying levels of detail being carefully controlled to keep the reader immersed into the events. The readers can really appreciate the strong emotions that Remilia experiences throughout the entry, from dread to despair to fury. One major issue, however, is that Primevere wasn't really developed well enough for readers to form an emotional attachment towards. She was only given a few lines in the first paragraph before the main scene began. This significantly weakened the impact of the tragedy itself. When reading the actual tragedy, I found myself being really distressed by Remilia's feelings, while not actually caring much about the actual cause of her suffering i.e. Primevere's state. I suspect that this may have been deliberate, that the author intended for Primevere to be no more than "somebody extremely important to Remilia" to keep the reader focused only on Remilia's experiences without getting distracted by other stuff, but I still think that this entry could have been a lot stronger if the reader actually cared about Primevere as an independent character. The concluding paragraph also feels really off. While it seems to imply that Sakuya is the vampire hunter's daughter, it's a very sudden shift in perspective that lasts only through the conclusion. It could have worked if the entry began with Sakuya's perspective, but in this entry, it's really out of place. In particular, the last sentence, is really inappropriate unless the core theme of this entry is actually focused on Sakuya instead of Remilia as I imagined. I'm not quite sure why "Flowering Night" is mentioned either. Sure, it's one of her game themes, but I still can't grasp how it's connected to the entry. Primevere being named after a flower (primrose) is not enough to justify a reference to Flowering Night. With respect to the round's topic, well, multiple kisses are referenced and the final paragraph highlights the significance of the kiss. Still, though, with the focus being on Remilia, this entry would fit really well if the theme was reversed ("Every time I kissed you"). Most noticeable grammar issues were due to tense inconsistency. The story was told in the past tense, but some of the verbs were in the present tense when they weren't supposed to be. Also, the term "Onee-chan" is not defined or explained in this entry, and foreign words should be explained when they are first used. Since this term only occurs at a moment with critical pacing, it would have been better if "Onee-chan" was defined earlier, like during the introduction. Overall, I find this entry to be quite beautiful and extremely well-paced, but the main event could have been stronger, and the focus on Sakuya during the conclusion feels really out of place. Tiny ice crystals swirled peacefully down from the sky like feathers, transforming the world into a wintry paradise. A fairy’s wing brushed against a cedar, and the snow fell to the ground like powdered sugar, revealing the emerald needles underneath. It was an ordinary winter in the land of Gensokyo. An elegant mansion stood just beyond a lake shrouded in mist. The savoury scent of roast wafted into the surroundings. It came from a vampire girl, “Remilia Scarlet”, when she walked to the dining room while holding a plate of her homemade cooking wispy vapour still floating above it- straight from the oven. A warm smile crossed Remilia’s lips as she imagined the look on her little sisters’ faces, when they see [Her imagination occurred before they saw the food, so "when they see" should be expressed in the future tense] what she had made for them today. “Primevere” and “Flandre”, ah…such lovely names, she mused. Her little sisters, Primevere and Flandre, were twins. Primevere’s job around the mansion was to look after the flowers around the mansion, while Flandre looked after the basement and the empty library. Primevere and Flandre would often beat their little chests proudly, ecstatic grin on their faces [I assume they don't share the same face and therefore there are two faces here], and exclaim that no vampire hunter would ever have a chance at catching them. To this cute, child-like display, Remilia would smile sisterly and warn them to stay away from the village anyway. Every day, Remilia would comb her two sisters’ soft, fluffy hair, read bedtime stories and kiss them gently on their foreheads as they quietly fell asleep. Those days were filled with such carefree laughs, loving hugs and warm kisses.
Remilia entered the dining room, its fiery hearth blazing with warmth in the winter cold. She gently set the supper on the table next to an ornate rose vase with a soft ‘klunk’ and dusted her hands happily.
“Ah, Flandre~” a graceful elder sisterly smile on her face, “Did you have fun toda-…Eh?” Flandre flew into Remilia at full speed. The jewels on her wing crashed into each other loudly like cymbals, tears streaming unhindered from her eyes.
“Remiii, Remiii--- Prim, she-she…” chokes Flandre, clutching to Remilia’s dress, her little body wracked with uncontrollable sobs, leaving stains on the white fabric.
“Take a deep breath, Flan. Tell me what happened”, asked Remilia sternly. Her voice strained as her smile fell; painful possibilities and wordless regret began to loop endlessly like a broken record in her head. Flandre sniffed.
“The human village”
Remilia paused; her eyes grew as round and wide as the full moon.
“Flan, stay here” said Remilia. Her voice clipped, as she rushed out the mansion door. A rose petal as red as blood fell onto the table.
…
A black spot rocketed [Past tense] out of the mansion, Remilia smashes through the gate at full speed, steel wire sticking bloodily to the thin membrane of her wings. ‘Forget the pain’ Remilia thought as she shoved her tongue up over her front teeth, that was some warmth, some protection, and her wings beat like a hummingbird’s, the wind whistling in her ears. How far to the village? 5 seconds? 10? ‘Faster!! I must go faster!’, something popped [Past tense] in one of her wings. 'Almost! Just a bit more-'
A silver glint- ‘Woosh’ something very dangerous flew past her ear- stopping the vampire in her tracks.
Remilia gasped, pulling the night deep into her lungs. She stole a fleeting glance at a silver knife embedded hilt-deep in oak. Her head tilted mechanically-23.4 degrees. As she gazed at the row of houses along the street…
A man stood over a tiny body. A man with silver hair, a gaunt face and eyes the colour of dried blood, equipped with an archaic set of chainmail- an image out of old fairy tales, weapons glinting with silver. ‘Vampire hunter’.
Frame by frame, a flash of silver, and a sick, slick sound. Bone collided with a spiked mace. A crimson liquid spurts out, as warm as a kiss. The metallic tang of rusted iron. A body of a little girl was swept away and slammed into the ground repeatedly as she lands roughly at Remilia’s feet. After rolling, the little figure stopped moving…completely. “Prim!! Hang in there, Prim!!”
There was [Past tense] no response. No, there wasn't [Past tense] even a reaction. The sound of splashing…something thick, splashing…It wasn’t water. It was coming from Primevere…her blood, it spread and spread…
“Prim, hang in there! Open your eyes! Please, open your eyes!!” Remilia begged, tears trailing down her face.
Primevere twitches, hair matted with blood still seeping out of the wound on her head. “Onee…chan…” murmured Primevere, [Comma] a soft smile on her face, a sound more like wind blowing by Remilia’s ear than the endearing voice of her little sister. “You’re awake!? Wait, I’ll?“
Primevere’s body sagged [Past tense].
“Prim... vere…? Primevere, stop joking around! Prim! Primmmm!!!” Remilia kept shaking Primevere. Her sobs of grief and despair could be heard throughout Gensokyo, as her adorable sister’s head rolled around like a marionette with its strings cut. Just a pile of unmoving flesh.
“Somebody help…The blood…it won’t stop…” Remilia cradled [Past tense] her dead sister’s body in her arm like an infant, “Stop sleeping…Please, wake up…”
“Aw~ the bloodsucker has feelings”, the mocking voice of the vampire hunter snapped Remilia out of her grief. Remilia silently brushed Primevere soaked hair to the side with trembling hands, then [If you're repeating the subject again ("she"), there should be a connector or a sentence break] she slowly kissed the small body on the forehead one last time as she slowly rose [Past Tense]. Her face shadowed, covered with her sister’s blood. Her dress, once white, was [Past Tense, even though I assume it's still true for the present] dyed scarlet.
“Oh, what’s this? The great Scarlet Devil herself has come to greet us? I thought you would be shaking in fear and begging for your life after having pissed your pants.” The hunter chuckled gleefully.
“People shake with fear and piss their pants when scared? I don’t know much about those things” retorted Remilia. Her voice was strangely calm; her eyes glowed eerily with insanity.
Remilia reached down into the pool of blood at her feet and drew out something taller than her, a spear crimson red with wicked barbs resembling a harpoon. She said with a devil’s grin:
“Let’s make this…an incident.”
…
A maid is watching [This is the only instance where present tense is actually perfectly fine, since it describes the chronologically latest event in this entry and could therefore be decided as being the event happening right now] as her master laid primroses on a little grave. The maid’s master always told her that she had found her on the day she was orphaned, a little girl in the rubble of a fallen house. The maid’s responsibilities at the mansion were to prepare food for the inhabitants, as well as her master’s little sister who lives in the basement. Her master had always told the maid that the little sister was sealed up in order to keep the little sister safe. Her master was a very troublesome person, others gossiped to each other about her master being a “spoilt brat”, but [contrasting connector] the maid knew otherwise. After all, while her master had wilfully forbidden further questions regarding anything from the past, [Comma, since starting with "while" should directly connect this to the next part] the maid knows that at night, her master would tremble like a child, reliving kissing a little girl on the forehead, trying to love a girl that no longer lived but in her dreams…‘Sakuya’ is the maid’s name- Evening Primrose, “Flowering night”. Lament of a Lunate Elf, for a Kiss that Never CameRating: 7/10 Short and sweet, but I'm quite disappointed that there isn't much else besides a single confession scene. The confession scene itself was well written though, but I felt that it was too generic. Although I wasn't especially impressed by the confession scene, Daiyousei's internal monologues (besides the confession-scene-relevant stuff) were quite good, and it really allowed me to appreciate her situation, as she waited for Cirno to return from the war and kiss her. Even though fairies respawn, Daiyousei's suffering makes a lot of sense. After all, their relationship hasn't advanced much (implied by "Nothing has changed"), so it is very possible that the absence of contact for two years would cause their relationship to end. Even if Cirno comes back, she might not remember Daiyousei or may not feel the same way towards her. Especially considering that being in a war can really change a person's perspective to an enormous extent. Overall, I find this entry to be pretty effective at conveying Daiyousei's feelings to reader. This entry isn't really too strong, but it's very impressive for its length. There was only like, one or two grammar issues, and they didn't have any effect on my reading experience. How many times have I been standing in front of you like this?
Ever since we've started going out with each other (why did we even do that, anyway? We were just children...).
Ever since then, I've always asked you, directly and indirectly, to finish the job. To put your lips over mine...
Why didn't you do it? Were you just too timid?
I ask myself this every day, while looking at you...
I still remember the day when you agreed to be my loved one...
We were flying over the lake, and you had a frozen sunflower in your hand and had the biggest smile of your life [Sentence structure needs some tweaking, since "you had a frozen..." needs to be properly connected to the first part. Using "and" works, but using two "and"s to connect three clauses is unusual, so the second "had" should be removed so that the third clause becomes part of the second clause] (a smile that, [Comma] to me, [Comma] shined brighter than ten suns...). After years of doubting, I had finally decided to ask you...
"Uhm... There's something I wanted to ask you..."
You looked at me with a curious look on your face. I was at the verge of crying, and I was really nervous... I couldn't pronunce a single word. Then you said:
"Yeah, what is it?"
Your response made me come back to reality, and I mustered up enough courage to formulate the question...
"You see... After so many years... We spent so much time together... And I... I've come to the conclusion that I... That I love you."
The moment you heard those words, I noticed that your face had completely changed. You were... I don't know what your feelings at that moment were. You looked like you were confused, unable to say anything, shocked. Still, I went on.
"So I wanted to ask you, please... Would you like to be my girlfriend?"
We both stood in silence for 5 minutes. I was waiting your answer. You didn't know what to answer.
Finally, you flew straight to me, hugged me and whispered to my ear:
"Yes."
For me, that was the best day of my entire life.
After we oficially declared ourselves as girlfriends, we continued our normal lives... We played like we always did, we did pranks to the humans... Nothing has changed.
Well. Except that I didn't feel jealous when I saw the two magicians loving each other... I finally had someone that did the same to me.
Except for a kiss. You never did that. And I still don't know why.
---
... I guess it's time for me to stop crying for today.
Ever since you left for that war, I've been looking at your photo and talked to it like this. Every day. Every night.
... It's been 2 years now, and you still haven't returned home.
I'm not going to lose hope. I know that one day you'll come back. And you'll give me the kiss I've been searching for.
"I miss you. And I love you. So please... Please, Cirno, come back..." Game ChangerRating: 8.5/10 This was a really interesting entry. Very nice plot twist at the end, but it was kinda spoiled by the opening remarks. In any case, Kaguya's feelings were described really well, and all of her actions made perfect sense. Mokou's behavior was very consistent with the plot twist, with her dialogues and actions fitting very well with the plot twist. The fact that the story never actually shows Mokou's perspective until the post-epilogue was critical to the plot twist. The plot twist itself, however, is quite an issue. Mokou's decision feels really off-character, since I was under the impression that she really enjoyed the act of simply fighting Kaguya, and didn't really care much for the sense of victory that comes after winning. Still, though, the author implied early on that Mokou was focused on actually beating Kaguya, and this entry was a very nice demonstration of how she achieves that. Still, though, I can't imagine how Mokou could endure her boredom now that she can't kill Kaguya anymore. This theme also followed the round's topic extremely well, with references to multiple kissing instances that were described as having very special significance for Kaguya. There were a few grammar and spelling issues but not much. Some of the misspellings were annoying, but the reading experience was mostly unaffected. Overall, I find this entry to be a very unique entry, disguised as a sappy romance and turning around expectations in a nice plot twist (that was unfortunately clearly implied by the opening). Battles between immortals can be rather uninteresting to a return viewer. Sure, they’re flashy, with no regard for life between the two, but that’s exactly the problem. There’s no tension, no stakes. You can be pretty sure what’s going to happen every time.
Until someone decides to change the game.
A large and fairly colorful explosion appeared above the bamboo forest. A figure with flowing white hair, and quite a few red-white bows plummeted toward the ground, and was followed slowly by a figure with similarly flowing, but black, hair. Compared to the first's [Apostrophe] sort of free-fall, the latter's [Apostrophe] appeared to be floating gracefully. If one could see her face, a playful smirk would be the first thing you noticed.
Mokou sat up in the newly formed crater, and started brushing the dust off of her sleeves.
A familiar voice said haughtily, “Have you had enough? I honestly don’t see why you continue to fight me, seeing how much you lose.” Kaguya turned her head to the side, and added “Actually, I don’t even remember why we fight in the first place…”
Mokou, a bit taken aback at the audacity of the question, pointed her finger directly at Kaguya’s floating figure. “How could you forget? Do you not remember what you did to my father? I lost him because of your stupid, rigged requests!”
Kaguya brought her hand to her mouth, as if suddenly remembering. “Oh, yes, that’s right. You’re still up at arms about that? You must surely be over it by now, it’s been such a long time…”
“You’re damn RIGHT it’s been a long time!” Mokou [I'm pretty sure this is Mokou talking] raged, her face turning a crimson red. “And it’s all been worth it to have a shot at you!” With this, Mokou [This one, too] huffed off [Spelling] into the forest, her hands set aflame.
“I think I’ll count that one as a win” Kaguya said to herself, turning back toward her mansion of eternity.
That afternoon, a little after the sun set, Kaguya took a walk on the outskirts of Eientei’s premises. She was admittedly tired from the earlier battle, and had decided a nice quiet walk would benefit her. Heading toward her usual relaxation spot near a pond, she noticed that a familiar someone had beaten her to it. Kaguya paused for a second, shrugged, then went and sat beside the girl red bows.
Mokou didn’t react at first, but eventually glanced sideways to see the new arrival. “What, you come here to gloat or something? I’m trying to rest!”
“Oh, please.” Kaguya responded, looking straight ahead, with a continuous smug smile on her face. “You know this is a normal spot for me. I hardly think I’m the one to blame for this meeting”.
Mokou’s face blushed a deep red, and she yelled obstinately “Sh-shut up! It’s just a nice place, that’s all…” She pulled her knees to her face and sat staring ahead. Kaguya continued to sit calmly, pondering what Mokou could be up to. An uncertain amount of time passed, when eventually Mokou whispered…
“Hey Kaguya…”
“Mhmm?” Kaguya responded, uninterested.
“Do you ever get… lonely?” Mokou asked, barely audible.
Kaguya responded evenly, “Of course not, I live in quite the busy mansion, with many people who adore me. Eirin is faithful, Reisen is obedient, and Tewi and the rabbits are fun.”
“hmmm…” Mokou concentrated, then pulled her knees closer in. “It gets pretty lonely in the bamboo forest. I don’t really know anyone, aside from Keine, and she’s been too busy to even meet me lately…”
“Well, [Comma] that’s a shame. I can’t say I feel sorry for you, though.” Kaguya responded, a little surprised at the turn the conversation was going.
“I’ve never even fallen in love…. Have you ever actually fallen in love, Kaguya?” Mokou seemed to have to force out this sentence, as if embarrassed about something.
“I’ve had many lovers, if that’s what you mean. It was quite fun, back then…. Good memories.” Kaguya was getting fairly wary of the direction of the conversation, especially considering her conversation partner.
“THAT’S... [Ellipsis, because That's by itself isn't a complete sentence]!” Mokou stood up straight, then blushed, and sat back down. Quietly this time, she said “that’s not what I mean. Have you actually ever loved someone? Mutually?”
Kaguya was a little taken aback at the question, not really wanting to get this philosophical in her relaxation time. “I haven’t really, [Comma; The missing comma made me misread "I haven't really thought" at first] though…” She was cut off by Mokou.
“Because I’ve been thinking.” She said quickly, as if she wanted to get it over with as quickly as possible. “I don’t really know anyone very well, and I’m alone in the bamboo forest. But you! We fight all the time! We know each other back to front!”
Kaguya was more than a little annoyed, but something was nagging her in the back of her mind. “What are you getting at, you infernal girl?” Kaguya asked loudly.
“I’m saying!” Mokou continued, crawling to Kaguya and pushing herself in Kaguya’s face, “Think about it! We’re perfect for each other [Space]! Black and white, perfect foils! Opposites attract!”
Kaguya leaned back “Do you want to fight? Are you trying to piss me off? I beat you this morning, and I can do it again!”
“No! You don’t understand!” Mokou yelled, almost in tears. “I love you!”
The silence was overwhelming. Kaguya couldn’t really process what had just been said, and Mokou was waiting for a reaction. After probably around 60 seconds of complete lack of sound, Kaguya started to turn and leave. Then, Mokou desperately grabbed Kaguya’s shoulder, spun her around.
And gave her a kiss.
It was nothing complicated, and only lasted a few seconds, but it proved to Kaguya that Mokou was serious. “um..” Kaguya started, stopped, then turned and ran back towards Eientei. Mokou sat down, put her head in her knees, and remained silent.
Upon returning to Eientei, Kaguya went straight to her room, and lay down in her bed, hoping to get to sleep and not think about what had just happened. Unfortunately for her, sleep would not come easy.
“Have you actually ever loved someone? Mutually?”
Mokou’s word rang through Kaguya’s head. She couldn’t help but be bugged by them. After giving it some restless thought [Spelling], she came to the horrific conclusion that she had never loved anyone…
Kaguya’s eyes widened. She looked deeper within herself, and found not a trace of affection past simple friendship for anyone. She needed Eirin, appreciated Reisen, and liked Tewi, but she couldn’t think of anyone she actually loved. In her youth, (well, earlier youth thanks to the Elixir) she had just used men to get what she wanted, and then spent some time simply enjoying others misfortune.
“Do you ever get… lonely?”
Kaguya had felt honest in responding earlier, but she now doubted her answer. Deep down, she felt a [Article] supreme feeling of emptiness, only now emerging. This new feeling was obsessing all of her senses, until she wanted nothing more than to die.
That is unfortunately not an option for Kaguya.
In the depths of her despair, she seemed to realize something. Lying in her bed, staring horrified at her ceiling, her solution was right in front of her. Someone who was in the same situation as her, someone who truly understood her.
Kaguya rushed back to the pond.
Mokou had been laying exactly where Kaguya had left her, seemingly fast asleep. Kaguya, timid but determined, walked over to her prone body and gave her a nudge.
No answer.
Kaguya nudged her again.
Still no answer. [Period]
Kaguya [Missing subject] kicked her in the side.
“Ow!” Mokou sat straight up, and started to form the phrase “son of a bitch” with her mouth, but was rudely interrupted by a kiss from Kaguya. Kaguya made this one last a while. The kiss seemed to fulfill her emptiness, and fill her with happiness.
Once the kiss ended, Mokou sat back in amazement. “Wha- “ she started, “I thought [Spelling]….” She couldn’t formulate her words. Kaguya spared her by answering, tearfully.
“I thought about what you had said” She cried, “And I realized you and I are the same! I’m lonely! And I’ve never loved anyone!” She hugged Mokou, who was still a bit dazed. Kaguya continued, softly in her ear. “I love you Mokou, we exist for each other [Space]! You and I will be around forever, we’re perfect!”.
All Mokou could do was lean into Kaguya’s arms.
And smile.
Epilogue
After that night, Kaguya and Mokou met every day at the pond, for months. They began each outing with a kiss, then spent the hours talking, and doing things that made them happy. Sometimes they would venture into the human village, other times they would just lay around all day. Eventually, Kaguya began to invite Moukou to Eientei, to the delight of the residents. While entertaining, their fights were usually fairly destructive, and Reisen usually landed the job of cleaning up. [Current structure implies that this refers to Mokou's visits AFTER the confession and all] Now all she had to do was clean up dishes. At the end of their outings, they would kiss goodbye. The kiss was the best part to Kaguya, both beginning and end. The first kiss confirmed the love for the day, and the second promised more tomorrow. It filled the emptiness inside of her, and she was happy. Mokou, no longer lonely, lived in contentment with her new partner, no longer dreading her eternal life.
It was perfect.
SPOILER: Click to hide
“All according to plan.”
“Now to move on to phase 2” Mokou thought one night, shortly after departing Eientei.
The kiss was the best part to Kaguya, both beginning and end. The first kiss confirmed the love for the day, and the second promised more tomorrow. That night after departing the house of eternity, saying farewell to a sweet, black-haired girl, Mokou lied [just "lied" without anything after that indicates that it refers to Mokou telling a deceptive lie, which is not referenced anywhere].
The next morning, Kaguya woke up early. Mokou had told her to, that something special was waiting for her. Excitedly, she rushed to their spot, looking forward to whatever surprise was in store. She arrived at her destination, to find no one there. Kaguya figured she was running late, so she innocently waited for her by [Spelling] the pond.
12 hours later, Kaguya returned to Eientei. She returned the next morning to a similar experience. After the third day, Kaguya set out to search for Mokou, fearing her to be in danger. She searched high and low, every day, for weeks, until her tireless searching was halted be Eirin, who was concerned for HER safety. Months went by, and Kaguya stayed in bed every day. The loneliness she had felt that fateful night slowly began to consume her, and her love for anything soon faded.
All day, Kaguya lay still, her head pointed toward a window. All she thought about was the location of her lover, where she could have gone, When she would come back. She would occasionally cry, but mostly she stared straight ahead with blank eyes.
Every day she hoped to see Mokou
Every day she was disappointed
For all of eternity.
Elsewhere, not in Gensokyo, a small campfire burned. A girl clad in red and white, with long white hair, sat against a rock by the fire, turning a spit-roast. She was alone, but she didn’t mind. Her previous purpose in life had been fulfilled, and she was on a journey to find a new one. She smiled happily, reflecting on her ordeal.
All Mokou did was lean against her rock
And smile.
“I think” Mokou said to herself, “I’ll count that one as a win” Sister's LegacyRating: 7/10 This was a really beautiful and heart-touching entry. The first-person perspective made it easy for the readers to relate to Lunasa, which enhanced the death scene significantly. The descriptions about Lay-nee Layla did a good job in highlighting how important she was to the three Prismrivers.
The biggest issue I've found with this entry is the constant switching between the present events and Lunasa's recollections of the past. Having so many transitions is confusing to follow and kinda broke the flow of the story. Especially during the third to last paragraph; The scene where Merlin and Lyrica are expressing their present sorrows over Layla's death is really not an appropriate time to write about Lunasa's past experiences with resolving incidents.
I'm also kinda miffed about the whole "maturity is an inherent personality" thing. I mean, sure, it makes sense that Lunasa started off as more mature than the others but Lyrica asking about "What are we going to do now?" after it was implied that they've lived for at least 40 years makes no sense to me. I'd expect that Merlin and Lyrica would have far outgrown the need to have an older sister watching over them, so the whole legacy thing felt really weird. Unless the poltergeists haven't actually grown, but that would be contradictory to the entry itself.
It would have been nice if the entry had more content about the Prismrivers playing music, since that's kinda what they're most well known for. Lunasa's only spoken dialogue was about playing music, so it feels like their music is supposed to be significant to the story, but the author neglected to actually focus on that.
This entry fit the round's topic very well, with reference to multiple kisses described as having quite some significance to Lunasa.
Overall, I feel that this entry did a fine job of portraying Layla's death and the feelings of Lunasa, but was otherwise poorly executed.
No grammar issues that particularly bothered me here. But I think usage of both "Lay-nee" and "Luna-nee" in the entry should be accompanied by an explanation for what the suffix "-nee" means, instead of treating them as just nicknames. Fusion: Melting White HeartRating: 8/10 Deadline is approaching, so I'll edit a proper review for this one later.
Quite well-written. Good dialogues and interaction. Change of perspective is too confusing sometimes. Orin's logic about Birdbrain => Change is inconsistent with the ending where it sounds like she used to think Feelings => Change and was proven wrong.
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Ariezza
Promised Arclight
Posts: 615
There is now only a white phantom that looks like you
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Post by Ariezza on Jan 14, 2015 12:31:43 GMT
xXx Round 1xXx
Announcing results
In this rough spring, more than ever I want to shy away from human.
Indeed, we all have gone very far from our beginning, and here we have successfully completed one third of the race. How have things been with everyone as you all participated in this competition? I take it that it is not easy for anyone, and personally, I wish to say I could very well sympathize with all the toughness, and will do my best to make this more enjoyable.
No further delay, this shall be the results of First Round that everyone has been looking forward to energetically.
Please refer to the first posts to see how scores are calculated. Please immediately contact an organizer if we have committed a mistake!
Outdated information: Important announcement:
As some of our friends have already been aware, one of our judges, Dani, is facing a very busy time in her work and life. We all know very well how sudden life can act up. For the sake of the reviews' quality and Dani's life, we have chosen to postpone posting her scores and reviews, instead of posting a rushed work and/or putting more weight on her shoulders, which have already been bearing many responsibilities.
For this inconvenience, please do forgive us. We understand how everyone has been looking forward to seeing the scores and rankings, but please do bear this with us and keep supporting our competition.
Currently we will shall take a look at Kay's reviews and the NP. For the lack of Dani's scores, in the table, entries are not ranked by scores yet. We will have our full results up as soon as possible.
Eientei Writing Competition Score Board- First Round
Congratulations to our winners of this round! We truly hope that you all would keep this pace and continue to impress us further and further~
To all others whose rankings were perhaps not as high as expected, please do remember we still have 2 more rounds to go. Do not lose heart, take our judges' advices and please keep participating in this competition with us to the very end!
May life be kind to us all, and let us cling together until the end of this competition. Personally, for everyone who has joined, written and voted, we are very proud of your effort.
Kay's reviews
1. Bridge Between Hearts
I question why you started the story just in time to need to reference things that happened a short time ago. Why not start with Angel's arrival? You could use some extra content, OCs generally need extra time to give readers a chance to care about them.
"as Parsee rarely would venture elsewhere"
I don't know if this really needs to be referenced here. It's just where they first met, you don't need to justify the probability of Parsee being there. Angel, on the other hand... Taking a nice stroll through extremely dangerous places because of being too edgy for the rest of the world doesn't sound that realistic to me.
Instead of just saying that Angel is staring off into the distance in thought, why not show some of his thoughts? An observation about the surroundings or two would communicate both where he was looking, and that he was thinking, while sticking more closely to the character's point of view.
What Parsee did while walking up behind him is a questionable detail to include. Angel would have been unaware of this unless she told him, so it's doubtful it would have been important to him. Parsee probably doesn't consider her normal mannerisms notable, either. It doesn't convey anything that interesting about the characters to the reader, either. Parsee's initial hostility could already been understood from her actions once Angel was aware of her presence. If it's not important to the readers, and it doesn't have any relevance to what the characters think, it's not very useful.
What "inner turmoil" is it that Angel is dealing with? Phrasing it like that implies that he's feeling that way about something specific to a degree that's relevant to his actions, and therefore to the story. If you just want to convey that he's unhappy, do so in a way that's more general.
What conversation did they get into? This is something that would be meaningful to both the characters and possibly the reader. Even just adding a sentence to show the direction of their conversation could be an improvement here. Focus more on details that matter, and less on details that don't matter. Along the same lines, describe their feelings about the confession more, and details like backrubs less.
Why is Angel not using his real name? Does this serve any purpose within the story? If you really want to include it, explain it in a way that involves the characters' emotions regarding it.
The repetition of information from the flashback makes me question whether it was actually needed.
"Completely and utterly touched by his words"
Don't tell us this. Let Parsee say it, or indicate it. You should try to convey information like this subtly, without having to point it out.
Okay, that's a lot of kissing. Doesn't mean a whole lot if you fail to build an attachment to the characters first. Make people care about them first, relate to them, want them to be happy. Then the kissing would matter. Otherwise, it doesn't mean anything more than those random strangers you passed on the street kissing. Because if you don't have a reason to care about the characters, random strangers is all they are. This is especially important with OCs, since canon characters will at least already have some importance to people.
2. Undefined Fantastic Emotion:
First of all, why does Keine think Nue will do anything just then? Had Nue been playing pranks there previously? It's good that there are other characters and occurrences in the story, though.
“Hata no Kokoro had just left home, and was preparing to wander out into the rest of Gensokyo, where she would journey in search of her lost emotions as she had been doing for not very long. “
Don’t just state information. It would be an improvement if you could show this gradually through the story. For example, Kokoro comparing her surroundings to her home, or reflecting on displays of emotion in random people nearby. Show, don’t tell.
“Commotions that became a regularity, but what would follow is anything but regular.”
You don’t really need to state what’s going to happen in the future. Either use subtle foreshadowing, or just stick to writing about things as they occur.
It’s a little hard to tell who’s speaking at some points. Even if adding dialogue tags doesn’t sound good sometimes, it’s better than the readers having to guess who says what.
I had to Google “ninja log trick” to figure out what you were talking about, and it didn’t appear to be something I should know if I was familiar enough with Touhou. You should describe things in such a way that you can reasonably expect your readers to easily know what you mean.
Elaborating on why Kokoro thinks her feelings are love or sadness would be interesting. But showing the relative extent of her emotions this way, and pointing out the expressions being her actual face instead of a mask is good.
Nue is a bit too cliche tsundere, here. I think it should be more subtle.
Huge image in the middle of the story is jarring and imo should be spoilered or put someplace else.
Maybe explain Nue’s feelings a little more? “Why not” isn’t the best reason to kiss someone.
Keine’s antagonism is amusing. The ending is somewhat lackluster. No implication of whether they plan to see each other again, no details of their goodbye, no explanation for why Kokoro leaves on her own.
3. I hate you!
I don’t like repeating something so common, but “show, don’t tell”. Give an indication that Rinnosuke is a shopkeeper. Describe the shop, or the surroundings. Point out a sign with the name on it. Show him handling a sale or something. Don’t just state information, it’s a wasted opportunity.
“at least that’s what I felt”
First-person sentence when the rest of the story is in third-person, not good.
I feel like more explanation of why Rinnosuke originally hated Seija, and why he fell in love with her, would help.
The backstory in Rinnosuke’s dream is a good touch, but you could take it a step farther and show the entire dream, with one thing merging into another, instead of just stating information. Also, as it is, it takes a while to realize why he’s younger in his dream.
Including Marisa and Reimu dropping in is good too. Detailing what Rinnosuke was considering saying to Seija might be a good way to add more explanation of his feelings.
Overall, I like the characterization of Seija. The concept of her liking someone for hating her is a neat idea. Falling in love with someone you hate because of them confessing to you constantly sounds a bit unusual to me, I think it needs a bit more justification. The actual writing could use a lot of improvement. Too many run-on sentences.
4. A winter kiss:
The description of the scenery is very nice. The description of Sekibanki herself is a bit odd, how it focuses so much on her clothing and not what she herself looks like, only mentioning near the end of the story that she has red hair.
The manager speaks with a crude accent at first, and then it disappears. One “here” is slurred, but the next isn’t, for instance. If the accent is hard to write, it would be better to just stick to normal speech all along.
“The manager looked surprised and he turned away to the amount of drunkards, yelling unknown slurs aimed at the lone bartender.” Was it the drunkards or the manager yelling at the bartender? It’s a bit hard to tell.
The symbolism of the weather changing is neat, and the imagery is still good here. Nice job explaining Sekibanki's feelings.
“Sekibanki's face sunk to the floor” I assume you meant this figuratively, but you might want to phrase it differently. It is Sekibanki, after all, you never know!
The ending is alright, although it could use to be clearer. "The deed had been done", what does that refer to? How long had the bartender liked Sekibanki? Had he been aware before of her not being human? Finding a way to add more details could be a good improvement.
The English mistakes cause a bit of confusion at some times, and more information about the bartender would be good, but the idea of Sekibanki being so affected by remorse over the events of TH14 is pretty neat, as well as the reminder that even youkai still have daily lives and need to work. The dialogue isn’t bad, as well.
5. Memory and Reality:
Had to reread the prologue a couple of times to tell who was saying what. It could really use to be clearer. Nice description, though.
I’m not honestly sure what prompted the danmaku fight, or whether it was Chen, Ran, and Yukari they were looking for at first, or what kind of “incident” Marisa expected. Also, it’s still unclear at times who’s speaking. I know how difficult avoiding overuse of “said” is, but it’s better than confusing dialogue.
Scene 2 is fine, the fight is pretty cool. “The scary-looking woman” is rather lackluster phrasing compared to the rest of your descriptions. “Intimidating” or “formidable” would seem less out of place, perhaps.
I assumed at first that Scene 3 was simply a flashback. Other than the lack of clarity about that, I can’t find anything to complain about. Scene 4 is fine, and is easily understandable.
So, if Yukari is wounded... I really am not sure how this works. She needed to make the memory into reality for both of them, I guess? The rest looks good.
Hakurei Sr. is certainly a neat character, and the portrayal of all the canon characters seems pretty good as well. Description and dialogue are great. The scene breaks, while a great reference point for reviewing, are odd style-wise. My only complaint is that I had to read the story twice to understand the overall plot, and a third time to figure out the details, and I still don’t feel like I know well enough what happened. Don’t overestimate how much your readers can figure out. It’s easy to understand things you already know, so what is clear to you may not be clear to others. Even with perfect writing, though, fitting a story this complex into a one-shot is quite ambitious. Props to you for that.
6. Love for an Eternity:
My first thought: where’s the rest of it? I know, I know, quality over quantity and length isn’t important and all that, but this is too short to feel anything about. There’s not enough emotion here to care about the story at all. You have to give people a reason to care. Make people sympathize with the story, grow attached to the characters, at least find a single sentence to be moved by. There’s nothing here.
One sentence is clearly in first person, the rest is in third person. Why? The grammatical errors are a bit distracting, too.
How could a kiss hurt those around them for eternity? This doesn’t make much sense.
How long ago did they kiss for the first time? Are they used to being in love yet at the time of this scene? What do other people, like perhaps Keine and Eirin if they're still around, think?
It could be the start of a good story, if you expanded on it a bit. You could answer those questions, add some more detail, anything. But there needs to be something to care about.
7. Roses die, the secret is inside the pain:
First thing that stands out to me is that I don't understand why you put the names in quotation marks. Second is the description of Remilia. This is a good example of where to apply the common advice "Show, don't tell". Remilia is small, okay. Based on what? Not being much taller than Prim and Flan? Having to stand on a stepstool to reach something? A description like that would add more imagery to the story and be more subtle than a simple statement.
"Savoury scent of roast" and "homemade cooking" and “what she had made for them today”, generally it would have been stated somewhere here what it was she had cooked already. We already know Remilia’s a vampire and anyone very familiar with Touhou already knows how common eating people is, you can probably stop tiptoeing around it.
Wonderful foreshadowing here with the childish boasting. Nice (and subtle!) imagery with the description of the dining room, as well.
Centering “The human village” is a little odd, imo. Stylistic choice, I know, it’s not really hard to read, just... odd.
Where is this blood-drenched rose petal falling from? Why is it there? It’s good symbolism, but unless I’m overlooking something, this one doesn’t make a lot of sense otherwise.
Actually breaking through the gate, eh, I think this sounds a little strange. Wouldn’t she want to save her strength for later?
23.4 degrees? I see the Double Scarlet reference, but the specification still sticks out badly to me. I'd put it someplace less tense where there isn't as much to interrupt, at least.
The description of Prim’s death is a little too vague, perhaps. A tiny body, a body of a little girl... Unless you suppose that Remilia would fail to properly recognize Prim at that time out of delusion, which wouldn’t be unreasonable, it sounds too distant.
The ending is good, except for one thing I really wish was hinted at. The connection between Sakuya and the vampire hunter is very unclear, and I find it strange that Remilia decided to spare her. Why did she make this decision? How does Sakuya end up there? The symbolism of naming her after Prim is cool. Perhaps implying that Remilia saw some similarity between her and Prim?
I can’t say the general lack of physical descriptions is a bad thing, but it is odd for one of the central characters to be an OC whose appearance is unknown beyond being small and having fluffy hair. It’s not jarring, imo, so it’s up to you whether you prefer it that way.
Some commas in odd places and sentences that go on too long, a few switches from past tense to present tense, and some bizarre adjectives. Not enough to badly affect reading, but some careful proofreading would be an improvement. Plenty of good symbolism, even if in some places it could be worked into the narrative more smoothly.
Overall, this is my personal favorite of all the entries. There are some flaws, sure, but the basic story is great.
8. Lament of a Lunate Elf, for a Kiss that Never Came:
I have to say, I don't like the narrator's identity is only revealed with a picture. If you didn't intend to reveal it at all, I'm not sure I would object to that, but hinting at it with the pranking statement doesn't go well with that, even ignoring the picture.
Overall, this is a good story. Short and sweet, in a positive way. I like the mention of AlicexMarisa, it's a nice way to show the broader setting.
The sentence breaks and parentheses are stylistically uncommon, just so you're aware. I'm not counting this against you, just making a note of it.
Not really liking the story revolving around a question without any apparent hint at the answer, but for a one-shot, I suppose it's not a big deal.
It also seems odd to me if Daiyousei directly asked Cirno to kiss her that many times, and Cirno didn't reply in a way that explained why she wouldn't at all. It's entirely possible that you have a justification for this, but as far as I can tell from the information provided in the story, it doesn't seem to make sense.
Generally, more details would be nice. I don't like the "5 minutes". Describing how long it felt in more emotional terms would be better, imo. A simple statement of time elapsed wastes a wonderful opportunity to describe Daiyousei's feelings of tension more. Five minutes is a common enough time to reference, so I assume you meant it as an approximation, but still, measurements are also generally best when vague.
"Flew straight to me" feels slightly out of place. It implies a greater distance, to me, than would be reasonable for a one-on-one conversation, let alone a confession. If nothing else works as a substitute, I would consider the hug indicative of enough movement.
Speaking of the hug, I feel like more time could have been spent on it. Some little detail like Cirno's hands feeling cold or something added.
Generally, though, it has a good balance of romance and angst, and you did a very good job showing and not telling, nearly all information fits properly into the story.
9. Game Changer
The dialogue at first is pretty good. Slight error referring to Mokou as Kaguya, it seems. Mansion of eternity? Surely the mansion won't last forever, even if Kaguya does.
That afternoon? What time was it at first? While Kaguya was thinking about what Mokou was doing there, did she have any ideas? Why would she be uninterested in what Mokou was saying, when she had just been thinking about what she was doing?
Is "gloat" the best word to use here? There didn't actually seem to be a decisive end to the fight except from Kaguya's perspective, so would Mokou be expecting her to gloat about it?
Kaguya's characteristic condescension is great here.
I can't tell if you meant for the interrupted statement to be "I haven't really thought about it". It would fit, but "though" is a word on its own, so you might want to be clearer about where you cut things off.
How often do you speculate that a silence lasted for around 60 seconds? Unless guessing the time was important to Kaguya, the estimate is too specific, imo. Describing it in more vague and personal terms would probably be better. In real life, measurements made in one's thoughts are generally just rough guesses, or only considered in ways they matter. How long a period of time feels like is more important than how long it actually takes. It allows you to show more of the character's thoughts, and remains more seamlessly in their perspective.
You don't need to point out Kaguya's lack of sleep. It would be apparent enough without that statement. Nice inner monologue here. Especially Kaguya's assessment of the Eientei crew as enjoyable minions.
How did Kaguya know what Mokou was about to say that well? I wouldn't consider it strange for her to predict it, but you might want to consider adding some statement about how often she said it, or something like that as more elaboration.
"Doing things that made them happy" The diction of that seems a bit simplistic. Maybe "doing whatever their hearts desired", or something similar instead. Even "whatever made them happy". But "things that made them happy" sounds like a failure to elaborate on something, to me. The false epilogue is good in general.
"The kiss was the best part to Kaguya, both beginning and end. The first kiss confirmed the love for the day, and the second promised more tomorrow."
This is really great. Although repeating it like that in the true ending sounds a bit odd.
"Kaguya figured she was running late" Not a problem, but you could elaborate on this a bit more. Did she have any ideas why Mokou would be late? Any speculation of where she would be?
Again with the specific measurements of time. If you want to specify the time that way, imo, this is another time where showing rather than telling would be better. "Kaguya looked up at the sky. Nearly twelve hours had passed, judging by the fading light from the sunset."
I think you should have left open the possibility of Kaguya getting over it eventually. Eternity is a long time. And people recover from lost love all the time, even with mortal lifespans. It sounds a bit improbable.
Mokou's ending is pretty good. Generally, a clever idea. More careful proofreading would help, there's an instance of present tense, the misidentified character, and what seems to be a missing sentence fragment. The characters are nicely consistent with canon portrayal, imo, in terms of dialogue. I kind of have trouble seeing Mokou as the type to try to hurt someone emotionally like that, she seems a bit too straightforward.
10. Sister's Legacy
Interesting time to start the story. I'd have considered starting it a little earlier, to show how Lunasa felt while performing. Was she happy to be able to say goodbye this way? Pressured to play perfectly just this once? Distracted by sadness?
Lunasa introduces Layla as an "elderly woman", but was that just to explain it to the reader? Elsewhere, she doesn't seem to actually think of Layla as old, describing her as "the once vibrant girl". Try to make sure it's consistent. The description of Layla is clear enough without pointing out her age immediately.
"Within our earliest memories, Lay-nee was an energetic little girl" Would they really have thought of her as "little" at the time, since she would still have been more mature than them? Memories are often spoken of from the perception of that age. I'd leave out the little, and substitute some other description if necessary.
"we've always believed that the four of us would continue to play together forever... until" That should be "we had", you're referring to the past here.
Interesting part with Layla's reminiscence. I feel like more specific anecdotes might add a nice touch. Layla's feelings of missing her older sisters as well are very well done, and realistic. Also helps make Lunasa look more mature (by not resenting it).
I really like Lunasa's acceptance of her responsibility, while still understanding the gravity of it. Very well done.
Hm, not that I know that well from personal experience, but the common fictional portrayal of death here seems unrealistic. People wouldn't realistically always die immediately after choking out perfectly sane last words. Not really a problem, but it's something to be aware of.
Nice analysis of the sisters' reactions, and good job showing Lunasa's thoughts smoothly. Beautiful ending, as well. Overall, well done, especially with handling the large timeframe referenced. Adding a few more details here and there could make it even more emotional, I think. Also, I have to make a note of the formatting being great.
11. Fusion: Melting White Heart
Taking advantage of first-person limited properly, good. Neat interpretation of canon here, too. Rin's emotions here are very realistic, although I would perhaps make the explanation of her feelings about Utsuho at the end of the first scene a bit more subtle. Instead of just stating how important she was to Rin, mention a memory or two of the old Okuu, a daydream of Rin's about what could have been.
Amusing cameo of the manga being about Marisa and Alice.
Might want to indicate a bit more clearly what Rin's dream was, and why she suspected confessing to Utsuho might have helped.
Interesting detail of Rin noticing Utsuho wearing the same clothes. Implies she pays a lot of attention to her.
Very good job on Rin's reaction. Nice and realistic, again.
Satori's intervention makes sense, good choice there.
"I don’t think I’m good enough for her…" It was a bit hard to tell whether this was Rin's own thoughts, or her thinking about something Utsuho said. And if it was the former, I wonder if it would have been better off in past tense or with a specification. Does Rin feel that way about the stupid Utsuho at this point?
The conversation between Utsuho and the librarian is not bad, although it seems a little unlikely that Utsuho would understand what a date was if she didn't understand what a kiss was.
I think Rin's inner monologue at the start of Day 5 needs a bit more breadth, but it works.
How is it that Utsuho is more well-dressed? What is she wearing? Does Rin notice whether the clothes are ones she already owned or not? Dialogue is still alright here.
"maybe she never left…" Did anything in particular happen that caused Rin to think this?
I think people aren't generally that aware of whether they're blushing. Describe it at least a little more uncertainly, perhaps? And you should probably add some indication of where they're going on their date. It seems unlikely that they would just leave without any plans, and if it's something that was supposed to be said off-screen, imo it shouldn't have been.
Again, what in particular is prompting Rin to think Utsuho is still the same? Adding a specific familiar gesture or statement that she hadn't repeated before, that was of special significance to Rin, or something along those lines would make her acceptance feel a lot more natural. "She never changed" is also a bit of an excessive statement. The ending would have a lot more meaning if Rin was still clearly struggling with a few reservations, but resolved to try to work past them, instead of just deciding everything was alright again.
I like the premise a lot. The beginning was a lot stronger than the end. I don't know if you're just better at writing negative stuff, or if you had less time/motivation later on, or what, but if you can keep to the level of quality from the first scene, it would be a big improvement. Tone down the stutters and ellipses a bit. A few small indications of hesitant speech goes a long way.
12. If You Keep Stealing….
The ambiguousness about who the characters are is a bit excessive, to me. You did a good job of indicating it in such a short fic with no names mentioned, but I think a style of writing without as much vagueness would be better. Yeah, we can tell it's Rinnosuke, at least after a while, but someone less familiar with more obscure Touhou media would have trouble.
"I copped out" seems out of place here. It implies making an excuse, but is it the excuse that Rinnosuke feels out of place because of being half youkai, or is that the real motivation? Perhaps I'm misunderstanding.
I wouldn't say "she knew" is good phrasing, considering that the narrating character disagrees.
The last sentence is a bit ambiguous. Is he resigning himself to the thefts, or being glad for Marisa's kisses? Generally, the feelings of all characters involved are unclear. I can't tell if this is supposed to be romantic or not. I can't tell what Rinnosuke thinks of Marisa much at all. Some degree of concern over her turning into a youkai and possibly wanting to live near her are the only clues. Is he just assuming that Marisa kisses all youkai she steals from based on knowledge of her personality, paranoid jealousy, or is it supposed to not be serious in the first place?
Rinnosuke's mention of debt to Marisa's family feels... unresolved. What is this feeling motivating? Does anything come of it? I get the feeling it's supposed to tie into the story more than it does.
What writing there is is good. There's a pretty, poetic feel to it. But it feels like a single layer or a beginning of a larger story, and not in a positive way.
13. Blood Lake Massacre
Decent start to the intro.
"everywhere... But not" Why say everywhere when it's unnecessary and you contradict it immediately afterward? Whether you include that word or not, the statement that it's hot in Gensokyo and not at the Lake of Blood is unchanged. The addition of "everywhere" doesn't work grammar-wise, either.
I would take leave the "over there" as just "there", as well. Over there has a more personal, local connotation, indicating a familiarity with the area. There would simply identify the place. I don't know which you find more suitable, though, you may have been trying to achieve the sound of the former. It just doesn't seem to fit with the rest of the intro, to me.
You said the first time that it's silent and dead there, then lonely and dead. If the addition of "lonely" seems important, add it some other way, without the redundancy. The contrast would be apparent enough if you just said it was silent and dead, and used to be lively, without adding again that it's dead now.
"that'll be known as" If it was sixteen years ago, it makes more sense that there was a name for it already, so that should presumably be past tense.
"The merchants at the city plains had been happy for years, the constant war between the kingdom located at the Lake of Blood; the kingdom located nearby the Lake of Mist had been ongoing for years now and even though the continuing threats from both sides haven't yet stopped."
This is an awkward sentence. The part about the merchants can and should be separated. I don't understand what's going on with that semicolon. Stating the names of the kingdoms now as well as their locations would be good, imo.
"There were a lot of products made for the war, which sold for a lot of profit because the spirit of the people was set so that they'd go to war and win eventually."
What products are these? Products made for a war sounds like arms and armor, fortifications, equipment. But those aren't things that sell well because of the spirit of the people, unless there are no civilians in this setting, or at least few. What would the common man buy out of enthusiasm over a war?
The sentences here end in strange places. "Even though everyone was cheering for a victory they thought would come soon" isn't a complete statement. "Even though" necessitates a contrast. Take off the "even though", add a "but" to the end, and continue from there. What would be added? Beginning a sentence with "and" isn't generally considered good form, either.
"Far away, hidden from the folk in one of the castle towers" isn't a proper sentence on its own, either. Describe what is happening in that location in the same sentence. Combine it with the first part of the next sentence, and let the description of the battle plans themselves be an individual sentence as well.
"Since the war has been ongoing for ages, even though not a single attack has been performed in fear of reprisals." Same problem. Since indicates a cause. What is being done or thought since the war has been going on for so long? What happens based on this fact?
That's a lot of criticism of a small block of text, so as an example, here's how I would revise that paragraph:
"Everyone was cheering for a victory they thought would come soon(, but the aristocracy were growing uneasy over how long the war had gone on). Far away, hidden from the folk in one of the castle towers, a discussion was held for an attack against the Scarlet Kingdom. To sweep them off the map, they would use their strongest troops; some of their newest inventions. Since the war had been ongoing for ages, even though not a single attack had been performed out of fear of reprisals(, they were determined to strike with overwhelming force this time). The discussion lead to a plan, a plan that sounded more than good, it sounded flawless, even outstanding! Or so the generals of the Lake of Blood army thought."
Everything in parentheses is purely for example. I make no claims about how well these particular examples fit into the story.
"Ultra Fast Flying Transport vehicles" sounds too Saturday morning cartoons. No one names actual military technology that way, after all. We have tanks and drones, not "Really Sturdy Cannon Vehicles" and "Super Stealthy Robot Aircraft". Think about names for real things. You're even specifically stating the name and the object at once, so a normally unclear code name would be perfectly understandable
Why fly to the city and then march to the castle? What prevents them from taking advantage of having high-tech vehicles while attacking the castle? Do they have any plan for what to do once they get to the castle, besides killing the princess somehow?
How would killing the princess allow them to take over the kingdom? Contrary to many fantasy stories, killing the enemy ruler doesn't mean everyone else immediately surrenders. You can make it work, but you need an explanation for it, like political instability causing a disaster in the wake of their death, or extreme levels of loyalty, or enchanted minions.
The stuff about the princess hating everyone and destroying everything seems a little over the top... As rumors, it works. But even Hitler was a little more complex than that. Also, just how many decimated kingdoms are there in this setting? Why are people just happily enthusiastic about seemingly a world war with a genocidal maniac?
Titles should be capitalized like names when used as part of a name. "Princess Kurumi" would be correct here.
"Informant" would generally be a more appropriate title for a spy. "Herald" would be more correct, I think. "The task was probably hard" should be more definite. Why only probably? You're writing in third-person omniscient here, you don't need to make suppositions. Don't attribute specific statements to groups of people. Better to depict a specific merchant telling him to piss off, or else just indicate general apathy.
How did the people go straight from enthusiastic and supporting the war and expecting victory and all that to leaving the city out of fear? Where did they go instead?
"However, she possessed the ability to drive people mad by looking at them, surely the Scarlet troops ran after her. But when they'd find her a stare was enough to get away, the troops wouldn't even know she had been there."
Again, these sentences are divided in the wrong place. The Scarlet troops pursuing Reisen have no inherent connection to her powers over insanity, no? But their pursuit is connected to what might happen to them once they caught up to her. Ellipses in narration are, as a rule, something to avoid.
"The Blood Army had caused" doesn't quite fit into that sentence well, and doesn't change the meaning, so the rest of the sentence would be better off without it. Unless a specific measurement is very relevant, avoid them. Would a storyteller 16 years later really see merit in stating that the fighting lasted six hours? Why care that it was six hours? The precision is out of place, and serves little purpose. State measurements in terms of what information they need to convey, or what the narrating character would take note of. In this case, it would be something along the lines of "all day" or "a long time".
Invading without being seen and taking down an army without resistance is a bit over the top, imo. If that's a plan, it's an unrealistic one.
"The young scarlet moon" is overly flowerly language anyway, imo, and it doesn't fit the context well.
"After that all the troops died. All of them, Remilia came outside and rewarded Sakuya with the allowance of doing a reprisal at the Lake of Blood kingdom right away" Unnecessary repetition. There's enough specifics that you don't really need to emphasize that people are dying. "All of the troops died" is also rather dull phrasing. That would be a better place than many others to add detail.
"When the princess, Princess Kurumi" Just identify her as a princess once. No one is shocked by violence in a war unless they're quite sheltered. Is Kurumi actually that naive, or do you mean she was shocked by the skill with which said violence was enacted?
Why is one person trying to tell a whole city to evacuate? Couldn't they spare anyone else? Even pay some random people a tiny bit to help? Why are these people first confident about the war, then panicking and leaving, and then refusing to evacuate?
Maybe add more detail about Kurumi's capture. Shouldn't she have been guarded at least somewhat? This is, imo, a more important thing to focus on than Sakuya cutting off hands. "In a whim of time" I think this may just be improper English, but I kind of like it, heh.
"she began to be uneasy, she never was capable of protecting herself. She never was good at bare-hands fighting and she couldn't even fire a bullet a meter farther, she knew she was done for." Considering the high priority on events and actions over dialogue and emotions throughout the earlier part of the story, an angsty inner monologue feels out of place.
Does Remilia have a motive for wanting to destroy the kingdom this way? Conquering is pointless if you leave nothing to rule, intimidation is pointless if all who witness it die immediately, destruction is pointless if not to prove something. Even villains generally act evil for an understandable reason. How does Remilia benefit from this?
"Even though everyone fell to the ground, pretty much everyone died." This is not contrast. It's not surprising or out of place that pretty much everyone died if everyone fell to the ground. "Pretty much everyone" isn't great phrasing anyway. I would suggest something along the lines of "All of them fell to the ground a few at a time. Some of the fallen figures still moved in a way that suggested life, but most were still."
"She made the pain the people felt, the generals felt.. Everyone who died and had lost blood in general, she made it something that would be felt for forever. Even if the person that died had been long death by now, Sakuya made their death feel-able forever." Is this even justified by Sakuya's abilities? This is getting into Mary Sue level OP-ness.
"Vampire kiss" implies that there are, in this setting, non-vampires. Considering the statement in the intro, was this intentional?
Well, first of all, props to you for writing so much, and for thinking up a creative concept. I don't feel that most of the events of the story mattered, however. The ending mattered, and the beginning, but otherwise it's just "stuff happened, Sakuya killed everybody so thoroughly that it doesn't matter that stuff happened" with no point to a lot of it. You seem to be trying to make Kurumi a sympathetic character, but she has no real part in the story until she's captured. And while suffering can build sympathy, pure suffering does not. Pathos isn't lovable. Gore and violence and torture against faceless mooks who the reader has no emotional attachment to doesn't have a big impact, either. I didn't feel sad for anyone in this story. "Oh, sadism" was the extent of my reaction. If you focused more on building attachment to characters, you could use stuff like that for a big impact. But when no one cares about the characters, it's like telling you that children are starving in Africa, except without the importance of it being real life. There are a lot of switches between past and present tense, and the actual choice of words could be more graceful. Most of all, though, realistic villains can make a story. Evil for the sake of evil is almost never interesting.
Dani's reviews
1. Bridge Between Hearts
Pros: No grammar issues.
I liked the fact you used the flashback as a means to explain the current situation, it gave an interesting dynamic to the text as opposed to something too linear.
Making the OC a sensible person was also welcome since I’m used to see Gary Stus in this kind of story, making them both feel happy to finally find someone who understands them, making them both cry was a good way to show it, it made the OC more human.
I find that, even if the “finding strength in love” trope is a bit overused, this piece managed to fulfil its role.
Cons: Writing a story with an OC, especially when it’s a one-shot, is something very risky to do because you need to work extra hard to make people feel invested on that character. I don’t think this story managed to do that for two reasons.
On one hand, even though you did mention the inner turmoil, I would like to know more about the character. Why did he feel upset?
On the other hand, we don’t have any physical description of the character. This wouldn’t be a problem if we were talking about Parsee, who we all know, but we’re talking about a faceless character here; even Parsee gets more description here than the OC.
Also, mentioning that his name is “Gabriel” when you’ve referred to him as “Angel” only raises more questions about the OC. It’s also a bit irrelevant to mention it if it’s not going to be something important to the story.
Suggestions: Since you relied a lot on a location and on characters overseeing the cheerfulness of the Human Village, you could add more description so that it contrasts with the characters’ inner turmoil and the calm ness of the bridge.
Spend more time elaborating on why they have something common, how they came to that conclusion and how they grew close instead of focusing on the kissing. One kiss would be enough in the story; more kisses won’t make us understand why they are kissing in the first place. (Yes, they are in love, but why?)
Score: 45/100
2. Undefined Fantastic Emotion
Pros: "Is this feeling one humans call... sadness?" Kokoro said as her face made a slight frown. I especially liked this part because Kokoro showing emotions gives off a strong image of the scene. It’s great to see how she gradually understood the feelings of love, happiness and sadness.
Cons: Since you implied Nue had been previously pranking people, it would’ve been nice if Keine remembered it. A subtle “Keine still remembered that one time Nue did this and that and people were angry, it had been an eyesore to solve but she was the village’s guardian after all.” would be better than just throwing it out there. Even so, making Keine think about that out of the blue is… well, out of the blue. What made her realize/remember that Nue would be attacking again?
There’s a pretty abrupt cut between Keine’s muttering and the incident, it doesn’t feel realistic at all. Some description would help the transition into the incident solving part like describing how the villagers had reacted, how Keine was informed of the incident, etc.
There’s love at first sight, and then there’s illogical love that happens because the plot said so. There should’ve been more of a build up to them falling in love. Here it just happened because, with no reason behind it and that doesn’t feel realistic or relatable.
"*gasp* You scared me. You came out of nowhere! *gasp*" Never do this. This is a one-shop, not a play. Instead, just say : "You scared me. You came out of nowhere!" She gasped. You can take a step further and add more description. “You scared me. You came out of nowhere!" She gasped, her eyes widening in surprise.
Suggestions: You made an extremely intelligent choice by choosing Kokoro as she has no emotions, I find it a shame you didn’t explore this more. It would’ve been interesting to see Kokoro gradually understanding emotions and being able to express them. I see this as a missing opportunity. You could’ve had Nue fall for her for well explained reason and then used the kiss as a way to give Kokoro an epiphany about emotions, for instance.
Score: 35/100
3. I hate you!
Pros: I like it the idea of making Seija love someone just because he hates her, being that she is the youkai of the inverse, so you get points for originality there.
I liked the dream sequence in the story, it gave you an opportunity to add a bit of introspection, that’s always welcome as it makes characters more relatable and realistic.
Talking about introspection, I liked the way you depicted his reaction to her kiss. Emotional conflict and well explained inner turmoil is always something that enriches a story.
Also, “statues quo” is the cutest misspell I’ve seen, I almost feel like I should give you extra points for that.
Cons: I know it isn’t the center of the story, but a good explanation on why Rinnosuke hated Seija would help with the story.
I think that falling in love with someone because the person confessed to you time and time again is a bit far-fetched and could use a bit of rework. Maybe having him realize that the reason why he hated her wasn’t that meaningful or making him witness Seija doing something selfless for once would help him change his mind would be a way to explain his change of heart.
Also, you did mention “ (…)Rinnosuke’s feelings towards her were starting to change, yet she had already decided to endure the pain of not opposing his feelings for the sake of her love. This paradox was so sweet yet so cruel simultaneously, that she could barely endure it but she braved on.” So I take it you’re saying she loves him because he hates her and that’s why she endures it however, in the end that doesn’t happen. That goes against the whole premise of the story. If she loves him because he hates her, then she should start hating him the moment he starts loving her.
Suggestions: “Marisa and Reimu came by and decided to steal some of his food (as they usually do), and increased their tab by quite a bit, but he didn’t care, he didn’t even notice until they had already left. His mind was too focused elsewhere(…)” I think this was a missed opportunity for some comedy, maybe make Reimu comment on how Rinnosuke looks strange and have Marisa use the opportunity to steal rare items for him or something like that. I mean, you added that for comedic purposes so why not elaborate a bit? It was still a nice way to add more details to what was on his mind.
Score: 42/100
4. A winter kiss
Pros: I really liked the imagery on the first couple of lines, it did a great job describing the scenery.
Good job reworking your piece, there were some issues I was going to point out that you fixed with the edit.
I liked the fact you added some introspection. It’s important to make us understand why characters are sad or upset.
Cons: There are some grammar problems that could be easily resolved had the story been spell checked on Word.
The story doesn’t explain why Seki would want to work in the bar to begin with. You could’ve said it was a way for her to get out of her comfort zone and fight her anxiety around humans due to the canal incident. This way you’d make the story more realistic and give even more meaning to the incident and how it affected her. It also doesn’t explain Seki kissing the bartender. People don’t fall in love or kiss just for the heck of it. There needs to be a reason why they fell in love.
Suggestions: Grammar: Pay attention to the “a” and “an”. If the sound after the article is a consonant sound, then it will be “a”, if it’s a vowel sound then it will be an “an”. Ex: “A job”; “An apple.” “A hand”; “An hour”.
I would appreciate if there was more description on the bartender, but since you did make him nameless, I’ll take it you didn’t want us to give him too much importance so I won’t nag about this.
The lack of explanation on why they kissed could be easily explained and made more realistic if you had implied she already had a crush on him and that was the reason she wanted to work there, for instance.
Score: 47/100
5. Memory and Reality
Pros:
Really good fighting scenes. Fighting scenes are a pain to write, at least when it comes to me, and I think you managed to do that pretty well, I’m impressed.
The way you portrayed the characters was extremely in character. I actually laughed out loud imagining that Marisa and Reimu exchange. (“What is it? I told you, I’m not cooking any more of your mushrooms for you,” she grumpily murmured. “It’s way past dinnertime any—Dammit, no, look, we have an incident!”) The dialogues were overall funny, props for your good sense of humor.
I liked the fact that you used Sendai Hakurei no Miko as a character and dedicated enough time to elaborate a bit on her personality in the prologue and scene 6. Yukari was a nice way to explore that indirectly. (“I seriously hope you’re not planning on discipline with that hand,”)
Your descriptions of the scenery are pretty good, especially in scene 2, you managed to give a clear image of the desolated and quiet graveyard, it was almost ominous.
Cons:
I found some parts confusing. So, Yukari created the pseudo-incident to lure Reimu, but why did she told Ran and Chen to fight Marisa and Reimu? Or did they do that on their own accord because they just felt like fighting? I mean, it can’t be in order to make that look like a real incident since they directly told them it was a fake.
I wasn’t very sure what scene 3 was, if a flashback or if a memory that resulted from Yukari messing with the borders in the first place. I mean, she introduced herself and everything but then you say “Her memory, however, was still fresh, both in her mind, and on her body.” So, I suppose she was reliving a memory and got beaten up as a consequence like that was a secondary effect?
Suggestions: Well, I think you nailed it when it comes to balancing dialogue with description and character development (and humor/seriousness), so I think the only advice I can give you is to be a little clearer where the explanations are too obscure.
75/100
6. Love For An Eternity
It was too short to describe the relationship in a meaningful way. There are far too many grammar errors. It would be okay if they were complex errors but “there” as opposed to “they’re” is something serious that gets in the way of reading. “A kiss that what it took to bring about new life to the lifeless immortals” would be a really nice concept for the story, but this is too short for me to give meaningful advice. Please don’t give up and do your best for the next round!
5/100
7. Roses die, the secret is inside the pain
Pros: The imagery in the introduction was really well done, not to mention the use of analogies that complemented it. This is something I kept observing thorough the text, not only did you make a great use of analogies like “like powered sugar”, “round and wide as the full moon” to name a few, you also used sensory imagery. Great job!
I liked the way you used Remilia being sisterly as a way to create empathy with the reader. This made the addition of a more elaborated description of Prim unnecessary as the readers will first feel sympathy for Remilia and then for Primevère.
The ending was a very nice touch, it broke my heart that Sakuya got named after Prim… You monster!
Cons: I didn’t really understand the use of quotation marks in the names. That isn’t necessary, in fact it makes people think they are implying there’s something odd about them or that it’s not their real names. That “23.4 degrees” is too precise for that kind of scene. Maybe I’m missing something here… but regardless of what it is, I think it kinda draws us away from the action to wonder why that number is there and what it means.
Suggestions: I think it would’ve been nice if you added a description about Primevère’s personality to enhance the readers’ empathy for her. However, this wasn’t a necessity since you managed to do a great job without it. (See point 2.)
(PS: Also, I totally see what you did there, doumo!)
Score: 87/100
8. Lament of a Lunate Elf, for a Kiss that Never Came.
Pros: I like the way you incorporated the kiss in your story by not actually adding a kissing scene, that’s thinking outside the box.
MariAli! (Not going to give you any extra points for it but this is definitely welcome). I liked the way this couple was used as a means to elaborate on Dai’s feelings.
I liked the ending, it was bittersweet and it’s satisfying even if it’s left open since it make us feel like we’re waiting for Cirno as well.
The story was short but I think you managed to do a good job capturing Dai’s emotions, good enough to make me feel invested in her.
Cons: Considering that Dai asked Cirno to kiss her more than one time it would’ve been nice if we could get a glimpse at Cirno’s reaction to this. You could make her reaction subtle enough for Dai to wonder about it but at the same time giving readers a hint to the real reason.
“Ever since we've started going out with each other (why did we even do that, anyway? We were just children...). “ – As it stands, I don’t think this sentence by itself makes a lot of sense like this. If it was supposed to be part of the first question it should be integrated in it. “How many times have I been standing in front of you like this ever since we’ve started going out with each other?”
Suggestions: The use of the brackets like that is a bit odd. I see where you’re coming from since they can be used like that in Portuguese too however, it seems a bit off in English. A good way to solve this was removing the italic from the dialogues and using it for her thoughts. --- Also, I have to say I chuckled a bit when you compared an ice fairy’s smile with ten suns. You see the irony in this, right?
This said, I don’t find a lot of things wrong with your story so it all comes down to the other stories managing to present the theme better than yours.
Score: 75/100
9. Game Changer
Pros: I think you got Kaguya’s personality right on, I love how much of a condescending jerk she is here. This also serves to make retribution the sweeter in the end.
I loved Kaguya’s introspection moment, it was a good way to show her true facet and to develop her character more. I also found it pretty realistic, no one would listen to what Mokou said without getting affected by it in any way, especially if you’re an immortal.
This story is definitely better with the spoiler bit, even though I don’t really agree with your portrayal of Mokou (though that’s irrelevant for my score), I think it brought in the twist this story needed to be more than just romance. Clever move.
Cons: “Compared to the firsts sort of free-fall, the latters appeared to be floating gracefully.” Spell check! Where are my apostrophes? “You’re damn RIGHT it’s been a long time!” Kaguya raged, her face turning a crimson red. “And it’s all been worth it to have a shot at you!” With this, Kaguya huffed of into the forest, her hands set aflame.” – You meant Mokou, right? Proof-read your stuff, dude, don’t be lazy!
60 seconds is an oddly precise measure for this. If you added this specific amount of time for comedic reasons you could’ve easily replaced it for “there was a moment of awkward silent, only the wind rustling on the bamboo canes could be heard.”
Suggestions: I think it would benefit you if you added more description in your scenes, especially in a story that relies a lot in the characters’ surroundings and in time spans. You could’ve easily used your surroundings to imply that a lot of time had passed since Mokou’s disappearance instead of being too technical about it.
Score: 76/100
10. Sister's Legacy
Pros: I’m impressed at how well you managed to develop Lunasa’s personality, especially when she understood she had to step up as the responsible older sister. The “What Lay-nee would want us to do. To continue playing our music and bring life to the hearts of all our audiences.” bit felt particularly strong to me in the context of Layla’s death, it was sad as it meant that they would have to keep going without her but, at the same time, it was a very mature answer on Lunasa’s part.
Using Lunasa’s remembrances as a means to elaborate on how Layla used to be as opposed to what she was in that moment was a very good strategy as it gave another dynamic to the text and made it flow smoothly. It was also nice to see some details about her appearance since she isn’t exactly well known and doesn’t have an official design, which would make imagining her a bit too subjective.
Initially I was thinking that the kiss description was too specific and technical that it seemed a bit out of place to me… but then I read the rest. I loved the way you incorporated the kiss as something that Layla did as a way to not only honor her sister but also to push herself to be more like her. Nice job! That’s some outside the box thinking right there.
The ending, although bittersweet, is amazing. Once again, it was a nice use of the theme, the kiss as something that was symbolized the sisters’ legacy. This was arguably the most creative way I saw someone using a kiss.
This story made me like the Prismriver sisters more. Thanks for that!
Cons: “we've always believed that the four of us would continue to play together forever... until a few years ago” – It should be “we had always believed” since they learned that wasn’t true a few years prior. I think it lacks a little more character development when it comes to Layla as she is a central point in this story. Though I can’t say I didn’t feel attached to her, which I did but that’s also to me being a sucker for old sister/big sister relationships, I think a lot more could be done to improve this.
Suggestions: I think the story would benefit if you added one or two anecdotes portraying Layla in her older sister mode, trying to teach them something or scolding them for their misbehavior and then feeling guilty about it and baking them a cake (do poltergeists eat cake?), something like that. It would not only serve as a contrast between something funny that happened in the past with the sad reality that her sister was dying – which would make the story more moving, but it would also give us a little more about her.
I also feel like you could’ve added more imagery here and there, but since this is a story that focuses on feelings rather than anything else it isn’t strictly necessary.
Score: 70/100
11. Fusion: Melting White Heart
Pros: “Nothing about you is right. You’re an idiot and I hate what you’ve become.” This one hurt so bad… I’m already feeling emotionally attached to Okuu and this is just the beginning.
You portrayed Orin’s emotional struggle really well, I loved how you made it seem she was angry at Okuu when in fact she just couldn’t cope with the fact her friend had changed so much and it was that frustration that made her angry in the first place. It felt very realistic and relatable to me. It also seems to me like she deliberately tries to hate her for what she is, but she can’t honestly do that because she loved Okuu.
Same thing with the “Lament of a Lunate Elf”, hurray MariAli! (Not going to give you any points for that but it’s always welcome).
I’m glad you added Satori to the story because this story needed someone to mediate Orin and Okuu’s feelings. (And it would seem unrealistic if she didn’t make an appearance). She’s a satori after all, it would sound weird for her not to intervene especially since she’s their master.
Cons: There should be a lot more description in this story, from their surroundings to the characters’ actions. In day 5 I honestly have no idea where they are, in fact, I got a bit confused because I automatically assumed Orin was still in her room.
I think the division you made between days is a bit distracting. This could’ve been solved if you just mentioned that in your narration, for instance. “I didn’t dare to step out of my room in the next day.” You actually do this in day 5, so I think dividing this is a bit redundant.
Those are a lot of ellipses and stutters. I’ll repeat what I said in point one, give readers more indications about your characters actions and reactions. Saying “she stuttered” or any other verb or action that suggests embarrassment is a lot better than just filling your dialogues with hyphens. It’s okay to do it for time to time, but that was way too much.
Starting sentences with a lower case bothers me a bit. I think you did this to simulate something being said in a quiet tone but I think that would be better if you elaborated on the characters’ actions instead. Though there really aren’t any excuses for those in the last paragraph.
Suggestions: Elaborate more on your characters’ actions. It makes your story richer and it helps the readers imagining the scene in their heads. For instance: “A kiss? What’s so special about that?” She asked, curiously tilting her had to the side. The raven was sure she had heard about it before, but she couldn’t really recall it.”
Try writing thoughts in italic. It looks prettier and more obvious.
Score: 60/100
12. If You Keep Stealing….
Pros: I’ve read countless stories about Marisa’s excuse for stealing things but they are normally centered on how she will die before everyone else. It’s always refreshing to see someone mentioning the (very canon) possibility of her becoming a youkai herself.
The fact the kiss can be interpreted as romantic or not is also a plus, it lets the reader sort the ambiguity by themselves.
Cons: It’s pretty much just a monologue. There isn’t any description or dialogues.
Certain parts weren’t very clear or didn’t make much sense. So, Marisa kissed him and all the other youkai she stole from? Why? Is she a serial-kisser?
Also, I’m not exactly sure if Rinnosuke sees Marisa’s transformation as something that will happen or something that’s still in the realm of possibility. “If she kept studying so vigorously she would eventually be youkai as well.” suggests possibility, the last sentence, however, shows certainty.
Youkai isn’t an adjective, it’s a noun, so “become /be a youkai” and not “be youkai”.
Suggestions: I think the story could be improved if you added some dialogue. Maybe give an example of an exchange between Marisa and Rinnosuke exemplifying one of her many “borrowings”. It would not only break the monotony that may be created by a purely introspective story but also shed a little light on the characters’ personalities. If you portrayed Marisa kissing Rinnosuke and cheerfully going “Thanks, Kourin!” it would also give a more tragic (? Depending on the perspective, I guess) tone to her being completely unware of the very likely possibility of becoming a youkai; the cheerfulness acting as contrast to the possible sadness she would feel when she realized it.
Score: 33/100
13. Blood Lake Massacre
Pros: I wasn’t expecting a war story with this theme, that’s original so I give you points for that and for the fact you went through a lot of effort to write this much. I don’t think I would be able to do that.
Cons: “It was once again silent and dead over there. Once it was a lively place, now it's a lonely dead place..” – Besides repeating yourself, you’re also contradicting your statement by saying it once was “silent” and “lively”.
“As strange as it may sound, this had to do with a dark event that'll be known as the "Blood Lake Massacre" (…)” – That’s the wrong tense there. If it happened already and you’re talking about it, it should be “that would later be known as” or something similar. This confusion between the use of “will” and “would” is something recurrent so you should be careful about that.
Mentioning that everyone in the story is a vampire out of the blue is… well, out of the blue. This should’ve been introduced in a subtle fashion like: “In a land where only vampires life, this and that incident happened”.
If you’re purposely making the author an important such a present entity, the “1 January 1789 - City of Blood, afternoon” should’ve been left out to begin with. If you were telling a story to someone as you say you’re going to in the second paragraph, you should say something like “It was the first day of 1789, during a cold afternoon in the City of Blood.”
“And even though everyone was cheering for a victory they thought would come soon. Far away, hidden from the folk in one of the castle towers. A discussion was held for an attack against the Scarlet Kingdom (…)” – Why aren’t the sentences connected? “Even though” is a subordinating conjunction which means it’s used to connect independent clauses to make complex sentences, which is the opposite of what you did. Looking at sentence I’m just going to assume you mixed up the periods with the commas. (Though, this does happens a lot more times during throughout the text. Make sure you spell check your texts, Word is really useful when it comes to detecting fragmented sentences.)
There are several grammar problems. I’m not going to mention them all here but if you want me to point them all out, I’ll send you a revised version of your text so that you can check them out.
I’m semi-repeating myself here, but if you mix the structure of what a tale should be to the structure of a report/diary. It doesn’t make a lot of sense and it renders your initial purpose of narrating it irrelevant.
That being said, I think the only parts that I think really mattered were the introduction and the ending. The other events didn’t do a lot to develop on the characters nor their emotions. The ending was ok but the lack of character development didn’t make me feel sorry for Kurumi. You should’ve spent more time making us care for her, creating empathy but since she’s only truly relevant in the end, you didn’t give us enough reasons for us to care. The same can be applied to Remilia, I still don’t understand what is her reason for being evil.
Suggestions: There are a lot of problems here that could have been solved with some proof-reading/ spell checking. Try keeping that in mind next time because some tiny details that cost you points could have been easily avoided.
Score: 25/100
This marks the end of judges' reviews so far.
Our judges have sincerely worked very hard, please treasure their effort and appreciate their participation here with us! Please do not cause any unnecessary trouble to the judges. If there is any problem regarding this competition, again, please contact Arya or Akinaoki immediately.
A dear heart to everyone who had participated in the First round! <3
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Ariezza
Promised Arclight
Posts: 615
There is now only a white phantom that looks like you
Favorite Game: Double Dealing CharacterFavorite Character: Satori KomeijiCustom Title: Promised ArclightMini-Profile Background: {"image":"https://i.imgur.com/udbtmBy.png","color":""}Mini Profile Text Color: ffffffMini-Profile Name Color: ffffffOverride Avatar (Auto-Extended Mini-Profile): Enable
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Post by Ariezza on Jan 14, 2015 12:33:17 GMT
xXx Round 2xXx
In this rough spring, more than ever I want to shy away from human.
After all of our challenges and difficulties, we have now reached our second round. Personally, to reach this point, I've gone through a route that somehow resulted in me being currently highstrung, partially anxious and totally exhausted of human feelings and human skills.
Enough about me, how have you all been faring? I hope the world had mercy on you. Perhaps the last round's results have been pleasant to some of you, and disappointing to the rest. I wish leaving all of it behind and moving on to this second round is actually as easy as it may sound.
Writers, pick up your pens and papers (and keyboards, be gentle with them), let the theme we decided on guide you in this sloped, yet rewarding route! Please do not hesitate, do not be afraid, let your words run wild in this spring of writing!
~ Theme ~
A reason to fight
This Gensokyo world is a world of fighting. Before we knew it the world revolves around something called danmaku.
And it's horribly unfair to forget those whose fights are not about flying or shooting or magic.
Perhaps everyone had been fighting something all their lives. Fears, people, fate.
Perhaps some of our girls fight before they know why they embark on such a dangerous fate of combat
But perhaps, some have disdained fighting their whole life.
What are the reasons that they embark on this fighting route then? Love, pride, revenge, life, obligations, sorrow, joy, or what we may call, 'the blood of fighting'?
Could you tell us a story, about that?
xXx Submitted Entries xXx
(Number of Submitted Entries: 13)
Second round's Writing Phase will start now- 12:00 PM GMT, Wednesday, January 14th 2015.
Second round's Writing Phase will end at- 12: 00 PM GMT, Wednesday, January 28th 2015.
For a Visual Timer, please click here
Refer to the first post for how to submit entries and entries' rules. Please refrain from posting in this thread- for further questions, contact the organizers via PM/IM.
Please stay warm and safe, until we meet again.
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Kay
Posts: 56
Beneath the glaring sky
Favorite Game: Imperishable NightFavorite Character: Youmu KonpakuMini-Profile Background: {"image":"http://i1017.photobucket.com/albums/af299/MeqVren/halfkeine_zps9de6edd7.png","color":"969798"}Mini Profile Text Color: 2b609dMini-Profile Name Color: 16ae86
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Post by Kay on Jan 14, 2015 12:47:37 GMT
Greetings to all competition participants.
I put a lot of effort into writing my reviews for this round, but I also realize that there is always more to say. If anyone wishes to discuss something I stated in a review, or wants help identifying specific examples of something like a grammatical error, or even wants to know how I would have written something instead, I will try to make time to accomodate any requests. Please feel free to contact me about your entry or review, if you are interested or dissatisfied.
However, I must make it clear that I offer only advice and discussion. I do not invite arguments for a higher score. I am extending this offer not as a competition judge, but merely an individual writer who wishes for all of us to keep improving.
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Dani
Cat-astrophic Furball
Posts: 684
Ordinary braid toucher.
Favorite Character: Marisa KirisameCustom Title: Cat-astrophic FurballMini-Profile Background: {"image":"http://i.imgur.com/KKGbTVB.png","color":""}Mini Profile Text Color: dfdf00Mini-Profile Name Color: ff8310Mini-Profile Text Border: BlackOverride Avatar (Auto-Extended Mini-Profile): Enable
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Post by Dani on Jan 14, 2015 20:58:16 GMT
I apologize for the delay, guys! My reviews are done and will be posted when Arya returns. As an apology, I've written a piece of advice based on what I've seen from all the entries, it's not to anyone in specific and I would appreciate it if you guys read it.
While a one-shot can be about anything, there are some intricacies that are usually important to keep in mind:
Keep your stories simple, to the point but strong. Emotions are important and you don’t need to write an epic in order to make it work. While in multi-chaptered stories you can afford to beat around the bush and then make up for it in the next chapter, you can’t do that here. Forget overly-complicated plots, they are generally too much of an information dump that you won’t be able to develop later. Instead, focus on a plot that involves emotions, on why characters act like this, why did they do that, what caused them to change - basically, on the human side of it. Focus on symbolism, on descriptions, imagery. These are the focal points.
Don’t try to pull a George Martin in a one-shot, or in other words, don’t fill your story with a whole Game of Thrones cast because it will end in a train wreck, if you do, don’t try to focus on all of them at the same time. If you try to divide your attention between 5 characters you’ll end up not giving enough character development to any of them and the end will be a mess. It will also make things needlessly complicated.
This isn’t only valid for one-shots but stories in general – ask yourself “how would I react” or “how would this work in real life”? Realism has “real” in the name because it’s something that’s taken from reality (yes, seriously!). In the realm of what’s considered normal and sane, people don’t just fall in love, people don’t just kiss someone, people just don’t get along because stuff. Ask yourself, if a random stranger walked to you and said “I’m suddenly in love with you” would you be “Wow, great! Let’s go for a date!” or would you be “Do I even know you? What’s wrong with you?” There are always reasons for people to act like they do, and while they can range from being utterly shallow to Mariana Trench deep, there are ALWAYS reasons behind actions.
Read your story from a reader’s perspective. Just because something is clear in your mind it doesn’t mean it will be for those who are reading it. You can picture that beautiful, romantic moment when they kissed, seagulls crying in the background while they joined their lips to the sound of the waves, bathed in the light of the setting sun; all of that will be pointless if you don’t describe it since we’re still some centuries away before we all can be like Satori and read everyone’s minds.
Figures of speech are your best friends and they will make your text countless times better, even if your text is short or simple. Knowing how to use them makes all the difference and it’s what separates “it was sunny and warm” from “the sun smiled at them, caressing their skin with its warm light as if greeting them”.
It’s my personal opinion that it’s not a good strategy to add OCs in competition one-shots about an already existing world with tons of characters in it, but if you feel like you must and even give it relevance then make sure you elaborate on it. Don’t just add them and hope readers will fill in the blanks, it’s your job to make us feel attached the new guy/girl and that includes making its personality obvious, describe how they look like, why they do what they do and why they act like this. If people couldn’t care less about your character, then you only have yourself to blame.
Last but not least, strategy is important. Always play safe, write what pleases you and what you think will please others. Strive to get the best results with the least amount of work. This also connects with the previous point, for instance, if you’re using pre-existing characters you won’t need to work as much on description and character development as you would with an OC. Like that, you would not only save time and effort on your part, you would arguably be catering to a lot more people that would possible like the character you chose more than an original creation. (Disclaimer: I’m not saying you have to do it, just giving you an example on how to make more in less time. There were entries here that did a good job with their OCs.)
That being said, I hope you guys read this and remember these pieces of advice. I wish you all good luck for the next round and hope you all do your best!
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Ariezza
Promised Arclight
Posts: 615
There is now only a white phantom that looks like you
Favorite Game: Double Dealing CharacterFavorite Character: Satori KomeijiCustom Title: Promised ArclightMini-Profile Background: {"image":"https://i.imgur.com/udbtmBy.png","color":""}Mini Profile Text Color: ffffffMini-Profile Name Color: ffffffOverride Avatar (Auto-Extended Mini-Profile): Enable
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Post by Ariezza on Jan 16, 2015 6:21:46 GMT
Hello everyone~ This is already second round. The first entry brought with it a fresh change in category of writing: a poem~
Everyone, let's work hard, we still have a lot of time!
Hijiri's Lament Hope exists
Within the depths of our minds
But this ignored
Our differences are too similar
Predator and prey
Human and youkai
Discriminate, segregate, exterminate between
The very creatures humans imagined and created, we cannot
Live alongside
We possess the intelligence, the capacity to peacefully settle
Disputes, but
Demonise and altercate and contest
Creatures not so different from one another
In our incredible home, there is no rationale
Why petty problems rule and ruin lives
There is no reason
For why we fight
(read again from the bottom up)
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Ariezza
Promised Arclight
Posts: 615
There is now only a white phantom that looks like you
Favorite Game: Double Dealing CharacterFavorite Character: Satori KomeijiCustom Title: Promised ArclightMini-Profile Background: {"image":"https://i.imgur.com/udbtmBy.png","color":""}Mini Profile Text Color: ffffffMini-Profile Name Color: ffffffOverride Avatar (Auto-Extended Mini-Profile): Enable
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Post by Ariezza on Jan 16, 2015 23:48:41 GMT
Second entry~ Has everyone been reading the entries thus far?
Please wait warmly~
A Throne to Call her Own
Far above the green emerald plains of Gensokyo, the sky was a marvellous sight with a view only residents would relax under it's clear sky. The clouds all gathered in one place, a magical storm that held a castle, that sunk inside the air. This mysterious building was named the Shining Needle Castle. It was a castle that shone sliver in the storm of dark magical storm clouds. Inside the castle itself, it tricks any unfortunate person to enter, people who expected the floor and the ceiling to be ordinary was surprised to find the floor to be the ceiling and vice versa.
“Another useless item!” The voice echoed in the tiny grey coloured room. Instantly after the voice, a small Tanuki doll flew across the room, shattering in a instant, like any of the items that were possessed during the Youkai rebellion, it reeked of evil and perhaps cursed magic and a dark haze followed. An short girl laid slumped against the corner. She wore a white plain dress with a skirt that had red arrows along with black arrows laid across it, she also wore a yellow bracelet, her hair was the most mysterious however as it began black and ended with white near the edge of the hair with a single red strand of red, this girl was called Seija Kijin and she attempted to fix society as she saw fit. She held an impressive hoard of items, ranging from dolls that resembled a Tanuki to the infamous Replica of the Miracle Mallet that laid to once withdrawn Youkai to rage uncontrollably. On her lap, the chequered sheet acted as a blanket as it appeared she slept with her hoard of stolen items.
“Maybe if I throw enough of this dolls...” She picked up another grey coloured doll, shaking it slightly before throwing it, almost like a bomb, it collided with the wall and it shattered, and the haze followed. Without any item to possess, the haze vanished into the air of the castle in which she resided. Seija rose from her little corner, folding the chequered sheet into a square and placing into her hoard of items. She walked onto the ceiling turned floor. She remembered the day as the Shrine Maiden, the Ordinary Magician and the Maid of the Scarlet Devil attacked her fortress, the Shining Needle Castle that was buried inside the magical storm.
Seija jerked to the side as the Shrine Maiden's amulets caught her off guard. She held her devilish smirk as she spun and arrows of all colours appeared around her. With a click of her fingers, she declared her spell card to the maiden: “Reverse Bow "Decree of the Dream Bow of Heaven & Earth" The arrows begun appearing at the floor and flying upwards, at first they remained to the side of the maiden but like a puppet master, Seija pulled the strings and the arrows fired at a awkward angle trapping her inside the flurry of arrows. And then, without warning, the maiden flew at bullet speed, the magenta amulets smashing into Seija's face, Seija tumbled in the air as she struggled to regain her compromise.
“Turnabout "Reverse Hierarchy.” Seija spoke calmly as bullets materialized around her, the maiden crashing into the walls and her 4th Ying yang orb exploded as she tumbled to the floor. Seija chuckled to herself and she yelled to the downed Shrine Maiden.
“So this is the famous Hakurei maiden? Unable to defeat me?” Seija then clicked again and the maiden found herself at the mercy of Seija, caught on the ceiling instead of the floor, she threw her cursed Gohei at Seija, it smashed Seija in the chest repeatedly spinning into the side of her chest. “The name is Reimu Hakurei and I've had enough of all you Youkai.” Reimu spoke with a cold harsh voice in an instant, she flew upwards reaching Seija's level in a spilt second, a genuine shock erupted on Seija's face before Reimu's body smashed into Seija, sending her sprawling to the floor.
“You're taking m-” Reimu begun to speak, to her surprise, Seija shot up, holding the side of her chest before she leaped backwards; running towards the darkened door, smiling after the battle. “You have to catch me first.” Seija glided into the dark stairway of the castle's only spire. The spire that held the true person who held the True Miracle Mallet. As Seija glided into the stairway, it was a dark veridical column that had red stairs where it reached a single door where the peak of the corrupted magic laid. The Miracle Mallet.
As Reimu glided up the stairway, she was greeted by the familiar sight of Ying Yang Orbs that fired bullets in circles, after the barrage of circles, two of them fired in a rotating fashion followed by four which repeated the pattern, the final barrage of the orb ended with yellow orbs, attempting to overwhelm her, at the top of the stairs, laid Seija, clenching her chest as she watched Reimu awkwardly dodge the barrage of bullets. The final set of the orbs were destroyed by the amulets and Reimu appeared, floating at the level of Seija, she held her Gohei pointed at Seija and two remained still. “You still have a chance to join me Reimu!” Seija hacked out her words in a bitter tone and false words came out of her mouth. She swung her arms in a vertical pattern and bullets appeared out of her. Reimu flew forwards slightly before her Gohei increased in size, slashing it's way through her bullets, smashing Seija repeatedly Seija, using the last ounce of her strength made bullets swish left and right repeatedly, Reimu flew at her chest, Seija threw her arms but it was too late, Reimu fired Magenta homing amulets into Seija's chest, the force of the impact sent her smashing through the locked door behind her. When she finally came to, she saw her tool, Shinyoumaru Sukuna fighting the Shrine Maiden with fighting spirit she'd never seen in her before.
“She was a great friend, even if I didn't realize it.” Seija spoke in a melancholic tone as she walked in one of the many hallways of the castle; the same hallway, where she fought Reimu in her own battle. The castle remained floating upside down; it was a curse of the tale long past. She appeared in a secluded room, in the spire that Seija held her final stand. The door remained opened since the day of the rebellion's end. After Shinyoumaru was captured, she was forced to retreat away from the castle. However, Seija had one more adventure before she finally went into a permanent hiding place, the same castle that she was found in. Since Seija moved in, she only used two rooms in the castle, the small room that was supposed to be a meeting point for any of Seija's ally and the room where the final stand took place. The room held a regal feel to it, at the back wall, laid a giant glass stained window that showed the legend of Issun-bōshi, greatly altered by Seija. The main piece of the room was the throne. Seija stood in the throne room, sighing and the bitter memories of betrayal came to her.
“The day I lost my friend...” Seija spoke in a upset tone, although there was no one else with her. She clenched her fist as she sank into her throne. Bitter memories of sadness and betrayal entered her head.
“I told Everyone to seriously attempt to capture you!” The child voice of Shinyoumaru struck Seija on a painful level. Shinyoumaru since her capture had regained some of her lost height after the incident, she wasn't at the full height exhibited during the incident. Seija smirked, after surviving eight days of not being captured, the confidence entered her head. In her left head, she held he Tanuki dolls with three spares on her waist along with a blood red Ying Yang Orb that carried the spirit of a youkai.
“I am a true born Amanojaku!” Seija cried out as she lashed out at Shinyoumaru her arrows firing in a straight line, to her surprise, Shinyoumaru shook her hands in a ecstatic way, and then purple orbs being firing in a nonsensical pace. Seija jerked quickly; her reaction time was off as one stray orb smashed into her side, the doll exploded, leaving Seija stunned as many other orbs disappeared as they touched her.
“The hell?!” Seija looked at her former friend, she rushed again at Shinyoumaru, Shinyoumaru arm jerked to her needle sword, it collided with Seija's chest, sending her sprawling backward to the floor, and then Shinyoumaru yelled.
“INCHLING HELL!” She screamed at the tops of her lungs, before large oval spheres begun pushing Seija backwards to the wall; scratching Seija in the process, causing minimal pain, at the last second, they retracted in size, becoming little white spheres, Seija felt another doll shatter in the palm of her hand, she had little time to pull one out before the next wave, much faster than the previous wave. Seija had to squeeze through the gaps before the third wave came. Through the waves, she was firing her arrows, and finally, the Inchling hell was over, all the bullets disappeared into nothingness as they appeared. And in the centre of the room, the two stood, their eyes locked. “Now, give me back what you stole Seija.” Shinyoumaru had her hand on the sword and the room was silent.
“You want your magic back?!” Seija spoke at last, which broke into a small chuckle.“YOU WANT IT?! COME AND TAKE IT!” Without warning, Shinyoumaru charged at Seija, swinging around her sword in a diagonal slash to Seija's knees and she couldn't react in time. Seija fell backwards, her doll didn't shatter, as it wasn't a bullet, Shinyoumaru swung her needle sword around her head and it glowed a pale white and swung in a wide arc as knives flew towards Seija, during that time, knives were causing less and less room to move, Seija smirked as she noticed that Shinyoumaru was growing increasing tired. “One final arrow will finish this hell...” Seija fired a flurry of arrows into the knives wall; slipping through the cracks and a yelp was heard The last white knife slid across Seija's check, the hell had finally ended, Shinyoumaru dropped to her knees, the needle rolling to the throne. The short lived friendship was over as Seija left the castle, to escape whoever else would be trying to stop her on the 8th day. As she walked, she slowly nodded at Shinyoumaru, holding back a melancholic smile as she walked out of the room.
Back in the present day, Seija looked around at her room, the bitter memories remained in her head, She yawned loudly in the castle, her arm reached for her back as a navy blue cloth was in her hands, unwrapping the chequered cloth around her and on the day of loneliness, Seija gained the goal she always wanted.
A throne that Seija could always call her own.
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Ariezza
Promised Arclight
Posts: 615
There is now only a white phantom that looks like you
Favorite Game: Double Dealing CharacterFavorite Character: Satori KomeijiCustom Title: Promised ArclightMini-Profile Background: {"image":"https://i.imgur.com/udbtmBy.png","color":""}Mini Profile Text Color: ffffffMini-Profile Name Color: ffffffOverride Avatar (Auto-Extended Mini-Profile): Enable
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Post by Ariezza on Jan 17, 2015 11:29:30 GMT
Wahh~ Everyone and your enthusiasm warm my heart immensely!
Remember to work on your entry carefully and take your time if you need, though.
Thank you
I hurled the book at the wall. Another book about unsealing and another dead end, Why why why I just wanted no NEEDED to save My Mistress! I can't let her rot sealed under that spell! Why did you seal yourself why!? But I just sigh I had to work and I needed to save her. while turning back to my desk littered with books and papers about magic seals I recall a memory with me and my Mistress. "Marisa you can't just show your emotions like that, you must control yourself and always keep a smile around others, No matter what, I have told you this before." I submissively bow my head down to my Mistress, my over sized witch's hat threatening to cover my face. "Y-yes Mistress Mima...I just wanted to defend your name though..." I say tears threatening to stream down my face I gritted my teeth Mistress Mima just said I have to control myself! "Sigh yes which is why I haven't punished you yet Marisa however do not do this again, no buts no nothing." "Y-yes Mistress Mima..." She then softens up and kneels before me bring me close "I don't want to make you feel bad aright? You are like a daughter to me, and you are also my pupil, I need to make sure you can live the world, so dry up those tears and put on a smile." I does as she asks melting in to her warm embrace after she lets me go I fix my hat. I just say "What are we going to do now Mistress Mima?" in a rather cheerful tone like what happened before didn't exist The memory fades away and I get off my stool I know I won't find anything else there on my desk.
Extra chapter/Alternate Reality
The memory fades and I sigh again. Oh how I treasured those memories with Mistress Mima but I'm fighting to save her I can't just day dream all day and night I have to work! I grab another book randomly and dust off the very old looking cover. "Ancient Demonic Seals" as I read the title a sliver of hope rushes through me before I throw it back down into the depths of my mind. I start turning the pages slowly old paper crackles between my fingers and- My heart stops for just a second as I stare at the exact same ritual Mistress Mima used to seal herself I knew the circle by heart it was so vividly ingrained in my memory... I release a breath I didn't know I was holding close my eyes for a second and start reading.
Yes yes yes! I could totally break the seal! I just needed a blast of magic energy to overfill it!...wait that energy is enormous like the level of Twilight Spark that'd it'd most likely kill me...but so what? I promised to save my Mistress I could now win this fight so what if I had a chance to die? I was always a risk taker. I knew Mistress Mima would be furious at me for this but I needed to do this. But...I never said I had to do it alone...hopefully Yuuka will listen, I didn't exactly want to die.
Grabbing my Broom I headed off to the sunflower field the wind whipping through my hair stars above me. By gods Yuuka will be mad at me but she was friends with Mima too, she'll understand right? and even if she didn't well then I'll do it anyway. Mima will also be mad but I promised I'd unseal her, and that fight is coming to an end soon. As the sun flower fields come into my view I can't hold in my excitement instead of risking ruining her flowers and getting there too slowly for my tastes. I just crash into the roof breaking a whole all the way to the first floor. _______________________________________________________________________________________________________________ CRASH
I awoke with a start what in the world was that?! whoever did that better not being messing with my flowers, or else I might have to tease them as punishment. I then start to notice the light filtering in from the roof what? I look up and I see a human shaped hole that looked like the person was riding a-BROOM. Marisa did this. I looked down at the floor same shaped hole I could see Marisa at the bottom nervous and...giddy? getting up from her broom that was somehow still intact, giddy is out of character for her but understandable however nervous? Marisa was never nervous she was so like Mima in so many ways-Mima, I feel rush of sadness wash through me but I ignored it, as I hear her call out. "Yuuka! I have something I need to tell you! I can unseal Mistress Mima but I may need your help!"
Unseal Mima what? was Marisa a lunatic? did she not get that Mima WANTED to be sealed!? Let's see if we can talk her out of this insanity. "Hold on Marisa I'm coming down now." I just say as I of course calmly walk down the stairs although I was furious. _______________________________________________________________________________________________________________ I look at the direction of the stairs as Yuuka still in her sleeping clothes calmly although I knew she was probably tempted to blast me with a master spark of her own design. as she gets to the final step she opens her mouth and I cut her off my words coming out in record time. "IthinkicanunsealmimabyusingamastersparkthatstheequilvelentofMistressMimasTwilightSparksowouldyoupleasecombinethemastersparkstocreatetwilightspark." in one breath Yuuka just looks confused and says "Slow down Marisa, I can't understand you and you want me to help you but you ruin my house?" she said in a rather dangerously delicate tone that yelled "TREAD CAREFULLY" I start again "I think I can unseal Mistress Mima by using a Master Spark that's the equilvelent of Mistress Mima's Twilight Spark so would you please combine your Master Spark with mine to create Twilight Spark, I will also do it if you say yes or not you can't stop me I know it'll probably kill me." _______________________________________________________________________________________________________________ I just stare at Marisa in rather horror and dread she was going to do that insanity if I said yes or not...screw it I'm not helping her do it it isn't what Mima would've wanted I start to charge up a Master Spark. I say nothing in this time but Marisa notices anyway and grabs her broom and flies out the way she came. with a parting words of "Don't you care about Mima?! she was your friend!" I just sigh and for the first time in a while I sat down and cried. To the night I whisper "She was more then a friend to me at least..." _______________________________________________________________________________________________________________ Gaaah Yuuka instead of helping to unseal Mistress Mima she tries to blow me away! Fine then I'll do it without her I fly towards Mistress Mima sealed herself even faster then before it was honestly painful going that fast but I needed to get there quickly. I stop at the place I was raised the beautiful mansion, with it's black stone that reflected in the moonlight, it looked a little ominous but if anything it seemed more awe-inspiring, there was nothing around it simply perfect circle devoid of life of course from the seal draining the magic from all living things. I walked to the little alter behind the mansion it wasn't grand or beautiful but simply a solid piece of stone with a seal around it that looked intricate and glowed faintly with a somehow black light, exactly how I remembered it. I took a deep breath shooting a piece of danmaku at it to see if it really aborbed all magic...and it did so then guess now it's time to save my Mistress.
I breath in deeply and start to charge up Twilight Spark. I start to ache as my body reached the upper limits it can handle and then pain shakes my body I fall to my knees, coughing blood, my vision is starting to fade but I have to concentrate...my vision is going black...now or never... and I release all the energy I had at the alter...I see a flash of light and then total blackness. _______________________________________________________________________________________________________________ I start to materialize who...and I see Marisa lying there blood coming from her mouth she looked-no! no no no no no! why did you kill yourself to unseal me? I knelt down beside her "Marisa Marisa Marisa!" I shake her body she doesn't respond at all no...Marisa... why...and then I knew I was such a fool of course if I sealed myself she would try to break it this is all my fault I hoped she'd understand and I just caused her death...then I see another figure walking slowly to the place I knelt.
Is that Yuuka? same extraordinarily slow pace same green hair, yeah it's Yuuka but why is she-oh of course Marisa, I don't even try to smile or act confident "Hello Yuuka do you mind going away or must I show you out?" "Hello Mima, I'm not going because I'm going to convince you that you gave her a cause to risk her life for so don't waste it." she glares at me as if I was a stupid child that needed a harsh break into reality, which in a way I was. "What do you know about risking your life you never do you just blow away anyone who gets in your way who get in your way without exception unless they dodge." I say just stating facts devoid of emotion. " She stares at me and says "So what if I don't? that's not the point. I know you wanted to be sealed but Marisa didn't get that fact it's your fault. I wish you were still sealed but you're not now deal with it" "I know just...why didn't you stop her?" I was honestly curious at this fact to be honest I thought Yuuka would just tie up Marisa and throw her in a room. she mumbled something about too fast I had to have miss heard right? there was no way that could really be the reason. "I'm sorry Yuuka what was that?" I couldn't keep the mocking from my voice old habits die hard huh... "I said she was too fast!" and with that I just laughed what else was there to really do besides that? I can't help it I just laugh.
Mima my Mistress my Teacher my Mother even if it takes me an eternity. I will unseal you no matter the cost. I don't understand why you sealed yourself but even if you're mad at me I've got to do it. But until then when I can I will study and I will use everything you've taught me. I will fight you've given me reason to live and I plan to pull through. I grab my broom and head out mounting my broom and flying off into the starry sky, loving the speed rush and the wind bowing through my hair it's wonderful. To the starry night I whisper "Thank you Mistress Mima, for giving me a reason to live while you were here and giving me a reason to fight now that you're not. I'll unseal you ze."
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Ariezza
Promised Arclight
Posts: 615
There is now only a white phantom that looks like you
Favorite Game: Double Dealing CharacterFavorite Character: Satori KomeijiCustom Title: Promised ArclightMini-Profile Background: {"image":"https://i.imgur.com/udbtmBy.png","color":""}Mini Profile Text Color: ffffffMini-Profile Name Color: ffffffOverride Avatar (Auto-Extended Mini-Profile): Enable
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Post by Ariezza on Jan 23, 2015 9:08:16 GMT
Amongst three entries that I received within the span of a day, this one is the first.
Time is running out, everyone, please hurry up now!
Poisonous MelancholyA door opens, and a middle-aged man steps through it. "Susan! I'm home!" he shouts, calling for somebody.
And upon hearing the name, a 7-year-old girl runs down the stairs, runs over to the man and hugs him tightly. "Daddy!"
The man patted his daughter on the head, smiling. "Did you miss me, dear?" The girl simply nodded.
"Oh, that reminds me. Here, this is for you." The man took something out of his pocket. A blonde doll with blue eyes, dressed with a red-purple shirt and a red skirt. The doll also had a red ribbon tied on her head. The girl looked at the doll, and the man smiled once again. "Happy birthday, Susan."
The girl hugged her father once more, almost making him drop to the floor. "Thanks, Daddy!"
A middle-aged woman stood behind them, with a serious look on her face, arms crossed. "Mom! Look! Daddy got me a new doll!" the girl said to the woman, who didn't seem amused.
"Susan, dear. Go to your room. Your father and I need to talk."
"Uh... Okay!" Susan ran straight up the stairs, taking the doll with her. When she reached her room, she closed the door behind her.
Susan put her ear on the door, like the curious girl she was.
"I knew you were going to show up on her birthday." Susan could hear her mother talking, followed by her father's answers.
"Why wouldn't I? Susan is my daughter."
"Sure doesn't seem like it. You always disappear for months, and the girl is waiting for you to call her, or to receive a letter."
"Look. We've been through this before. I'm very busy most of the year."
"You didn't show up for her birthday last year, you know that?"
"I did what I could, but I had to make a very urgent report..."
"Excuses. ... Where did you get that wretched doll anyway? It's so dirty and ugly."
"I found it in an antique store. The owner told me it belonged to a ventroloquist, and I thought Susan would like it."
"So you're trying to buy your daughter's love with presents?"
"No! I'm only trying to--"
"SHUT UP!" A hit. And then something breaking. Susan backed away from the door and hugged the doll.
From her position, Susan couldn't hear anything. She began talking to the doll. "They're always like this... I know Daddy tries his best to come home as often as he can, but Mom is such a meanie with him... I'd like to live with Daddy, but Mom says I can't. When I asked her why, she told me: 'A judge said so.'" the girl took a deep breath. "Mom also hurts me sometimes... And I don't really have any friends, because the bad guys at the school hit me and call me ugly things... But you..." she looked at the doll "You'll be my friend, right? Forever?" Silence.
"Now... I need to give you a name... Hey, how does this sound...?"
--- In a certain room, a girl listened to music at a very loud volume. The girl had blond hair, the body of an average 17-year-old girl, and was busy reading the latest news regarding her favourite pop group on her phone. The door to her room was closed.
At least, it was until her father came in, carrying a box with him. "Susan, dear. I have all this stuff that's yours... Since we're going to move soon, what do you want me to do with all of this?"
"Throw it away." The girl said, without even looking at her father.
The man looked inside the box. "You sure? There's all these things that you loved when you were young..."
Susan looked at the man. "Do I look like someone who cares about that? I grew up, man. I don't like those things anymore. Just throw them away, and leave me alone." Then she went back to reading, putting the music at an even louder volume.
The man sighed and left, closing the door.
Then he grabbed his keys.
And went outside.
Rid the elevator down.
Got near a trash can.
And dumped the whole box on it, emptying it. Among other things, a blonde doll was in it.
--- The Nameless Hill, one of the most notable landscapes of Gensokyo. A youkai lived on the suzuran fields there. That youkai hated humans, because she got rejected by them. Twice. The youkai in question had blonde hair, was dressed with a red-purple shirt and a red skirt. She also had a red ribbon tied around her head. She seemed like she was waiting for something. "Humans are despicable." the youkai said."You try to get along with everyone, make friends. And when you think you finally find someone who's dear to you..." Susan thought to herself.
"You get stabbed in the back, repeatedly." "Or if they think you're not worthy, they toss you aside, just like..."
"A worn-out, useless doll. And even if they think you're worthy, you get tossed aside anyway." "People are simply stupid. I'm completely fine here, all by myself. I don't care what anyone else thinks, says or does."
"However, if I could, I would strangle them. Poison their food. Make them suffer the same thing I did." Susan threw her phone to a side. Fourth phone broken this week, but she didn't care. She raised her sleeve, and looked at her scars, spread all around her arm. Suicide had been an option for her many times before.
The youkai saw someone approaching. A blonde witch, flying in a broom. This was her chance. This was Susan's chance.
--- "Truth be told... Not every human is useless... My old mast-- no. My old friend... I know she will come back for me one of these days. I don't want her to be disappointed when she comes. I'll emancipate all the dolls around Gensokyo, and lead them against the humans... Then make them become friends as well. I'll build a dream world for her." The witch was getting closer, and it seemed she had noticed the youkai. The youkai took a purple card. " Poison Sign [Melancholy Poison]" And then a stream of purple bullets flew straight for the magician. --- Susan sat on her window, holding a little photo. She let the warm spring breeze tease her face, and closed her eyes.
She looked at the photo. It showed a little 7-year-old girl, holding a blonde doll and smiling. Tears fell off her face, down to the street.
Her father had died 5 months ago, of a heart attack. She didn't have anything left. She hugged the photo as tightly as she could.
"I'm sorry, Medicine..."
And she jumped.
--- On the middle of the suzuran field in the Nameless Hill, a beaten up doll lied down on the floor. Burn marks all over her body, her clothes torn off from the fight. She had failed. And she was really tired. Close to death, she thought. "I'm sorry, Susan..." And the doll closed her eyes.
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Ariezza
Promised Arclight
Posts: 615
There is now only a white phantom that looks like you
Favorite Game: Double Dealing CharacterFavorite Character: Satori KomeijiCustom Title: Promised ArclightMini-Profile Background: {"image":"https://i.imgur.com/udbtmBy.png","color":""}Mini Profile Text Color: ffffffMini-Profile Name Color: ffffffOverride Avatar (Auto-Extended Mini-Profile): Enable
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Post by Ariezza on Jan 23, 2015 9:12:23 GMT
Yay, second one~ Let's have a read at this entry, which modifications have been sent several times in mere hours : P
If only editing PMs had been possible xD Ascent Up the Mountain
I have never seen my friend, Reimu Hakurei, so down in the dumps until now.
That fateful day, I was on my weekly visit to the Hakurei Shrine to see how she was doing and saw her sitting by herself on the front steps with her head down and her hands covering her face, a plate of delicious-looking dumplings near her. I made my way over to her and decided to help myself to one of the dumplings, voicing my satisfaction with them. It was then that she noticed me and greeted me. When she looked up at me, I noticed a few tears streaming down her flushed face. Concerned, I asked her about what was wrong.
She told me about how a strange human girl came by her shrine earlier and demanded her to shut it down. Apparently there was another shrine up at the very top of the Youkai Mountain with a goddess that wanted the Hakurei Shrine to be shut down and then torn down. And after that, she would take over the grounds for herself.
Huh. How weird.
I asked Reimu if she would really heed to the word of the rival shrine, to which she look down sadly and responded that it would be a possibility if they were to gather more faith than her. She then sighed sadly and covered her face again, her body quivering with worry.
That did not sit well with me. It did not sit well with me at all. I may not know much about gathering faith and whatnot, but I did not want my friend’s shrine to be shut down. Seeing the normally proud and composed Reimu reduced to a troubled and emotional state made me look in disdain at the Youkai Mountain that loomed over the horizon. I wanted to help out Reimu as much as I could so she wouldn’t lose her shrine to those newcomers.
And that’s exactly what I did. I mounted my broom and took off into the sky, zooming toward the landmark. I felt exceptionally zealous at that moment. I felt that nothing could stop me from making my way to the top of the mountain and kicking the asses of those who thought it was okay to just waltz and cause trouble.
At the foot of the Youkai Mountain, I encountered two sisters who were goddesses of harvest and abundance. Well, they sure weren’t powerful, as after a quick bout of danmaku, I left the two laying on top of each other as I started to ascend the mountain. I wondered if anyone else that would decide to get in my way would be as weak as them.
I then made my way through the Great Youkai Forest. While making my way through it, I ran into a girl who labeled herself as the goddess of misfortune. She warned me that the mountain was no place for a human like myself. I retorted that things were starting to get interesting and demanded that she better get out of my way. And with that, she and I started to battle through the forest. She was definitely tougher than the two sister goddesses from before, but I still took her down fairly quickly. As she sat against a tree defeated, she asked me if I was really human. I responded that I have never felt more proud being one until now.
As I exited the forest, I found myself in the Untrodden Valley. The scenery around here was fairly spectacular, with bright trees surrounding the clear blue river as it coursed through the area. Following the path of the river, I was surprised to see a kappa girl spot me before running away. Confused, I made my way after her until she turned around and suddenly disappeared as a wave of water covered her and blue danmaku made their way toward me.
I smirked, impressed at the impending challenge.
I saw her through the water and proceeded to fire my bullets at her until her spell-card ended. She complained about how I broke her camouflage suit and warned me about how going further was dangerous for me before she darted away.
I huffed. Why do they keep telling me to leave the mountain? I have a job to accomplish for a friend.
As I was chasing her down, twisting and turning through the valley as we were in line with the current of the river, she stopped as the river’s path ended at the foot of a waterfall. It cascaded down powerfully behind her, surrounding her in mist. I wish I would have admire the beautiful sight of the waterfall a little more if the kappa was not yelling at me, commanding me to turn back and end my ascent.
Boy, this was starting to give me a migraine…
She was a tough opponent for sure with her water danmaku, but I took her down just like the other three before her. Though she was defeated, she looked up at me and smiled, telling me about how kappas and humans were civil to each other since ancient times. She then frowned, informing me about the goddess at the top of the mountain was causing trouble for the tengu and the kappa, the main inhabitants of the mountain.
I offered that I would give the goddess a good smack for them, but she sighed and told me to not worry about it before she flew away. Shrugging, I began to make my way up the waterfall.
That kappa girl… I’ll keep her in mind, too. She’s upset about what the goddess is doing, as well, so it’s not just Reimu.
When I approached the middle of the waterfall, I was attacked by a white-haired wolf-tengu. Standing my ground, I sent her spiraling down the falls a short time later. She didn’t even say anything to me. Rude. Oh well.
I finally made it to the top of the falls, the shrine I was heading toward in the background. Before I could hurry there, I was stopped by a familiar face. I smirked.
Aya Shameimaru.
She was surprised at the revelation that I was the one trespassing up the mountain, and I told her about how I only wanted to stop the goddess of the mountain from causing trouble for everyone. Aya smiled, informing me about how she’d let me have my way if she wasn’t ordered to not let me pass.
Geez, do these youkai want the goddess to be stopped or not?
After a while, our danmaku battle came to a close. Aya was impressed at how strong I was and let me pass, muttering about how I could even defeat the goddess of the mountain as she began to retreat. I stopped her and asked her about why she and the others detest the goddess so much. She replied that she’s acting like the mountain is all hers and pissing off the inhabitants quite a bit. The tengu reported then pointed her finger forward at the shrine, winking and telling me to smack her around a bit in her place. I winked back and darted toward the shrine.
The path leading up to the shrine was a short one, and I could feel my heart beating really fast. I was almost there. When I approached the front steps, I saw a human girl with green hair stand defiantly in front of the shrine. She told me about she was the shrine maiden of the Moriya Shrine, a shrine that was transported to Gensokyo from the outside world. She then introduced herself as Sanae Kochiya, a wind priestess and descendant of the goddess native to the shrine.
I introduced myself in turn, telling her that my goal is to punish the goddess causing trouble for Reimu, the kappa, and the tengu. Frowning, Sanae told me that to get to the goddess, I would have to go through her first.
Well, I have been doing nothing but kicking asses all day, so I'm all up for it.
As we ascended above the shrine and began to prepare ourselves for our battle, I asked her if she was the one who went down to Hakurei Shrine to talk to Reimu since she fits the description. When she nodded yes, I glared at her and opened my mouth to say something, but I was cut off when she started firing danmaku at me. I knew that this would be my toughest fight so far. Fitting, as she seems to have inherited her power from the goddesses.
As tough as the fight was, Sanae was defeated. I made my way over to her as she looked at me in confusion, telling me that her only wish was to revere Lady Yasaka and her assumption was that everyone appreciated her.
Yeah. No.
I told her to escort me inside the shrine so I can meet with this ‘Lady Yasaka’. Nodding reluctantly, Sanae sighed and led me inside the shrine. Once inside, she told me that the goddess was sitting at the lake behind the shrine. I nodded at her and made my way there, wiping sweat away from my forehead.
The beating of my heart was in harmony with every step I took leading up to the lake, my gaze locking onto a purple-haired woman as she sat on a pillar looming over the lake. The full moon was bright and high in the night sky, a gentle night breeze softly whistling through the air. I called out to her, telling her to come down this instant so I could give her a piece of my mind.
This was it. I was finally at my goal. Reimu, the kappa, the tengu…they were all relying on me at this point. There was no turning back.
The woman turned around and we looked straight at each other from our positions. The calm and composed look she had on her face then turned into a cold smile. I glared, adjusting my hat on my head and preparing my spells.
I’m ready.
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Ariezza
Promised Arclight
Posts: 615
There is now only a white phantom that looks like you
Favorite Game: Double Dealing CharacterFavorite Character: Satori KomeijiCustom Title: Promised ArclightMini-Profile Background: {"image":"https://i.imgur.com/udbtmBy.png","color":""}Mini Profile Text Color: ffffffMini-Profile Name Color: ffffffOverride Avatar (Auto-Extended Mini-Profile): Enable
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Post by Ariezza on Jan 23, 2015 9:20:26 GMT
Three entries sent in only 1 day! I'm esctatic.
Just as a reminder, there are two new entries that have also been posted before this one. Please scroll up and read if you haven't, you won't want to miss any entry! Beacon of Atonement“So I guess we’ve got a stowaway here.” The captain, looking as fearsome as could be, bore down on the deckhands’ “catch of the day”, as they had dubbed her. Of course, they usually just caught some fish on their trips, never any humans or anything of the sort. The little girl’s eyes watered as all manner of possible punishment ran through her head. What were they going to do to her? Was she going to be executed? Enslaved? Possibly fed to the sharks? “Hmm...” The captain’s eyes narrowed, and the girl felt herself being gruffly pulled up by the collar. She immediately stood up, though her legs were shaking. The deckhands were laughing their heads off, calling out things like “turn her into shark bait!” and “send her down to fish school!” Her thoughts went back to the orphanage that she had escaped from, and the caretaker from the lower circles of hell. Her regrets piled high, and she began wishing that she had simply leapt off into the harbor instead. “P-P-Please, please don’t k-kill me, I-I’ll do w-whatever you want,” the girl sobbed, clasping her hands together as she pleaded for her life. Around her, the laughing and taunting continued as she stared down at the wooden floor through tear-soaked eyes. “Pull your head back up.” The girl felt her chin being lifted up gingerly, and stared directly into the captain’s burning glare. “Stop crying!” Startled by the sudden admonishment, she immediately stopped. The glare in front of her turned into a satisfied smile. "All right, little girl. I'll listen to what you've got to say later. Right now, you can take that mop over there, and I'll see what we can do."
The ship's galley wasn't a very active place. Only a single person manned the entire place, feeding the rather sizable crew of the ship. Bubbling pots accompanied a hulking man's humming, who tapped his wooden leg to the tune of his hum. Meanwhile, a little girl sat quietly in the corner of the room, trying to make herself as small as possible. In her hands, a small mop revealed what she had been doing earlier. "Oh, what am I going to do with you, squirt. Don't go sneakin' off a bite, now," laughed the cook, "or I might have to replace the menu with little girl stew!" "I really doubt that you don't actually have a recipe for that." The cook's ears picked up, and turned to see the captain at his door. "Oh, you flatter me, captain," said Silver, grinning with a yellowed set of chompers. Meanwhile, the girl in the corner decided to make an escape, and snuck about the counters. Unfortunately for her, the room wasn't entirely large, and the floor squeaked like a nest of mice. "And what's she doing here?" the captain asked, freezing her in her tracks. "Oh, her. I found her finished up with all the cleaning. Better work than I could've done, really. Dragged her in here so's I could show her a thing or two about the place she ought to be. Maybe even take her for my own!" exclaimed Silver with a laugh. The burly cook attempted to make a friendly face, but all he did was make himself look a tad menacing. The girl seemed to shrink, and her head turned towards the exit. Her shaking feet looked like she simply wanted to bolt it, right that moment. However, before she could do so, she felt a heavy pat on her head. She looked up, and saw a soft smile; a stark contrast to the canine-bearing grin she had saw on her first day's pardoning. "Sorry, Silver, but I think I'll take her under my wing. That's an order, but don't worry, you're off deck duty for a little bit." The cook's face dropped. "What! Oh, and just when I thought I got a break. You just enjoy making me upset! I'll lace your dinner with a pepper from hell!" taunted Silver, shaking a spatula at his superior with mock anger. Meanwhile, the little girl, stunned by the sudden save, only heard a hearty laugh. A rough hand messed through her short black hair. "Come on, I'll show you the bridge."
“Get those fucking sails down! Reconfirm the lifelines! Come on, people, move it!” As the deckhands rushed about, their pasty sea-worn expressions betrayed their expectations. Under the roughly barked leadership of their captain, they scrambled to secure everything they could to ensure their chances of living. Everyone was muttering prayers under their breath to every deity they could think of. The storm couldn’t care less, however, and continued to howl over the captain’s profanities. Thunder crashed down on their ears, denouncing them for daring to challenge the seas. In the midst of all the panic, a small figure crouched inside the cabin, desperately hanging onto the dresser, the heaviest thing she could find. The ship rolled wildly, and the dresser threw itself open, scattering all manner of clothes onto the wooden flooring. Her trembling hands found a soft dress, and she clutched it desperately. Then, a heavy safe from inside the dresser also stumbled out, despite its heavy weight. Her eyes widened. She dove for the safe, embracing it tightly as she closed her eyes. Not that it mattered; the candle in the room had long been snuffed out. The world shook. Her fingers slipped, and her fragile body was hurled across the room. Stars danced around her eyes as she blanked out.
It’s so cold.She stared listlessly in front of her, drifting about in the expansive blue sea. Shimmering lights peered down from the surface, and a school of fish swept past her. The girl tried to reach out to them, but only caught the trail of bubbles left behind. As her fingers grasped at nothing, her mind was overtaken by blank apathy. Weary eyes drifted upwards, she watched rays of sunlight dance about before her. Maybe I should just sleep. I’m so tired.She peered through her half-closed eyelids, one last time. Of course, that was the intention, but her eyes shot open as she saw something coasting along the surface. The underside of a ship slowly passed on by, its white sails at full mast. … It’s not fair.It wasn’t her fault. It wasn’t her fault, yet she couldn’t stop herself from trembling. The coldness inside her turned into white-hot rage. She needed something to calm herself down. She needed to bolt right towards that ship. A moment later, a blue trail of light rocketed through the water, and slammed into the side of the boat. The vessel shook violently, and she could hear screams coming from above. Her white eyes flared up with delight, and she slammed herself into the hull once more. Ahahahahaha! Die, die, die! Again and again, she crashed into the boat. Over time, she could see a small crack traveling along the ship’s wooden hull. She cracked a demonic grin, and cackled. Her mayhem was taking too long, though. She needed something big, something that would wipe those that provoked her wrath. Something big, something heavy, something amazing! Something that’ll drag them down. Drag them down, drag them down… Drag down a ship, a ship. A ship dragged down. A ship dragged—anchored. A ship anchored. Anchored. Anchor. Anchor. Anchor. She repeated it to herself, over and over again. The entire time, her hands swung around an imaginary “object”. She felt the “object” get heavier and heavier with every swing, and her excitement grew stronger. Then, she heaved one last time, and tossed the weight at the ship’s hull. As soon she did so, a ladle appeared within her hand. A blue light rocketed from its cup, transforming into an enormous dark blue anchor. Yes! Yes! Die! Die with me! Hahahaha! The anchor bore into the ship, creating a titanic hole. With such a grave wound, the ship slowly gave out, and it began to tilt on its side. The girl examined her handiwork, and laughed. She looked up, and saw some of the ship’s passengers lowering some lifeboats. Her face lit up in delight, and she swung her ladle once more, listening madly to the screams of the dead.
“Hijiri-sama, are you sure you’ll be able to do this?” “Nobody is irredeemable, Ichirin. You know that as well as everyone else here,” the monk said. The head of the Myouren Temple smiled radiantly, seemingly glowing even as the clouds above foretold a rough ride. The blue-haired youkai next to her couldn’t help but sigh at her absurd altruism. A pink apparition of clouds surrounded the youkai, forming the head of a bald old man. Its blue-haired companion looked up at her cloudy compatriot, and closed her eyes, as if confirming something. “Mmm, I don't doubt your capability. But even with Unzan saying it’s all right, I’m still kind of nervous.” Then again, she also knew that at that point in time, there was nobody else of enough caliber to handle the infamous ship phantom. The locals were deathly afraid of her, as even though she only resided in a certain area, the surrounding currents would often force any ship that would try to circumvent it. From there, the bloodthirsty sinker ghost would capsize anything that floated into the deep end. The nearby coastal village residents had only called in the “youkai monk”, Hijiri Byakuren, after many others had failed to remove, or even placate her. The villagers had peered between their shutters at her arrival, afraid of her youkai entourage. Ichirin couldn’t blame them; they certainly didn’t look too pleasant. “Is someone there?”Ichirin jolted at the reverberating, ghastly voice. In front of them, a translucent green apparition materialized, in the form of a young girl dressed in a messy sailor outfit. Her eyes bore down on the head monk, who stood resolute against the phantom. The phantom’s expression became brighter as she did. “Ooooh, I think I’ve heard of you. Hijiri Byakuren, right? Some big-shot temple monk?”“Nice to meet you. Please, call me Byakuren.” “Ahaha, sure, that sounds good,” the ship phantom laughed. She then raised her right hand, and a ladle came into being in it. Seawater began to swirl around it, filling up an outline of a huge anchor. “Well, then, Byakuren, I’ll be expecting a grand show from you.”“Do what you will. I’ve only come to talk.” “Yeah, let’s fi—what?”Byakuren then spread her arms wide, showing the ghost a gesture of defenselessness. Blood drained from every one of her subordinates’ faces. “Ha, hahaha. You’re not gonna do me in with that. What, you think I died yesterday? You’re gonna pull out some crazy-ass exorcising contraption or something. They all tried to.”“I assure you that I have nothing up my sleeves. I’d just like for you to stop causing trouble for everyone.” “Hmph, trying to smooth-talk me? Ha, I bet if I can kill YOU, I could leave this little puddle and wreck some real havoc on land! Yeah! Hahahahaha!”The phantom then raised her ladle, and the single ethereal anchor suddenly multiplied, resulting in what appeared to be half a dozen of them. She brought down her ladle, and the anchors rained down on Byakuren’s ship. Water erupted high into the sky with each anchor, ensuring that the ship would be eternally anchored on the seabed. After the mist cleared, she saw nothing but wooden shards littering the waves, and laughed, as she always did. “Namusan!”All of a sudden, a brilliant pillar of light exploded from where the ship had been, and the phantom cried out, shielding her eyes. The lightshow lasted for a moment before receding. She shook her head to clear it, and turned back to the site of the shipwreck. “What…”In front of her, a gigantic golden ship floated several feet above the waves, with a brilliant white sail adorning its mast. On its deck, all of Byakuren’s crew stood firmly, with the head monk herself muttering a few prayers with her hands clasped. The ship phantom gawked at the spectacle. It wasn’t only the fact that there was a huge floating ship in front of her, nor the fact that everyone she just fired a salvo of anchors at survived the attack. “I apologize if this ship brings back painful memories,” said Byakuren. The ghostly girl floated down to the deck, and felt her feet touch solid flooring after what seemed like an eternity. She looked around in a stupor. Everything was exactly the same as she had remembered it; this ship was the ship she had lost her life on. She hobbled across the main deck like the ghost she was, and opened the door to the halls. “Is she going to be all right?” said one of Byakuren’s subordinates, a short grey-haired youkai with round mouse-like ears. “She’ll be fine, Nazrin,” said Byakuren, quietly following the ghost into the ship. Her guest was trailing the hallways. Every time she came across a room, she would turn her head to look inside, and every time, she looked a little more melancholic. Eventually, she came across a particular door, and stopped walking. She put her hand up to the door, looking hesitant to open it. She turned back to Byakuren. The monk merely smiled, and gestured with her head towards the doorway. The door slowly swung open. The room they entered was mostly unremarkable, having only three pieces of furniture to its name. A writing desk, a bed, and a dresser were the only occupants of the cabin. Yet as soon as they entered, the ship phantom’s cheeks started to wet, and her body started to shiver. Byakuren walked to her side, and waved towards the dresser with the same radiant smile. “Go on,” she said. The girl did as she was told, dragging its doors open. There, a small safe sat, tightly sealed with a rotating dial on its front. Her hand rested on the dial, and mechanically spun it once, twice, thrice. Click went the door, revealing the safe’s contents. However, this was no secret pirate chest; a small, unassuming bound book was the only treasure to be found. She flipped it open, and came to the last few pages.
Month ███, Day ███, Year ███. What a day. We found an interesting stowaway today on deck after we cast off. A mousy local girl, looking about eleven, maybe twelve. Everyone was excited to see her, and by excited I mean bloodthirsty. We didn’t throw her overboard, though, I just made her swab the decks for a bit, give old Silver a bit of a rest after losing his foot. He seemed happy about it, not so much to say about the rest. She’s staying in my room, though, I’m not about to trust these scruffs with her.
Month ████, Day████, Year ███. Silver’s been talking a lot about the new girl. Says she’s learning quite a lot, and he’s going to take her under his wing or some other. She honestly looked a bit terrified at the thought, and it’s funny to see Silver’s face scrunched up anyway, so I said no, and I went with making her my assistant. Normally I’d expect everyone to mutiny, but they seem to adore her now, it’s amusing. Apparently she ran off from an orphanage in the port we left half a week ago. I forgot to ask for her name, though. Wonder if I could make one up for her.
Month ████, Day████, Year ███. It’s been a cold year so far. We’ve got a rush order to take care of, right in the middle of monsoon season, and I’ve got something dastardly running me a fever. Murasa’s the new captain while I try to get back into form. I’d nominated Hands as the stand-in, but everyone seemed adamant that she was the more skilled one, even Hands himself. It’s amazing how she’s grown in the past few months. Ha, maybe if I die I could name her to succeed me. I wouldn’t mind!
Month ████, Day█████, Year ███. I can’t even leave my bed without leaving a mess on the floor. The storms outside aren’t helping matters, either; even keeping this journal is a task on its own. I’ve trusted Murasa with the safe lock, at the very least. She’s keeping me up to date with everyone’s well-wishes. What a good girl. Makes me wonder why I haven’t found a man who isn’t absolutely lousy.
Month ████, Day██████, Year ███. I woke up a fright this morning. Nightmares of black waves, red moons and whatever else I haven’t recalled. I do pray it’s not a premonition of some sort. The season hasn’t let up one bit, and the ship is still rocking something fierce. Murasa hasn’t been in today, or yesterday either. Silver’s taking her place visiting me, and he told me about how she saved one of the crew that nearly fell overboard! You don’t get to save someone’s life every day. That’s my girl, Silver!
“I’m sorry, I’m sorry, I’m so sorry…”With every paragraph she went through, the girl’s crying went unabated. As she finished the last (unfortunate) entry, she clutched the journal to her chest, and bawled, just as she did the very first day she stepped on this ship. She poured out all her heart for a few minutes before the ship was quiet again. “All better?” said Byakuren. The ghostly girl jumped, she had completely forgotten that the monk was even there. She waited a bit, and nodded. “I-I’ve done so much, though. Sunk so many ships. I-I can’t… I can’t pass on like this. How am I going to make it up to her?” “Well, there is one way.” “H-Huh? Really?”“The Myouren Temple is accepting of everyone in need, human or youkai. And we do have a ship in need of a captain,” said Byakuren, the monk’s eyes looking straight at hers – determined, yet calm. Someone else’s face flashed in front of her eyes briefly, and she looked down at the journal in her arms. The memory of that dreaded stormy night threatened to burn her down. Instead, a fire was lit in her heart, where previously only cold resided. She bowed forward, and resolutely exclaimed, “Captain Murasa Minamitsu of the Palanquin Ship, at your service!” EpilogueDrifting along the bridge deck of the Palanquin Ship, Murasa leaned back against a wall as she gazed at the starry sky. As she held her hand up, she counted the stars between her fingers, as though they were countable. How many years has it been? A thousand, maybe? However long ago, after Byakuren had sacrificed herself to her angry opposers, who had called her a “demon in human form”, she had been locked up in Hokkai, a sealed region in the far corners of the Demon World, Makai. “Murasa-kun,” a voice called out. The ship phantom stiffened up, and turned towards a tall blonde woman, dressed in a brilliant orange-white dress and a giant cloth circle behind her back. “Shou? Did you get everything?” asked Murasa tensely. “We’ve located a few more pieces of the Soaring Vault. We may have it entirely constructed by tomorrow, and thus be ready to pierce the seal of Hokkai,” reported Shou. “How’s the ship holding up?” “It’s holding up well. You don’t need to worry about it; Ichirin and her pet fog machine did a good job of patching things up,” laughed Murasa. “W-What’s a fog machi—Never mind. Just prepare for our trip into Makai. The miasma there is rough, even for the most seasoned youkai,” said Shou. Murasa waved her hand dismissively. “Yeah, yeah, I’ll be fine. Go get some sleep, you old cougar.” “I-I am not a cougar! How rude. … Good night,” the avatar of Bishamonten said, walking away into the halls. Left to her own devices once again, Murasa sighed. Turning back, she phased through the walls into the dark bridge. Her green luminescence shone on the pitch-black room, and she floated towards the captain’s chair. A small bound book sat on it, and she picked it up. Her heart burned with a fervent wish as she held it to her chest. “Wait for me, Hijiri. I’ll make both of you proud.”
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Ariezza
Promised Arclight
Posts: 615
There is now only a white phantom that looks like you
Favorite Game: Double Dealing CharacterFavorite Character: Satori KomeijiCustom Title: Promised ArclightMini-Profile Background: {"image":"https://i.imgur.com/udbtmBy.png","color":""}Mini Profile Text Color: ffffffMini-Profile Name Color: ffffffOverride Avatar (Auto-Extended Mini-Profile): Enable
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Post by Ariezza on Jan 26, 2015 6:16:53 GMT
Time does fly really fast =w= Only 2 days left, everyone who hasn't submitted anything, rock on =3=
If you are in need of extensions, please also inform me soon. The Youkai that wouldn't give up ...After gasping heavily, that youkai finally fell dead. That same youkai which had terrorized and even murdered those who had entered its domain. That same youkai which I had been ordered to exterminate. That same youkai that even when his defeat had been obvious, kept on fighting till his life expired, instead of turning his tail and running away like anyone facing a life-threatening situation would do, no he stood his ground, and fought until his final breathe escaped his body. His death had left only two things behind; his corpse, and my confusion.
Why? That was the question that kept echoing in my mind, as if a hammer were bouncing around in my skull. Why didn't he flee? Why did it not fear its own death? Why oh why had he tried so hard, nit even to fight me, but rather from standing his ground and not giving me even an inch?
In the end even if I had killed him as was my job as the Hakurei miko, even if I had completely overpowered with these powers of mine, I was the one that was afraid.. no why was I the one who had been cut by the blade of true fear, not by his power, not by his speed, but by his endurance? Youkais are supposed to be hard to kill, but this had gone beyond ridiculousness and stepped into the realm of the impossible, had i not seen it with my own eyes, I would have never believed such a thing. I had used every ounce of my powers, of my abilities, to defeat him, and yet he kept rising, no matter how many of his bones I would break. His death had taken me by surprise, I had believed him to be immortal.
Pondering about his reason to fight, a thought struck my mind, as though it were lighting. The youkai hurt anyone that came near to this area, and not once in our battle had he let me get past him... had it been me from advancing? Was there something in this area that he was protecting? Could that something have been the reason for his fearless behavior? By now I was convinced by my own reasoning, by the belief that he was protecting something. I started walking forward towards the youkai's domain, and taking a final look at his corpse, which was already starting to fade, as most youkai corpses do, I saw his broken body, his blank eyes and though once again 'Why?', and headed into the forest that had been its domain.
Walking through the trees I saw a beautiful dance of light and shadows, as sunlight passed through the leaves of the trees, which were being rustled by a gentle spring breeze. Normally I would have been awed by such a beautiful, natural performance. But all I felt was forbiddance, there were no signs of any animals in this area, not even the chirping of birds, or the chirping of cicadas, as they mated, as they did every summer, I felt as though I shouldn't be there. I had cautiously prepared my youkai exterminating tools as I did for every request, but even they didn't make me feel safe, the uneasiness lingered about me, making me cautious of every single shadow.
Advancing ever so cautiously, at a slow painful pace. I headed deeper and deeper into the forest, and it grew thicker and thicker the deeper I headed, so thick, that sunlight just barely reached the forest ground, intercepted so high up above by thousands of leaves. The atmosphere had become as oppressing as though it were some sort physical weight upon my shoulders. Finally I managed to find something which looked out of place in the forest, just when I thought I was gonna turn heel and flee.
What I saw was a western-styled house. Although not nearly as big or as Impressive as Mugenkan had been, the house gave off the same feeling it did; dread. The house itself was pretty simple at least compared to how complex Mugenkan had been; it was only one story tall, it had a small entryway with a small path heading towards the front door. This path was surrounded with what may had once been a beautiful flower garden, but now the forest had taken it over with all sorts of shrubs and wild flowers. Weirdly enough, there was some sort of divide between the house and the plant life which separated the latter evenly and perfectly from the former at a distance of about one inch. As though the forest itself didn't want to touch the house. Even more eerie than that was the state of the house itself, even though it felt abandoned, even though it felt as if no one had gone inside for along time, and even though the windows seemed to be covered with dust from the inside rather than from the outside, yes even with all this signs of abandonment the house was perfectly perfectly clean, from the outside.
It was as though the house were a shell or perhaps a coffin, anything but a house. I stepped upon the small path and soon reached the door, I didn't even bother to knock , sure that there would have been no response even if I did.
The inside of the house was messy... very messy, all of the furniture had been torn to pieces and there was dust everywhere, it was as though time had stopped only inside this house since the destruction of all of its furniture. There were pieces of wood everywhere, which may had once been tables and chairs, fragments of crystal scattered all across the room, which had probably once been vases, and the walls and curtains were all torn up, it was a truly bizarre spectacle, but what truly called my attention was not the destruction, it was that which had escaped the destruction of it all. The box in the middle of the room. Curious, I approached the box, I could feel the dust shifting under me with every step I took. As I neared it I noticed it's weird shape, and knew at once what it was...
"A coffin".
Realization struck my mind and I started to wipe the dust off the coffin as fast I could. A name appeared from beneath the dust, or at least what I thought was a name since I couldn't really understand the symbols inscribed upon it. Before even attempting to open it I prayed for forgiveness, for I was a shrine maiden stooping as low as basically grave-robbing. The prayer was not only directed at the gods but also at whoever was inside this coffin. But I had to open it, my Hakurei instincts were rarely wrong, and they were telling me this was intimately related to the youkai I faced earlier.
I grabbed the lid and began opening the coffin, as the lid slid of I saw not a corpse as i had expected, but only a picture, a black and white drawing made by cameras like those which sometimes came from the outside world. I picked it up to get a better look at it, and saw two people in it, or rather, a youkai and a human. The youkai was the one which I faced earlier, yet he looked completely different from how he did in our battle. In the picture he had a warm, happy smile, and his eyes held none of the hatred he had in his final moments. Beside him was an old women holding him by the arm affectively. The woman looked not only old, but also frail and sickly, as though she could die at any moment, yet she had a smile as bright as the one of the youkai she held. This photo albeit it raised some questions, like for example, 'what had happened to her corpse?', and,'Who was she to that youkai' allowed me to continue my line of reasoning.
I had found the reason that youkai fought, and at the same time i hadn't, i just knew one thing. That it was related to the dead of this woman.
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Ariezza
Promised Arclight
Posts: 615
There is now only a white phantom that looks like you
Favorite Game: Double Dealing CharacterFavorite Character: Satori KomeijiCustom Title: Promised ArclightMini-Profile Background: {"image":"https://i.imgur.com/udbtmBy.png","color":""}Mini Profile Text Color: ffffffMini-Profile Name Color: ffffffOverride Avatar (Auto-Extended Mini-Profile): Enable
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Post by Ariezza on Jan 26, 2015 6:22:33 GMT
Another entry~ Everyone makes my heart fly too much =3=
Everyone, let's enjoy this one and the one above it, both were just freshly received~
Empty Chairs and Empty TablesStage 1
The domed shape on th e horizon was slowly getting larger. Reimu had been heading toward it for a few hours now, and it seemed she was finally closing in on her destination. As she slowed down, she looked behind her, and to both sides. For as far as she could see, there was a flat, arid desert. It stretched to and across the skyline, obstructed only by the mountain situated in front of her. It was lifeless, desolate, and lonely. “It’s a good thing I’m used to it…” Reimu thought to herself, as she landed lightly on the dry ground. Turning back around, Reimu now came face to face with the foreboding hunk of rock. Analyzing the natural structure, it was covered in dense tree’s (which is odd enough for a desert), but the biggest anomaly was that she couldn’t see the top. It wasn’t like something was obstructing her view; it was a little more… abstract. As if the mountain just ended, and the sky began, at a very un-natural place. “Well,” Reimu said aloud, to no-one in particular. Or anyone at all, for that matter, as there didn’t seem to be anyone around to hear. “Well at least it’s pretty obvious where I have to go…” Just as she was about to take off up the cliff face, a small rock pelted her from behind, accompanied by a rather pathetic voice. “HEY!” the voice attempted to yell, but turned out to be rather raspy and quiet. Reimu turned around, analyzing her perpetrator. She was small, had blue hair, and wings made of—no, no, that wasn’t right. Reimu blinked, shook her head, and looked again. This creature had brown hair, was wearing a thin scarf, and seemed to be issuing a challenge. “You think you can waltz through the desert without talking to me first, huh?” the brown-haired girl yelled, to the best of her abilities anyway. This was accompanied by more rocks. Before Reimu could even answer, the small girl continued: “Well, you can’t. And I see anyone rude enough to try as itching for a fight! Let’s go!” The girl threw herself at Reimu. Frowning, Reimu quickly side-stepped. It was painfully obvious this… fairy… had nothing to do with the incident. Quickly turning to face her opponents second assault, she threw her hands in the air and said “You’re right, that was horribly rude of me. I’ll be sure to clear things with you next time.” The girl stopped mid charge, looking a little confused. She gave Reimu a quizzical look. “Wha-?” was all she could manage before Reimu continued. “But, as you can see, I’m just leaving. I probably could never beat you anyway” Reimu continued, and started up the cliff yet again. The dazed fairy seemed more than a little confused. Pausing shortly, Reimu called back, with a slightly sad look on her face. “I’m sure you’re the strongest!” Things went faster this way. Stage 2
It took a little longer than Reimu had expected to reach the part of the mountain that didn’t make sense. This made sense, in an ironic sort of way. Unfortunately, the Miko didn’t stop an appreciate this rhetoric, and focused on reaching the oddity. On her way, the usual attacks from locale youkai had started, but Reimu didn’t bother with them. He could fly faster than them, after all. There was no reason to fight. It would just slow her down. Approaching her destination, Reimu’s flight was rudely interrupted by a rather wavy bout of danmaku. Dodging the initial shot, the red-white searched around for her target, but to no avail. The assailant apparently found this funny. “Ha! Can’t see me, can you?” A voice emanated from…. somewhere. “There’s nothing you can do when trapped in my haze! I’m –“ Reimu stopped listening, she didn’t need to know the names. She stopped caring about names a long time ago. Knowing your enemy was not, contrary to popular belief, centric to defeating them. Brute force worked just as well, most of the time. This time included. Kneading her temples, Reimu pulled out a spell card. “Huh? What are you gonna do!? You can’t hit what you can’t see!’ The voice teased, moving in apparently random directions. “Dream sign: Evil Sealing Circle” Reimu muttered quietly, and the spell began to take effect. A quick note about the spell card system. In a fight, under these guidelines, two sides generally engage in combat until either one of them runs out of spellcards, or is unable to continue. Reimu generally aims for the latter requirement. It’s quick, efficient, and gets the job done. “I don’t have time to play around” Reimu said, as her spell burst forth from her card. The unknown voice managed to let out a “Isn’t that your weakest- “ before a resounding scream was heard. Elsewhere, a body was heard hitting the ground. In fact, the annoying voice wasn’t wrong. That was her weakest spell. But it’s only natural to train and practice to do one’s job. “And gods know I’ve had a lot of time for that…” Reimu thought to herself. The haze disappeared. Reimu moved on. Stage 3
The clearing of the haze was met by an interesting change in scenery. The densely forested mountainside gave way to a flat, rocky clearing. There were cracks all throughout, and among the cracks, multitudes of different colored flowers. They must have covered every color of the rainbow, and a good portion of the colors in-between. The width of this flat area seemed to only be about 30-40 yards wide, but it was sloped ever so slightly uphill, so a small stream of water could flow. The stream fed into the cracks, and was presumably what caused such a diverse fauna to grow in such an inhospitable place. Following the stream up, it seemed to lead into a dense forest farther up the hill. Having no other hints, Reimu decided to follow it. It was strange, though. Reimu wasn’t really complaining, but it was all too peaceful and… easy. Her hike upstream lacked the usual onslaught of pesky fairies and youkai. Nearing the forest, the reason for this quickly became apparent. “Shit” Reimu mumbled, under her breath. Hanging by one leg from a tree was a woman in a floral, colorful dress. All around her were dead plants, and errant danmaku craters. There was also a pile of similarly colorful youkai off to the side. “Not again…” Reimu looked around for evidence to confirm her suspicion, and didn’t have to look for very long. An entire row of trees lining the forests entrance had been completely overturned; their roots in the air and their branches on the ground. Reimu rushed into the dense foliage of the forest. Someone had cleared the stage for her Stage 4
The forest quickly came to a clearing, with the river splitting it cleanly in two. A lone figure could be seen sitting on the edge of the water, playfully kicking her feet. She wore a peculiar dress, and had red and white highlights in her hair. Noticing Reimu’s approach, she turned her head to reveal a cunning smile. “Took ya long enough!” Seija Kijin exclaimed, throwing her arms wide in greeting. “I was getting bored waiting!” Reimu pointed her gohei at the speaker, and asked “Are you the one responsible for the scene back there?” Seija smirked “Well, I figured I would make things easy on you. You wouldn’t have enjoyed it anyway, oh all powerful Miko. It was way too easy.” Seiji paused, and added; “And hey, look at that. I’m trying to help you! I’ve certainly changed, haven’t I…” Reimu stare proved she was unimpressed. Sighing, she started “imp, if you want a fight…” Interrupting Reimu, Seija mockingly put her hands in front of her, and exclaimed “Hey, hey. I am in no hurry to fight you. It didn’t work the last, what, 20 times? Why do you think I’d try again now?” Pausing for a moment, Seija bent down, patted the ground below her, and promptly sat down. “No Reimu, I don’t really want to fight, I just want to talk.” Seija put her hands to her chin, and tried to look as innocent as an Amanojaku could. Reimu was a little taken aback. “YOU..” she started to yell, but stopped and regained her composure. “You, of ALL people, want to TALK?” Seija put a hand up, almost apologetically. “Okay, I lied. I don’t really want to talk. I want to ask some questions, and I want you to provide some answers. Let’s start with…” Seija tilted her head up, pondering. “Ah, I know. Why do you continue to fight like this? What’s in it for you? Solving incident after incident, I honestly can’t tell what you’re trying to achieve.” Seija asked the question in a matter-of-fact tone, but the malice imbued in the query was obvious and direct. Reimu paused, not really wanting to answer the question. For one thing, you can never really know what Seija is trying to do, only that it’s probably not a good thing. Another pressing issue is that this was taking TIME. Reimu didn’t like fixing problems slowly. There was not time idle chit-chat. Not like back then. Still, something compelled Reimu to answer. Perhaps she thought it was important in some way, but for whatever reason, she went along with it. “"Resolving incidents” is the Hakurei Shrine Maiden’s job” Reimu replied, equally as matter of factly. “It’s only natural for me to do that job, wouldn’t you agree?” Seija clapped her hands at this answer, and started to laugh. “Oh man, that’s funny in more ways than one. I said I had changed, but that takes the cake! If I didn't know any better, I’d say that catastrophe had a wondrous effect on your life!” Reimus features visibly hardened, and she began to interrupt, but Seija put her hands out again. “Oh, sorry, sorry.” She said through her laughter, “That was unbecoming of me. Anyway, the real reason what you said is funny is because we BOTH know it’s not true. Or at the very least, the whole answer.” Hopping up, Seija suddenly exclaimed “Well, I’ve gotten everything I wanted to from here. Your face has said it all.” She passed Reimu, and headed back toward the way they came. “The head honcho’s are further ahead. Have some fun with it.” Seija stopped at the edge of the tree line, and called back to Reimu. “Have you heard of the legend of Sisyphus?” She yelled back, and was met by a blank expression. “A shame. In any case, I suggest leaving your boulder behind. It looks rather heavy” With this, Seija disappeared into the forest. Her Cheshire grin had never left her face. Stage 5
Continuing on her way, the clearing turned to forest, and the forest eventually broke once more. Almost immediately out of the trees, Reimu was met by a rather oppressive metal gate. The river was running under the gate, and seemed to be coming from whatever the gate was guarding. It looked something like a chapel from where Reimu was standing, but she couldn’t be sure. Approaching the gate, Reimu shook the bars to find it was locked. Luckily, brute force was still an option. Unfortunately, gates tend to have guards. “HALT” a booming voice shouted, from Reimu’s left side. Spinning on her heel, Reimu faced a girl with white hair and a set of sam- of course not. Blinking a few times, Reimu made out a behemoth of a woman, wearing mere rags, but wielding a gigantic club. It was honestly more like a tree-trunk. “NONE SHALL PASS!” the voice resonated, and shoved it’s way between Reimu and the gate. “ON ORDERS OF THE BOSS, NO ONE IS TO ENTER THIS GATE. PLEASE LEAVE” Reimu sighed. This was probably going to turn into a real fight, but she had wasted enough time with Seija. “I’d like to speak with this boss. Let me enter now, or I will do so forcefully” “I INTEND TO GUARD THIS GATE WITH MY LIFE. YOU WILL NOT GET THROUGH SO EASILY” The woman said. Reimu had to wonder whether her impressive volume was an ability or a mere character trait. “Your loyalty to your master is nostalgic” Reimu said, with a slightly sad look on her face. “But I’m getting in there whether you like it or not”. “VERY WELL THEN” the giant bellowed. “PREPARE YOURSELF” The woman swung her trunk-club at Reimu’s form, with astonishing speed. She managed to barely escape being crushed, and started responding with her own danmaku. It seemed to have little effect. The beast then slammed it’s fists into the earth, the shockwave throwing up, and further cracking, the land. All the while it was yelling like a madman, making Reimu completely disoriented. The behemoth swung its club once more. There was a sickening crack as the wood connected with Reimu’s shoulder. She was flung into the metal gate, effectively knocking it down. The pain was almost unbearable. Immediately, Reimu’s head was flooded with a multitude of thoughts. “Your Fault” “Don’T LoSE!”
“IT’ll HApPeN AGaiN!”
“NOT AGAIN!!”
As the giant came bounding to Reimu’s body, ready to finish the fight, the red-white miko let out a blood-curdling scream. She released every spell card she had, one after another. Each new card pushed the enemy back. When the dust cleared, the club was lying in splinters, and had fared far better than the behemoth. For all she knew, the woman was defeated after the second card. She didn’t stop until she had used the entirety of the ones she had brought. That was fine, though. She didn’t need them anymore. The gate was out of commission, and Reimu walked slowly up the stairs, clutching her arm, approaching what looked like a cathedral. Stage 6
The cathedrals gates were open, with water flowing quickly and freely out of them. Reimu entered cautiously, squeezing her now useless left arm. “Reimu Hakurei. We meet at last” A voice came from the center of the spacious room. A petite figure could be seen sitting on what appeared to be a fountain, which was pouring water out at an alarming rate. The girl occupying an edge of the fountain was clad entirely in armor that seemed too big for her, and was holding a silvery rapier. Reimu stared blankly in response to this greeting. She tucked her hand into a pocket. “I’ve seen what you’ve been doing lately” the girl continued, her voice too mature for her apparent age. “Resolving incidents, one after another. You do it alone. You do it at great harm to yourself. You do it, and do it so fast, you give your enemies no time to explain.” She pushed herself off the fountain, and turned to face Reimu with an almost condescending look, no easy feat when you’re 2 feet shorter than your target. “I’ve been thinking hard about this, about what you’re drive could be. You seem opposed to everything, without knowing what’s even going on first. Why? Why do you try so hard?” Reimu looked the girl straight in the eyes, and answered. “Every incident is a change in Gensokyo. Changes lead only to disaster. I will do all that I can to maintain the status quo.” The next instant, Reimu appeared directly in front of the girl, pulled her hand out of her pocket, and stuck a seal on the girls head. The iron-clad child’s eyes widened, as Reimu whispered in her ear. “I can never let that happen again!” There was a bright flash, and a suit of armor fell to the ground. The Rapier had been stuck in the ground, and Reimu hoisted it out with her good arm. Taking her trophy, Reimu started the long journey back to Hakurei shrine. Epilogue
The journey back was difficult, with her injured arm. Reimu would have to find some way to fix it quickly, but she wasn’t worried. Eientei’s doors were always open…. Entering her homely shrine, Reimu observed that it was exactly the way she left it. Food untouched. Walls intact. Exactly as it should be, she tried to persuade herself. She would have it no way else. Walking by a counter, she tapped a small contraption. It had been a gift, from long ago. It played all kinds of music, provided you had the corresponding part. Reimu only had one part left, but she rather like it. The music began to play… There’s a grief that can’t be spoken.
Reimu walked down a hallway, with the Rapier in her hand, approaching a closet. There’s a pain goes on and on.
Opening the closet, she began to place the rapier where it fit. She had to move a pink parasol Empty Chairs at empty tablesHer shuffling caused a few other items to fall over. A set of samurai blades, a gohei. Now my friends are dead and gone.The closet was full of odd things. A doll, a book. The device seemed to skip. Oh my friends, my friends, don’t ask me
A green cap with a star on it. An antique throwing knife. What your sacrifice was for
A keyboard, a violin. Empty chairs at empty tables
A peculiar broomstick sat in the corner. Reimu reached out to touch it, but decided not to. Where my friends will sing no more.Reimu gave a small, sad smile. And closed the door.
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Ariezza
Promised Arclight
Posts: 615
There is now only a white phantom that looks like you
Favorite Game: Double Dealing CharacterFavorite Character: Satori KomeijiCustom Title: Promised ArclightMini-Profile Background: {"image":"https://i.imgur.com/udbtmBy.png","color":""}Mini Profile Text Color: ffffffMini-Profile Name Color: ffffffOverride Avatar (Auto-Extended Mini-Profile): Enable
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Post by Ariezza on Jan 26, 2015 22:52:52 GMT
Not so much time left! And again, entries come in a pair. I'll call Second Round 'Twin round'. I indeed will =3=
Everyone, finish up, or prepare for Voting Phase~ Fixing a Crapsack World
It was the Gensokyo of old. Many years ago, when there were no spellcard rules in place, it could be aptly described as a hellhole. Bloodshed and violence was commonplace - something that frightened non-combatants into hiding. The arrival of the vampires had only made things worse. An all-out war had erupted, and the Hakurei Miko had to venture out and solve yet another incident. For a change of pace, Hakurei Sr. was going to take Reimu along. "Why do I have to go with you?" "Reimu, you will have to learn how to defend yourself eventually. I may be strong, but I am not eternal." "But Gensokyo is dangerous... are you sure that you will be able to keep us two alive?" "Don't worry. I will make sure your safety comes first." They then set off towards the Scarlet Devil Mansion.
Reimu had been huddled around Senior throughout the entire journey. She promised safety, but Reimu was unconvinced. "This the beginning of the end for those invading vampires. But first..." Senior turns to Reimu. "...are you ready for your first attempt at fighting?" Reimu froze with shock, then began to tremble. "No need to panic. Fairies are weak, plus I will be watching your back." Senior raised her arms and prepared a fighting stance. "Let's go." Reimu hesitantly followed her into the SDM's gates.
Luckily for them, the mansion's gates were damaged and the gatekeeper was nowhere to be seen, so they could cross them unopposed. Inside numerous fairy maids were standing guard. Originally gardeners of the mansion, they now use their implements to protect it instead. "Your first lesson is a simple one-two-three combination. Left punch, left kick, right punch." Senior's demonstration frightened Reimu, who then followed in her footsteps - clumsily. "Try again, Reimu! You need confidence to fight." One more demonstration. Reimu seemed more confident in herself. "Good job. Now try a punch-kick-stab sequence. Your gohei is a formidable weapon; learning how to use it will definitely help." This time around Reimu looked more like a fighter than a scared child. "Very good! Ready for live practice?" "Yes..." Reimu said with hesitance, despite her success in swinging weapons and throwing punches. Both walked deeper into the gardens and caught an eyeful of a wandering fairy. She was toting gardening shears. "Stay where you are Reimu, I'll make it easy for you." Senior taunted the fairy, who then proceeded to charge at her. With lightning speed, Senior disarms the fairy and jumps away. "Your turn, Reimu." Reimu carefully approached the stunned fairy and threw a punch, which despite connecting with the victim's face didn't make her budge. "Hit her harder, Reimu!" She followed up with a kick that sent the fairy reeling back a meter. "Excellent!" Then Reimu stabbed the fairy in the chest until she stopped struggling. "You did it, Reimu! You have vanquished a fairy." But Reimu returned a thousand-yard stare, as if she had seen things that could never be unseen. "...Senior... I didn't like to be violent... will I have to act like this when I grow up?" Senior was somewhat taken aback by that negative transformation. Not sure of how to deal with it, she responded. "Reimu... I'm sorry. Our world is a pretty bad place - you either learn to fight, or you die." "B-but can't you change that? You're strong." "Unfortunately this is the best I can do. I can fight for peace so that you won't have to fight as much." Senior then donned a look of resignation. "Changing all of Gensokyo is beyond my ability..." A single tear rolled down Senior's cheek. Reimu attempted to cheer her up. "I will find a way someday." Senior gave Reimu a big hug. "Yes you will..."
Mother and daughter eventually fought their way to the front doors of the mansion. "This is it. This is where I can put a stop to this raging war. Reimu, give me your gohei. I need all the strength I can muster for this." "B-but won't I be defenseless without it?" Reimu sobbed. "Just stay outside of these doors and you should be fine." As Reimu backed off, Senior wound up for a fierce kick. With a loud crash, the doors were forced open. A pair of scarlet eyes peeked out from inside and a howl of rage was heard: "Who dares break into my Mansion?!" "That is me, the Hakurei Miko. Today your petty war ends." "It will not end until I say so. Gensokyo under my command will become a paradise for youkai." "You are insane with power, Remilia. Gensokyo should be a safe place for all who live in it." "What fun is in safety? Subjugation is power." "Remilia, your ideals fill me with disgust. You leave me no choice but to force you to abandon them." "I will take great pleasure in defending my ideals..." Remilia drew her Gungnir. "...and in spilling your blood!" A fierce battle then ensued.
Bloodied but not beaten, Senior appeared to be faltering while Remilia seemed hardly fazed. "You are strong. I cannot let such strength go to waste..." Remilia leapt onto a nearby wall. "...your blood is mine! All mine!" Then she launched at Senior like a missile. "Senior evaded it, but still managed to grab the vampire's neck and pull her down to the ground. "What?" was all Remilia could say before crashing into the ground hard enough to send splinters everywhere. Preparing a lethal thrust with Reimu's gohei, Senior climbed on top of Remilia and threatened: "Stop this war, right now, or pay the price with your life!" As soon as this phrase was said, another pair of crimson eyes emerged from the dark. "What's all the noise--" Flandre Scarlet. The sister of the Scarlet Devil had showed up and the first thing she saw was Remilia, beaten into submission by Senior. "Big sister?!" Flandre's eyes started to glow with anger. Then she turned towards Senior. "What are you doing to my sister?!?" An evil eye appeared by her side. "You! Let go of my sister!" A scarlet aura formed. "NOW!!" A blinding flash, then an explosion... Several seconds later, there was no more Hakurei Miko. All that was left of her was a large blood stain and a bloodied Remilia. "Are you alright, big sis?"
Reimu could only powerlessly watch the fight unfold from a distance, until the great flash happened. It blinded her for several seconds and the first things she noticed were that Senior was gone and a large bloody stain was at the site of the battle. Realizing Senior was dead, she reacted as anyone would. "No... NOOOOO!!!!" Reimu cried out. "How... could... this be?" Reimu barely sobbed as she started crying profusely. Reimu then kneeled down, face hidden on the ground, and began to reminisce about the times she spent with her mother. "Mommy... a harsh, but caring teacher. She fought, she gave her blood for a better world... and now she is gone. She will never see the world that she wanted..." Remilia heard the crying and briefly excused herself to investigate. "Little sis, looks like we have another visitor." "Take care of him." Flandre then hugged her older sister. "I'm so glad you're alright, sis~" Just outside of the mansion doors she spotted Reimu, kneeling face down, crying profusely. "Oh, it's just a child..." she said to herself. "...was she with the Hakurei Miko?" "Little Hakurei, I will give you exactly one chance to leave with your life." Reimu raised her head in shock. "Do you want to end up like your mother? Come on, GO!!" Reimu ran out of the mansion, crying all the way. While walking the rest of the way home she was thinking: "Why did mom have to die? Will I have to fight all my life? Am I doomed to die early?" Atop the shrine's steps the youkai of borders Yukari Yakumo was waiting for her. "Reimu, I have news to bring you. The current Hakurei Miko is--" Reimu cuts her off. "Gone. Yes Yukari, I've seen her disappear with my own eyes." She said, continuing to sob. The memory was a painful one. Trying to be careful Yukari said: "I-I'm afraid you are the only one who can replace her." Reimu burst into tears. "Yukari! Why did you not do anything to save her? Why did you let Senior die alone?!" "Flandre is capable of destryong everything and anything. Interfering would risk my life and the entire Gensokyo barrier!" Reimu was momentarily silent. Yukari's reaction was a conflicting one - avoiding unnecessary harm is a selfish thing, but if she dies, so does Gensokyo. Yukari paced about impatiently, watching time pass in Gensokyo without a protector. "There's no avoiding your fate, Reimu. Your predecessor is dead and you're her only descendant." Reimu's head lowered, in resignation to her fate. "Looks like I can't change this... but is there... something you can do about all this violence, all this blood being spilled?" Yukari hesitated before answering. "I think I may be able to do something." Reimu's crying gradually tapered down. "What can you do for me?" "I will confess you something, Reimu. I too am tired of all this violence over petty things - which is why I came up with these." Yukari handed Reimu a scroll. "Spellcard rules. By settling arguments with nonlethal danmaku we can hopefully cut back on the death and bloodshed count of our world." Reimu smiled slightly. Yukari put back the scroll and summoned a gap. "I'm going to negotiate these terms with Remilia. Hopefully she will accept them." Yukari then disappeared into it completely.
Reimu stared into the horizon. "If these spellcard rules are accepted by everyone, there will be no more bloodshed." With a smile, she continued to think: "Fighting for peace will be easier... and actually worth it." Finally, she donned a defiant look: "I will do my best to keep Gensokyo calm. Senior, I will make Gensokyo a better place. A place worth living in."
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Ariezza
Promised Arclight
Posts: 615
There is now only a white phantom that looks like you
Favorite Game: Double Dealing CharacterFavorite Character: Satori KomeijiCustom Title: Promised ArclightMini-Profile Background: {"image":"https://i.imgur.com/udbtmBy.png","color":""}Mini Profile Text Color: ffffffMini-Profile Name Color: ffffffOverride Avatar (Auto-Extended Mini-Profile): Enable
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Post by Ariezza on Jan 26, 2015 22:58:18 GMT
10th entry! And supposedly one of the two 'Twin entries' that were sent earlier today.
I should sleep more, so I wake up to new entries everyday xD Why me?
I didn’t even know why I was here.
Yukari Yakumo, the boundary youkai, had asked me to come to see the recently emerged hot spring. Interested in the new tourist locale, I had obliged. Next thing I knew, she had me gapped below the crater.
“Investigate the source,” was all she told me then.
Now, I am staring the “source” right in the face. A single hell raven, as ignorant to the problem as I am.
“You sent those spirits up?” Yukari says through the orb.
“Spirits?” I say, confused by what she has said. “I didn’t notice any.”
“There were evil spirits coming from the geyser.”
I pause. That was all the reason I needed to fry this bird.
The reason to fight.
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